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CD Statues of Liberty Drop raro OOP NUOVISSIMO sigillato-

Testo originale
Statues of Liberty Drop CD Rare OOP BRAND NEW Sealed
Condizione:
Nuovo
Prezzo:
US $10,00
CircaEUR 9,21
Spedizione:
US $4,13 (circa EUR 3,80) Economica. Vedi i dettagliper la spedizione
Oggetto che si trova a: Pleasant Valley, New York, Stati Uniti
Consegna:
Consegna prevista tra il mar 4 giu e il sab 8 giu a 43230
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Registrato come venditore privato, pertanto non si applicano i diritti dei consumatori derivanti dalla normativa europea. La Garanzia cliente eBay è comunque applicabile alla maggior parte degli acquisti.Ulteriori informazioniRegistrato come venditore privato
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Numero oggetto eBay:334689252965
Ultimo aggiornamento: 13 lug 2023 01:34:49 CESTVedi tutte le revisioniVedi tutte le revisioni

Specifiche dell'oggetto

Condizione
Nuovo: Oggetto mai aperto, ancora sigillato (se applicabile). L'oggetto è nella confezione sigillata ...
Features
Sealed
UPC
0616892971528
EAN
0616892971528
Artist
Statues of Liberty
Format
CD
Release Year
2008
Record Label
CD Baby, Cdb
Release Title
Drop
Genre
Heavy Metal

Informazioni su questo prodotto

Product Identifiers

Record Label
CD Baby, Cdb
UPC
0616892971528
eBay Product ID (ePID)
7046060622

Product Key Features

Release Year
2008
Format
CD
Genre
Heavy Metal
Artist
Statues of Liberty
Release Title
Drop

Dimensions

Item Weight
0.21 lb

Additional Product Features

Number of Tracks
22
Number of Discs
1
Tracks
1.1 Sex and Cigarettes 1.2 Run Motherfucker 1.3 Chocolate Cake 1.4 Drop 1.5 I Like a Lot 1.6 Flames 1.7 Heartbreaker 1.8 Eye to Eye 1.9 The Rise and the Fall 1.10 Hot Wired 1.11 Jiggle Bum 1.12 Huh Huh Hah Hah 1.13 Killers and Saviors 1.14 Crushing 1.15 Psychopath 1.16 Faded 1.17 Far Away 1.18 Straight to Hell 1.19 Faith 1.20 Favor 1.21 Waiting 1.22 The Lion
Notes
Featuring JOHN LAW of \'The Rock and Roll Acid Test\' on Fuse! Statues of Liberty are: JOHN LAW - LITTLE STRINGS PRINCE HAL - BIG STRINGS HITOMI - SKINS The Statue of Liberty stands in the middle of New York Bay, right out in front of the whole town, at New York City\'s gates. She holds a light so all approaching will see and come. She welcomes all who seek refuge from the storms and rough waters, all who hope for something better, all who want to be free. She is a true New York City girl. She came from France, but came to New York City. It is not the capitol of the United States of America, but it is the capitol of Earth. She welcomes it all, because she wants it all. This is the place where artists come to make their art, and businessmen come to make their billions. Some are discovered here and some are lost. Where killers hunt their prey and saviors pray for their souls. Some come to live and some come to die. She welcomes all. I walk into the room. This is New York City, raw. There is no hipster dress-code. There is everything else though. An eclectic audience, crowds the stage. Mohawks, dreadlocks, baseball caps, big hair, and bangs. Their heads bob in unison. The beat is simple, but it\'s heavy, big, and loud. Wicked. Can that tiny, little, Japanese girl in the sailor uniform, up on stage behind the drum kit really be responsible for this massive beating I hear? Wicked. There is a big man on stage next to her. More like a man-boy. He has humble good looks, but he\'s dressed like a hick, and he dances like a clown. He braces himself, planting his legs apart on the stage, and proceeds to dig into one of the meanest bass riffs I\'ve ever heard. The crowd erupts with hoots and cheers. There is another man across the stage from him, he approaches the microphone, stepping into the spotlight. You can feel the desire oozing from the female and some male members of the audience. This shirtless hunk behind the guitar is one handsome bastard. He opens his mouth softly, almost whispering, his facial expressions conveying the message more than his words. \'Some girls are fancy, in their summer clothes, some girls have a whole lotta love, but nobody knows.\' His eyes are electric, the crowd is singing along. \'I think they\'re beautiful, every one I see, every one of them is beautiful, they\'re beautiful to me.\' The guitar, the missing ingredient, arrives like an anvil dropped from the sky and all three musicians lead the crowd shouting, \'I think they\'re beautiful, beautiful to me!\' Allow me to introduce you to Statues of Liberty. The high energy punk songs are fast, and they come fast. One song ends, but they\'re already counting off the next one. The music sounds so familiar. The hooks just catch you, but the sound is not derivative or revival. It\'s fresh and new. They feel like a punk favorite, but you know you\'ve never heard anything quite like it before. New audience members have been known to hear one chorus, and by the next chorus sing along. Their songs can be extremely funny as well. These three know how to have fun. Their rap \'Jiggle Bum\' leaves guffawing party-goers gasping for air. Their unique sound comes from a long friendship. John Law (guitar and lead vocals) and Prince Hal (bass and backing vocals) grew up in the same small Hudson Valley town. There was no Main Street, just woods and dirt roads. Too young to drive legally, the instant they discovered the freedom and escape of the train, they were travelling down to New York City every chance they got. They headed straight to CBGBs, The Rock Hotel, and The Ritz, where they saw the likes of Black Flag, Motorhead, Suicidal Tendencies, The Circle Jerks and many more. When they weren\'t at an infamous Sunday Hardcore Matinee, they were in their parents\' barn or garage, banging on their instruments, trying to emulate the music that made them feel so free, and laying the ground work for a life-long pursuit of musical expression and freedom. After years apa

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