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How Media and Conflicts Make Migrants di Kirsten Forkert (inglese) copertina rigida Boo-

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ISBN-13: 9781526138118

Book Title: How Media and Conflicts Make Migrants

ISBN: 9781526138118

Subject Area: Social Science

Publication Name: How Media and Conflicts Make Migrants

Item Length: 8.5 in

Publisher: Manchester University Press

Subject: Media Studies, Emigration & Immigration, Anthropology / Cultural & Social

Series: Manchester University Press Ser.

Publication Year: 2020

Type: Textbook

Format: Hardcover

Language: English

Item Height: 0.7 in

Author: Gargi Bhattacharyya, Kirsten Forkert, Janna Graham, Federico Oliveri

Item Width: 5.4 in

Number of Pages: 224 Pages

Informazioni su questo prodotto

Product Information

Based on interviews and workshops with refugees in both countries, the book develops the concept of "migrantification" - in which people are made into migrants by the state, the media and members of society.

Product Identifiers

Publisher

Manchester University Press

ISBN-10

1526138115

ISBN-13

9781526138118

eBay Product ID (ePID)

15038413387

Product Key Features

Author

Gargi Bhattacharyya, Kirsten Forkert, Janna Graham, Federico Oliveri

Publication Name

How Media and Conflicts Make Migrants

Format

Hardcover

Language

English

Subject

Media Studies, Emigration & Immigration, Anthropology / Cultural & Social

Series

Manchester University Press Ser.

Publication Year

2020

Type

Textbook

Subject Area

Social Science

Number of Pages

224 Pages

Dimensions

Item Length

8.5 in

Item Height

0.7 in

Item Width

5.4 in

Additional Product Features

Intended Audience

College Audience

Reviews

'This volume explores connections between media representations, global migrants, and perceptions upheld and challenged by viewers in the UK and Italy during the 2010s. The text oscillates between chapters that unpack issues like "white amnesia" and "postcolonial innocence" among white, Western viewers, and brief "interlude" chapters that convey migrants' insights into navigating different media perspectives and experiences within their new settings. For instance, the authors note a shift from print to new media consumption that necessitates steady access to the internet and mobile technology, which flies in the face of stagnant images of migrants as "not entitled" to such technology, further limiting their access to and sharing of information. Ultimately, the authors call for building international systems to disrupt the willful "forgetting" of interconnected global histories fueling migrants' voyages, and to help them thrive in their new countries. This book could be useful for courses in political science, media studies, communications, and ethnic studies. Visual pairings might include pertinent excerpts from British and Italian newscasts from the period, along with relevant news articles and online posts, with the potential to integrate these media into a reflective "migrantification" assignment.'CHOICE, 'Overall, this book offers a new approach to the much-discussed role of international migration in Europe and its media portrayal from a critical postcolonial point of view. Its anecdotal storytelling renders it easier to read, while the formulation of clear appeals or calls to action blurs the line between activism and scholarly research.' Lilian Krüger, The International Spectator 'This volume explores connections between media representations, global migrants, and perceptions upheld and challenged by viewers in the UK and Italy during the 2010s. The text oscillates between chapters that unpack issues like "white amnesia" and "postcolonial innocence" among white, Western viewers, and brief "interlude" chapters that convey migrants' insights into navigating different media perspectives and experiences within their new settings. For instance, the authors note a shift from print to new media consumption that necessitates steady access to the internet and mobile technology, which flies in the face of stagnant images of migrants as "not entitled" to such technology, further limiting their access to and sharing of information. Ultimately, the authors call for building international systems to disrupt the willful "forgetting" of interconnected global histories fueling migrants' voyages, and to help them thrive in their new countries. This book could be useful for courses in political science, media studies, communications, and ethnic studies. Visual pairings might include pertinent excerpts from British and Italian newscasts from the period, along with relevant news articles and online posts, with the potential to integrate these media into a reflective "migrantification" assignment.' CHOICE, 'This volume explores connections between media representations, global migrants, and perceptions upheld and challenged by viewers in the UK and Italy during the 2010s. The text oscillates between chapters that unpack issues like "white amnesia" and "postcolonial innocence" among white, Western viewers, and brief "interlude" chapters that convey migrants' insights into navigating different media perspectives and experiences within their new settings. For instance, the authors note a shift from print to new media consumption that necessitates steady access to the internet and mobile technology, which flies in the face of stagnant images of migrants as "not entitled" to such technology, further limiting their access to and sharing of information. Ultimately, the authors call for building international systems to disrupt the willful "forgetting" of interconnected global histories fueling migrants' voyages, and to help them thrive in their new countries. This book could be useful for courses in political science, media studies, communications, and ethnic studies. Visual pairings might include pertinent excerpts from British and Italian newscasts from the period, along with relevant news articles and online posts, with the potential to integrate these media into a reflective "migrantification" assignment.'--C. L. Lalonde, Paul Smith's CollegeSumming Up: Recommended. Advanced undergraduates through faculty; professionals.Reprinted with permission from Choice Reviews. All rights reserved. Copyright by the American Library Association., 'This volume explores connections between media representations, global migrants, and perceptions upheld and challenged by viewers in the UK and Italy during the 2010s. The text oscillates between chapters that unpack issues like "white amnesia" and "postcolonial innocence" among white, Western viewers, and brief "interlude" chapters that convey migrants' insights into navigating different media perspectives and experiences within their new settings. For instance, the authors note a shift from print to new media consumption that necessitates steady access to the internet and mobile technology, which flies in the face of stagnant images of migrants as "not entitled" to such technology, further limiting their access to and sharing of information. Ultimately, the authors call for building international systems to disrupt the willful "forgetting" of interconnected global histories fueling migrants' voyages, and to help them thrive in their new countries. This book could be useful for courses in political science, media studies, communications, and ethnic studies. Visual pairings might include pertinent excerpts from British and Italian newscasts from the period, along with relevant news articles and online posts, with the potential to integrate these media into a reflective "migrantification" assignment.' CHOICE

Table of Content

Introduction: Conflict, media and displacement in the Twenty-First Century 1 How postcolonial innocence and white amnesia shape our understanding of the "refugee crisis" Interlude: Global war and media absences 2 War Narratives: Making sense of conflict Interlude: Songs, jokes, movies and other diversions 3 Social media, mutual aid and solidarity movements as a response to institutional breakdown Interlude: How it feels to be made a migrant: restrictions, frustration and longing 4 The processes of migrantification: how displaced people are made into migrants Interlude: Telling stories about war differently 5 Refusing the demand for sad stories Conclusion: Unsettling dominant narratives about migration in a time of flux Bibliography

2020

Dewey Decimal

302.2308691

Dewey Edition

Illustrated

Yes

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