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Dramma autoreferenziale di Samuel Beckett: The Sensitive Chaos - Shimon Levy-
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- Compralo SubitoDramma autoreferenziale di Samuel Beckett: The Sensitive Chaos - Shimon Levy
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Oggetto che si trova a: Portland, Oregon, Stati Uniti
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Numero oggetto eBay:234942753539
Specifiche dell'oggetto
- Condizione
- ISBN
- 9781902210544
- Subject Area
- Literary Criticism, Drama
- Publication Name
- Samuel Beckett's Self-Referential Drama : the Sensitive Chaos, 2nd Edition
- Publisher
- Liverpool University Press
- Item Length
- 6.2 in
- Subject
- Drama, European / General, General
- Publication Year
- 2002
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.8 in
- Item Weight
- 15.5 Oz
- Item Width
- 9.1 in
- Number of Pages
- 187 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
Liverpool University Press
ISBN-10
1902210549
ISBN-13
9781902210544
eBay Product ID (ePID)
1909983
Product Key Features
Number of Pages
187 Pages
Publication Name
Samuel Beckett's Self-Referential Drama : the Sensitive Chaos, 2nd Edition
Language
English
Subject
Drama, European / General, General
Publication Year
2002
Type
Textbook
Subject Area
Literary Criticism, Drama
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
15.5 Oz
Item Length
6.2 in
Item Width
9.1 in
Additional Product Features
Edition Number
2
Intended Audience
College Audience
LCCN
2002-018781
Reviews
"As before, the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike… Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context." - Journal of Beckett Studies, "As before, the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context." Journal of Beckett Studies, "... the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context..." -- Journal of Beckett Studies., "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." S. E. Gontarski, Florida State University; Editor, Journal of Beckett Studies, "As before, the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context." -- Journal of Beckett Studies, "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -- S. E. Gontarski, Sarah Herndon Professor of English, Florida State University; Editor, Journal of Beckett Studies., "... the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context..." -- Journal of Beckett Studies. "An intelligent, often fascinating analysis of Beckett's work." -- Choice. "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -- S. E. Gontarski, Sarah Herndon Professor of English, Florida State University; Editor, Journal of Beckett Studies., "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -S. E. Gontarski, Florida State University; Editor, Journal of Beckett Studies
Table Of Content
Contents: Preface; Introduction: Self-Organisation in the Middle of Chaos; Philosophical Notions; The Message of the Medium -- Theatrical Techniques; The Poetics of Offstage; The Radioplays; "Spirit Made Light" -- Film and TV Plays; Godot -- Resolution or Revolution?; I's and Eyes: A Hermeneutical Circle; Epilogue: Six She's and other Not I Proxies; Index.
Edition Description
Revised edition,Expurgated edition
Synopsis
An exploration of Samuel Beckett's drama, using the criteria that ensue from the works themselves, with particular attention given to the relationship between the medium and the message. This fully revised second edition includes chapters on the radioplays and film and television scripts., This book covers Beckett's complete dramatic works, which are examined through various expressive means: space, light, stage properties and costumes; acting, silences, vocal non-verbal expressions such as cries and whispers; and the notion of "being seen." A recurrent theme is how Beckett's self-referential and meta-theatrical plays refer back to the playwright's artistic self-consciousness and extend an invitation for an authentic dialogue with real people in the audience. This fully revised second edition includes five new chapters. "Spirit Made Light" demonstrates that Beckett's preoccupation with spiritual matters is uniquely exemplified through his film and TV scripts. A chapter on contemporary chaos theory highlights the many instances of his delicate balance between "order" and "disorder." "Godot as an Israeli Culture Hero" discusses Beckett's reception in Israel. "I on the Threshold of Offstage" explores the notion of a theatrically active void; and "On and Offstage: Spiritual Performatives in Beckett's Drama" deals with Beckett's works as they reveal a unique brinkmanship between accepting and rejecting religion and the Divine, his lucidly intellectual approach, his merciless scepticism, and his frequent ridiculing attitude towards sentimental and simplistic notions of "the spiritual" juxtaposed with his intensive quest for a "beyond."
LC Classification Number
PR6003.E282Z77134
Copyright Date
2002
ebay_catalog_id
4
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