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Woman with a Movie Camera: My Life as a Russian Filmmaker (Constructs Series) b
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Oggetto che si trova a: Eugene, Oregon, Stati Uniti
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Numero oggetto eBay:386955725873
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Specifiche dell'oggetto
- Condizione
- ISBN
- 9780292713437
- Book Title
- Woman with a Movie Camera : My Life As a Russian Filmmaker
- Book Series
- Constructs Ser.
- Publisher
- University of Texas Press
- Item Length
- 9 in
- Publication Year
- 2006
- Format
- Mass Market
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.7 in
- Genre
- Performing Arts, Biography & Autobiography
- Topic
- Cultural Heritage, Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
- Item Weight
- 16 Oz
- Item Width
- 6 in
- Number of Pages
- 288 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
University of Texas Press
ISBN-10
0292713436
ISBN-13
9780292713437
eBay Product ID (ePID)
52847121
Product Key Features
Book Title
Woman with a Movie Camera : My Life As a Russian Filmmaker
Number of Pages
288 Pages
Language
English
Topic
Cultural Heritage, Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Publication Year
2006
Illustrator
Yes
Genre
Performing Arts, Biography & Autobiography
Book Series
Constructs Ser.
Format
Mass Market
Dimensions
Item Height
0.7 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-009472
Dewey Edition
22
Dewey Decimal
791.4302/32092 B
Table Of Content
Foreword by Robert Rosen Acknowledgments Introduction Father Childhood Our House Bolshevo Those Times I Will Be a Camerawoman Where to Next? Lessons of Television Teaching The Weavers My First Film Portrait Professional Infatuations Them The Ordeal Compromises Sharp Angles On the Threshold of Change Arkhangelsk Muzhik Oleg Efremov Solovki Power Life Is More Talented Than We Are Perestroika : Another Life A Taste of Freedom Once More about Scripts Earthquake The House on Arbat Street Life with a Camera Technology and Creativity The Prince On Ethics Life with a Camera (Continued) Documentary Trip Filmography of Marina Goldovskaya Appendix: Notable Figures in Soviet Filmmaking and Other Arts
Synopsis
A fascinating autobiography that tells the intertwining stories of one of Russia's best-known documentary filmmakers and the eventful half century of Russian history she has recorded., A fascinating autobiography that tells the intertwining stories of one of Russia?s best-known documentary filmmakers and the eventful half century of Russian history she has recorded., Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and politicalbarriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience., Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street , The Shattered Mirror , and Solovky Power , has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera , Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience., Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.
LC Classification Number
PN1998.3.G645A3 2006
Copyright Date
2006
ebay_catalog_id
4
Descrizione dell'oggetto fatta dal venditore
Informazioni sul venditore professionale
St Vincent de Paul Society of Lane County Inc
Daven Stetson
2890 Chad Dr
97408 Eugene, OR
United States
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Numero oggetto eBay:386955725873
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