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La genealogia francese della Beat Generation: Burroughs, Ginsberg e Kerouac's A-

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The French Genealogy of the Beat Generation: Burroughs, Ginsberg and Kerouac's A
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Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
ISBN-13
9781501352003
Book Title
The French Genealogy of the Beat Generation
ISBN
9781501352003
Subject Area
Literary Criticism
Publication Name
French Genealogy of the Beat Generation : Burroughs, Ginsberg and Kerouac's Appropriations of Modern Literature, from Rimbaud to Michaux
Item Length
9 in
Publisher
Bloomsbury Publishing
Subject
Comparative Literature, European / General, American / General
Publication Year
2019
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Véronique Lane
Item Width
6 in
Item Weight
13.5 Oz
Number of Pages
280 Pages

Informazioni su questo prodotto

Product Information

The Francophilia of the Beat circle in the New York of the mid-1940s is well known, as is the importance of the Beat Hotel in the Paris of the late 1950s and early 1960s, but how exactly did French literature and culture participate in the emergence of the Beat Generation? French modernism did much more than inspire its first major writers, it materially shaped their works, as this comparative study reveals through close textual analysis of William Burroughs, Allen Ginsberg and Jack Kerouac's appropriations of French literature and culture. Sometimes acknowledged, sometimes not, their appropriations take multiple forms, ranging from allusions, invocations and citations to adaptations and translations, and they involve a vast array of works, including the poetic realist films of Carn and Cocteau, the existentialist philosophy of Sartre, and the poems and novels of Baudelaire, Rimbaud, Proust, Gide, Apollinaire, St.-John Perse, Artaud, C line, Genet and Michaux.While clarifying the extent of Burroughs, Ginsberg and Kerouac's engagements with French literature and culture, in-depth analysis of their textual appropriations emphasises differences in their views of literature, philosophy and politics, which help us understand the early Beat circle was divided from the start. The book's close-readings also transform our perception of Burroughs' cut-up practice, Kerouac's spontaneous prose, and Ginsberg's poetics of open secrecy.

Product Identifiers

Publisher
Bloomsbury Publishing
ISBN-10
1501352008
ISBN-13
9781501352003
eBay Product ID (ePID)
16038391454

Product Key Features

Author
Véronique Lane
Publication Name
French Genealogy of the Beat Generation : Burroughs, Ginsberg and Kerouac's Appropriations of Modern Literature, from Rimbaud to Michaux
Format
Trade Paperback
Language
English
Subject
Comparative Literature, European / General, American / General
Publication Year
2019
Type
Textbook
Subject Area
Literary Criticism
Number of Pages
280 Pages

Dimensions

Item Length
9 in
Item Height
0.6 in
Item Width
6 in
Item Weight
13.5 Oz

Additional Product Features

Lc Classification Number
Ps228.B6l36 2019
Reviews
"The first and most thorough book-length attempt to rectify [a] disciplinary blind-spot by uncovering the major Beat Generation writers' multi-faceted appropriations of French literary antecedents. From a Francophone perspective, but with a comparativist's sensibility for nuanced readings of translingual and cross-cultural literary appropriation, Lane's essays tackle both the infamous and the forgotten works of Jack Kerouac, Allen Ginsberg, and William S. Burroughs ... Through her genealogical, archaeological, and inter-textual approach, Lane's startling, at times haunting, juxtapositions reveal the vibrant and diverse evolution of transatlantic cultural networks across a constellation of slippery texts and subversive artworks ... In her genealogy of the French roots of the Beat Generation's rhizomatic outgrowths, Véronique Lane's The French Genealogy of the Beat Generation offers an entertaining and erudite invitation to explore the transcultural appropriations that generated America's most subversive and marginalized literature." - L'Esprit Créateur "Lane's groundbreaking study ... Replete with original and perceptive comparative close readings ... will appeal to French as well as Beat literature specialists." -- French Studies "Véronique Lane's The French Genealogy of the Beat Generation fills an important and often unacknowledged gap in the study of these seemingly echt-American rebels. The Beats' literary Frenchness is more than an artifact of their time-it is a key to their literary values and a measure of the tradition of literary revolt that spread from 19th-century France across continents and centuries. Lane elucidates the connections with wit, grace, and style." -- Luc Sante, Visiting Professor of Writing and the History of Photography, Bard College, USA, and author of The Other Paris (2015) "Lane has written a pearl of a book, illuminating a central aspect of Beat literature that's long been obscure." -- Ann Charters, Professor of American Literature, University of Connecticut, USA "This timely and informative book establishes the importance of French writers for the Beat generation of writers so effortlessly and convincingly that one can only wonder why it has never been done before. Deploying an intimate grasp of the works of Burroughs, Ginsberg and Kerouac based on detailed textual analysis, this ambitious study is sure to be a reference-point for many years to come." -- Mairéad Hanrahan, Professor and Chair of French, University College London, UK "Véronique Lane's informed close readings succeed in showing that French Modernity was much more than a mere influence for the major Beat authors. While clarifying their relations to the works of Rimbaud, of Cocteau, but also of Saint-John Perse and Michaux or the cinema of Carné, this study revives in unexpected ways the poetic project, embraced by both the American and French traditions it investigates, of changing our idea of mankind. A book that ought to be read on both sides of the Atlantic." -- Dominique Rabaté, Professor of 20th Century French Literature, Université Paris Diderot - Paris VII, France, Lane's groundbreaking study ... is replete with original and perceptive comparative close readings that will appeal to French as well as Beat literature specialists., "The first and most thorough book-length attempt to rectify [a] disciplinary blind-spot by uncovering the major Beat Generation writers' multi-faceted appropriations of French literary antecedents. From a Francophone perspective, but with a comparativist's sensibility for nuanced readings of translingual and cross-cultural literary appropriation, Lane's essays tackle both the infamous and the forgotten works of Jack Kerouac, Allen Ginsberg, and William S. Burroughs ... Through her genealogical, archaeological, and inter-textual approach, Lane's startling, at times haunting, juxtapositions reveal the vibrant and diverse evolution of transatlantic cultural networks across a constellation of slippery texts and subversive artworks ... In her genealogy of the French roots of the Beat Generation's rhizomatic outgrowths, Véronique Lane's The French Genealogy of the Beat Generation offers an entertaining and erudite invitation to explore the transcultural appropriations that generated America's most subversive and marginalized literature." -- L'Esprit Créateur "Lane's groundbreaking study ... Replete with original and perceptive comparative close readings ... will appeal to French as well as Beat literature specialists." -- French Studies "Véronique Lane's The French Genealogy of the Beat Generation fills an important and often unacknowledged gap in the study of these seemingly echt-American rebels. The Beats' literary Frenchness is more than an artifact of their time-it is a key to their literary values and a measure of the tradition of literary revolt that spread from 19th-century France across continents and centuries. Lane elucidates the connections with wit, grace, and style." -- Luc Sante, Visiting Professor of Writing and the History of Photography, Bard College, USA, and author of The Other Paris (2015) "Lane has written a pearl of a book, illuminating a central aspect of Beat literature that's long been obscure." -- Ann Charters, Professor of American Literature, University of Connecticut, USA "This timely and informative book establishes the importance of French writers for the Beat generation of writers so effortlessly and convincingly that one can only wonder why it has never been done before. Deploying an intimate grasp of the works of Burroughs, Ginsberg and Kerouac based on detailed textual analysis, this ambitious study is sure to be a reference-point for many years to come." -- Mairéad Hanrahan, Professor and Chair of French, University College London, UK "Véronique Lane's informed close readings succeed in showing that French Modernity was much more than a mere influence for the major Beat authors. While clarifying their relations to the works of Rimbaud, of Cocteau, but also of Saint-John Perse and Michaux or the cinema of Carné, this study revives in unexpected ways the poetic project, embraced by both the American and French traditions it investigates, of changing our idea of mankind. A book that ought to be read on both sides of the Atlantic." -- Dominique Rabaté, Professor of 20th Century French Literature, Université Paris Diderot - Paris VII, France, The first and most thorough book-length attempt to rectify [a] disciplinary blind-spot by uncovering the major Beat Generation writers' multi-faceted appropriations of French literary antecedents. From a Francophone perspective, but with a comparativist's sensibility for nuanced readings of translingual and cross-cultural literary appropriation, Lane's essays tackle both the infamous and the forgotten works of Jack Kerouac, Allen Ginsberg, and William S. Burroughs ... Through her genealogical, archaeological, and inter-textual approach, Lane's startling, at times haunting, juxtapositions reveal the vibrant and diverse evolution of transatlantic cultural networks across a constellation of slippery texts and subversive artworks ... In her genealogy of the French roots of the Beat Generation's rhizomatic outgrowths, Véronique Lane's The French Genealogy of the Beat Generation offers an entertaining and erudite invitation to explore the transcultural appropriations that generated America's most subversive and marginalized literature., Lane's groundbreaking study ... Replete with original and perceptive comparative close readings ... will appeal to French as well as Beat literature specialists., Véronique Lane's The French Genealogy of the Beat Generation fills an important and often unacknowledged gap in the study of these seemingly echt-American rebels. The Beats' literary Frenchness is more than an artifact of their time--it is a key to their literary values and a measure of the tradition of literary revolt that spread from 19th-century France across continents and centuries. Lane elucidates the connections with wit, grace, and style., "Lane's groundbreaking study ... Replete with original and perceptive comparative close readings ... will appeal to French as well as Beat literature specialists." -- French Studies "Véronique Lane's The French Genealogy of the Beat Generation fills an important and often unacknowledged gap in the study of these seemingly echt-American rebels. The Beats' literary Frenchness is more than an artifact of their time-it is a key to their literary values and a measure of the tradition of literary revolt that spread from 19th-century France across continents and centuries. Lane elucidates the connections with wit, grace, and style." -- Luc Sante, Visiting Professor of Writing and the History of Photography, Bard College, USA, and author of The Other Paris (2015) "Lane has written a pearl of a book, illuminating a central aspect of Beat literature that's long been obscure." -- Ann Charters, Professor of American Literature, University of Connecticut, USA "This timely and informative book establishes the importance of French writers for the Beat generation of writers so effortlessly and convincingly that one can only wonder why it has never been done before. Deploying an intimate grasp of the works of Burroughs, Ginsberg and Kerouac based on detailed textual analysis, this ambitious study is sure to be a reference-point for many years to come." -- Mairéad Hanrahan, Professor and Chair of French, University College London, UK "Véronique Lane's informed close readings succeed in showing that French Modernity was much more than a mere influence for the major Beat authors. While clarifying their relations to the works of Rimbaud, of Cocteau, but also of Saint-John Perse and Michaux or the cinema of Carné, this study revives in unexpected ways the poetic project, embraced by both the American and French traditions it investigates, of changing our idea of mankind. A book that ought to be read on both sides of the Atlantic." -- Dominique Rabaté, Professor of 20th Century French Literature, Université Paris Diderot - Paris VII, France, Véronique Lane's informed close readings succeed in showing that French Modernity was much more than a mere influence for the major Beat authors. While clarifying their relations to the works of Rimbaud, of Cocteau, but also of Saint-John Perse and Michaux or the cinema of Carné, this study revives in unexpected ways the poetic project, embraced by both the American and French traditions it investigates, of changing our idea of mankind. A book that ought to be read on both sides of the Atlantic., This timely and informative book establishes the importance of French writers for the Beat generation of writers so effortlessly and convincingly that one can only wonder why it has never been done before. Deploying an intimate grasp of the works of Burroughs, Ginsberg and Kerouac based on detailed textual analysis, this ambitious study is sure to be a reference-point for many years to come., Lane has written a pearl of a book, illuminating a central aspect of Beat literature that's long been obscure.
Table of Content
List of FiguresAcknowledgmentsIntroduction: Beyond "Rimbaud in a raincoat"1. Burroughs or Kerouac's Rimbaud: To Be or Not To Be "L I T E R A R Y" 2. French Poetic Realist Film in Kerouac's Unknown Bookmovie3. Kerouac's Humanism: From Céline and Dostoevsky to Proust4. Burroughs' Queer Aesthetics: From Gide to Cocteau5. Looking Back on Ginsberg's "Howl" from "Apollinaire's Grave"6. The Pitfalls of Open Secrecy: "Has Nobody Noticed" St.-John Perse?7. Burroughs' (Anti)humanism: Saint Genet and the Last Lifeboat8. Burroughs, Michaux, and the Future of LiteratureConclusion: A Purloined GenealogyBibliographyNotesIndex
Copyright Date
2019
Target Audience
College Audience
Dewey Decimal
810.90054
Dewey Edition
23
Illustrated
Yes

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