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Comporre il canone nella Repubblica Democratica Tedesca: narrazioni dell'Ottocento-
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- Compralo SubitoComporre il canone nella Repubblica Democratica Tedesca: narrazioni dell'Ottocento
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Oggetto che si trova a: Sparks, Nevada, Stati Uniti
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Numero oggetto eBay:363410361485
Specifiche dell'oggetto
- Condizione
- Book Title
- Composing the Canon in the German Democratic Republic: Narratives
- Publication Date
- 2014-10-23
- ISBN
- 9780199998098
- Publication Year
- 2014
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Composing the Canon in the German Democratic Republic : Narratives of Nineteenth-Century Music
- Item Height
- 1.2in
- Item Length
- 6.2in
- Publisher
- Oxford University Press, Incorporated
- Item Width
- 9.3in
- Item Weight
- 16.8 Oz
- Number of Pages
- 264 Pages, 240 Pages
Informazioni su questo prodotto
Product Information
When the German Democratic Republic (GDR) was founded in 1949, its leaders did not position it as a new state. Instead, they represented East German socialism as the culmination of all that was positive in Germany's past. The GDR was heralded as the second German Enlightenment, a society in which the rational ideals of progress, Bildung, and revolution that had first come to fruition with Goethe and Beethoven would finally achieve their apotheosis. Central to this founding myth was the Germanic musical heritage. Just as the canon had defined the idea of the German nation in the nineteenth-century, so in the GDR it contributed to the act of imagining the collective socialist state. Composing the Canon in the German Democratic Republic uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself. The first book-length study in English devoted to music in the GDR, Composing the Canon in the German Democratic Republic is a seminal text for scholars of music in the Cold War and in Germany more widely.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199998094
ISBN-13
9780199998098
eBay Product ID (ePID)
201597924
Product Key Features
Publication Name
Composing the Canon in the German Democratic Republic : Narratives of Nineteenth-Century Music
Format
Hardcover
Language
English
Publication Year
2014
Type
Textbook
Number of Pages
264 Pages, 240 Pages
Dimensions
Item Length
6.2in
Item Height
1.2in
Item Width
9.3in
Item Weight
16.8 Oz
Additional Product Features
Lc Classification Number
Ml3917.G3.K45 2014
Reviews
"[Kelly] maps new territory while leaving room for more focused studies to generate a more detailed portrait of the era. The volume is a noteworthy contribution to the understanding of the politics of classical music in Germany in the second half of the 20th century. Recommended." --Choice"Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal"This book is a significant study." --Classical Net"The musical world in the GDR has been the focus of sustained scholarly attention in recent years, and Elaine Kelly's book makes a valuable contribution to this growing body of work. She offers an insightful examination of the place of the nineteenth-century musical canon in the context of the GDR, and in doing so makes useful observations on the East German variant of socialism more generally. Kelly makes effective use of a wide range of sources, including official state documents, musicological writings, and press reviews, as well as musical works themselves. She places herself in the broad consensus of recent GDR scholarship, which blurs the line between state and society, emphasizes the negotiated nature of power relations, and sees the East German dictatorship as a nuanced one."--German Studies Review, "Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal "This book is a significant study." --Classical Net, "[Kelly] maps new territory while leaving room for more focused studies to generate a more detailed portrait of the era. The volume is a noteworthy contribution to the understanding of the politics of classical music in Germany in the second half of the 20th century. Recommended." --Choice "Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal"This book is a significant study." --Classical Net"The musical world in the GDR has been the focus of sustained scholarly attention in recent years, and Elaine Kelly's book makes a valuable contribution to this growing body of work. She offers an insightful examination of the place of the nineteenth-century musical canon in the context of the GDR, and in doing so makes useful observations on the East German variant of socialism more generally. Kelly makes effective use of a wide range of sources, including official state documents, musicological writings, and press reviews, as well as musical works themselves. She places herself in the broad consensus of recent GDR scholarship, which blurs the line between state and society, emphasizes the negotiated nature of power relations, and sees the East German dictatorship as a nuanced one."--German Studies Review, "[Kelly] maps new territory while leaving room for more focused studies to generate a more detailed portrait of the era. The volume is a noteworthy contribution to the understanding of the politics of classical music in Germany in the second half of the 20th century. Recommended." --Choice "Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal "This book is a significant study." --Classical Net "The musical world in the GDR has been the focus of sustained scholarly attention in recent years, and Elaine Kelly's book makes a valuable contribution to this growing body of work. She offers an insightful examination of the place of the nineteenth-century musical canon in the context of the GDR, and in doing so makes useful observations on the East German variant of socialism more generally. Kelly makes effective use of a wide range of sources, including official state documents, musicological writings, and press reviews, as well as musical works themselves. She places herself in the broad consensus of recent GDR scholarship, which blurs the line between state and society, emphasizes the negotiated nature of power relations, and sees the East German dictatorship as a nuanced one."--German Studies Review, "[Kelly] maps new territory while leaving room for more focused studies to generate a more detailed portrait of the era. The volume is a noteworthy contribution to the understanding of the politics of classical music in Germany in the second half of the 20th century. Recommended." --Choice "Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal "This book is a significant study." --Classical Net
Table of Content
AcknowledgementsList of AbbreviationsIntroduction: Bourgeois Pasts and Socialist FuturesPart 1: Constructing the Canon1. Writing the Nation2. A Case of WagnerPart 2: Critiquing the Canon3. Late Beethoven and Late Socialism4. The Romantic Revival and the Search for Utopia5. Staging Late Socialism: Ruth Berghaus and the German Opera TraditioEpilogue: Art After SocialismBibliography
Copyright Date
2014
Topic
History & Criticism, Instruction & Study / General, General, Ethnic
Lccn
2014-002355
Dewey Decimal
780.943/1
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Music
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