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Elliott Carter's What Next? : Comunicazione, Cooperazione, Separazione Ragazzo Capuzzo-
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- Compralo SubitoElliott Carter's What Next? : Comunicazione, Cooperazione, Separazione Ragazzo Capuzzo
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Oggetto che si trova a: Milton, Wisconsin, Stati Uniti
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Numero oggetto eBay:285325599518
Specifiche dell'oggetto
- Condizione
- ISBN
- 9781580464192
- Subject Area
- Music, Biography & Autobiography
- Publication Name
- Elliott Carter's What Next? : Communication, Cooperation, and Separation
- Publisher
- University of Rochester Medical Press
- Item Length
- 9.2 in
- Subject
- History & Criticism, Instruction & Study / Appreciation, Composers & Musicians, Genres & Styles / Opera, Individual Composer & Musician
- Publication Year
- 2012
- Series
- Eastman Studies in Music Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.8 in
- Item Weight
- 17.1 Oz
- Item Width
- 6.3 in
- Number of Pages
- 204 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
158046419X
ISBN-13
9781580464192
eBay Product ID (ePID)
24038609625
Product Key Features
Number of Pages
204 Pages
Publication Name
Elliott Carter's What Next? : Communication, Cooperation, and Separation
Language
English
Subject
History & Criticism, Instruction & Study / Appreciation, Composers & Musicians, Genres & Styles / Opera, Individual Composer & Musician
Publication Year
2012
Type
Textbook
Subject Area
Music, Biography & Autobiography
Series
Eastman Studies in Music Ser.
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
17.1 Oz
Item Length
9.2 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2012-011744
Dewey Edition
23
Reviews
Keenly perceptive. . . . Excellent choice of an illustrative 'analytical vignette' at end of chapter 2. . . . Illustrated with exceptionally well-produced music examples that will aid anyone wanting to be rewarded by close listening to the connections he uncovers. MUSIC & LETTERS [Marguerite Boland] Among the best musicological writings devoted to Carter. . . . Greatly facilitated by a presentation that is remarkably clear. REVUE DE MUSICOLOGIE [Denis Vermaelen] A rare example of a book devoted entirely to a single, recent composition. . . . Show[s] how Carter manages to create a reliably functioning mechanism more than equal to the demands he makes on it. MUSICAL TIMES [Arnold Whittall] In elucidating the inner workings of Carter's musical language Capuzzo makes a significant contribution to Carter scholarship, and to the literature of contemporary music theory. --John Link, William Paterson University A fascinating study. . . . Capuzzo addresses the inner clarity and expressive immediacy of 'What Next,' as well as the tragicomedy."OPERA NEDERLAND [Mark Duijnstee] Capuzzo's prose style is plain-spoken and approachable. . . . Lively and rewarding. OPERA NEWS [Arlo McKinnon] Full Review In his insightful book-length analytical study of this opus, Guy Capuzzo has contributed an invaluable resource to Carter studies, as well as to post-tonal music theory. . . . [He] expresses his ideas with clarity, and those who do not have a predilection for technical analysis will still be able to gain much insight into the narrative, drama, history, and critical reception of the work. Readers are also fortunate that the quality of the publication is quite high, and University of Rochester Press is to be commended for their attention to editorial detail. Furthermore, Capuzzo's study makes a nice companion to those books on Carter and his music already in the press's catalogue (Carter 1997 and Meyer and Shreffler 2008). Anyone who knows these sources will certainly want Capuzzo's monograph as part of their collection as well. MUSIC THEORY ONLINE [J. Daniel Jenkins] Full Review
Series Volume Number
90
Illustrated
Yes
Volume Number
Vol. 90
Dewey Decimal
782.1
Table Of Content
IntroductionPreliminariesAn Analytic Approach to What Next?Identity Formation in Episodes 1-2Communication and Irony in the Explanation EpisodesCooperation and Confusion in the Hope EpisodesCommunication and Gender Breakdown in Episodes 37-38Appendix: Libretto ExcerptsNotesBibliographyIndex
Synopsis
The first book about Elliott Carter's only opera--or indeed about any single work by this still-productive modern master., In 1997, the eminent American composer Elliott Carter teamed with British music critic/librettist Paul Griffiths to create the one-act opera What Next? Hailed by the New York Times as "theatrically dynamic" and "poignant," the opera explores how six people work together to emerge from the wreckage of an accident. Today, What Next? enjoys a prominent position in Carter's celebrated "late late" compositional period. In the first book to focus exclusively on one Carter composition, Guy Capuzzo uses the metaphors of communication, cooperation, and separation to trace the dramatic arc of What Next? Through an approach that places stage action, words, and music on equal footing, Capuzzo's readings of four excerpts from the opera reveal the inner workings of Carter and Griffiths's tragicomedy. Elliott Carter's "What Next?": Communication, Cooperation, and Separation sheds light on a significant work by a major figure in twentieth-century concert music and will be of interest to all who study American music, vocal music, and musical criticism. Guy Capuzzo is associate professor of music theory at the University of North Carolina - Greensboro., The first book about Elliott Carter's only opera--or indeed about any single work by this still-productive modern master.In 1997, the eminent American composer Elliott Carter teamed with British music critic/librettist Paul Griffiths to create the one-act opera What Next? Hailed by the New York Times as "theatrically dynamic" and "poignant," the opera explores how six people work together to emerge from the wreckage of an accident. Today, What Next? enjoys a prominent position in Carter's celebrated "late late" compositional period. In the firstbook to focus exclusively on one Carter composition, Guy Capuzzo uses the metaphors of communication, cooperation, and separation to trace the dramatic arc of What Next? Through an approach that places stage action, words,and music on equal footing, Capuzzo's readings of four excerpts from the opera reveal the inner workings of Carter and Griffiths's tragicomedy. Elliott Carter's "What Next?": Communication, Cooperation, and Separation sheds light on a significant work by a major figure in twentieth-century concert music and will be of interest to all who study American music, vocal music, and musical criticism. Guy Capuzzo is associate professor of music theory at the University of North Carolina - Greensboro.k by a major figure in twentieth-century concert music and will be of interest to all who study American music, vocal music, and musical criticism. Guy Capuzzo is associate professor of music theory at the University of North Carolina - Greensboro.k by a major figure in twentieth-century concert music and will be of interest to all who study American music, vocal music, and musical criticism. Guy Capuzzo is associate professor of music theory at the University of North Carolina - Greensboro.k by a major figure in twentieth-century concert music and will be of interest to all who study American music, vocal music, and musical criticism. Guy Capuzzo is associate professor of music theory at the University of North Carolina - Greensboro., The first book about Elliott Carter's only opera--or indeed about any single work by this still-productive modern master. In 1997, the eminent American composer Elliott Carter teamed with British music critic/librettist Paul Griffiths to create the one-act opera What Next? Hailed by the New York Times as "theatrically dynamic" and "poignant," the opera explores how six people work together to emerge from the wreckage of an accident. Today, What Next? enjoys a prominent position in Carter's celebrated "late late" compositional period. In the firstbook to focus exclusively on one Carter composition, Guy Capuzzo uses the metaphors of communication, cooperation, and separation to trace the dramatic arc of What Next? Through an approach that places stage action, words, and music on equal footing, Capuzzo's readings of four excerpts from the opera reveal the inner workings of Carter and Griffiths's tragicomedy. Elliott Carter's "What Next?" Communication, Cooperation, and Separation sheds light on a significant work by a major figure in twentieth-century concert music and will be of interest to all who study American music, vocal music, and musical criticism. Guy Capuzzo is associate professor of music theory at the University of North Carolina - Greensboro.
LC Classification Number
MT100.C36C36 2012
Copyright Date
2012
ebay_catalog_id
4
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