Foto 1 di 1
Teoria della musica africana, volume II: volume 2 di Gerhard Kubik: usato-
Condizione:
Prezzo:
US $137,27
CircaEUR 126,32
- Compralo SubitoTeoria della musica africana, volume II: volume 2 di Gerhard Kubik: usato
Spedizione:
Oggetto che si trova a: Sparks, Nevada, Stati Uniti
Consegna:
Consegna prevista tra il lun 10 giu e il ven 14 giu a 43230
Restituzioni:
Restituzioni entro 30 giorni. L'acquirente paga le spese di spedizione per la restituzione dell'oggetto. Vedi i dettagli- per maggiori informazioni sulle restituzioni
Pagamenti:
Fai shopping in tutta sicurezza
Informazioni sul venditore
- 98,5% di Feedback positivi
Registrato come venditore professionale
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:403991451672
Specifiche dell'oggetto
- Condizione
- Book Title
- Theory of African Music, Volume II: Volume 2
- Publication Date
- 2010-11-15
- Pages
- 368
- ISBN
- 9780226456935
- Subject Area
- Music, History, Social Science
- Publication Name
- Theory of African Music, Volume II
- Item Length
- 0.9 in
- Publisher
- University of Chicago Press
- Subject
- Ethnomusicology, Africa / General, Anthropology / Cultural & Social, Instruction & Study / Theory, Ethnic
- Publication Year
- 2010
- Series
- Chicago Studies in Ethnomusicology Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.1 in
- Item Width
- 0.6 in
- Item Weight
- 19.4 Oz
- Number of Pages
- 368 Pages
Informazioni su questo prodotto
Product Information
Erudite and exhaustive, Gerhard Kubik's Theory of African Music provides an authoritative account of its subject. Over the course of two volumes, Kubik, one of the most prominent experts in the field, draws on his extensive travels and three decades of study throughout Africa to compare and contrast a wealth of musical traditions from a range of cultures. In this second volume, Kubik explores a variety of topics, including Yoruba chantefables, the musical Kachamba family of Malaw^ i, and the cognitive study of African rhythm. Drawing on his remarkable ability to make cross-cultural comparisons, Kubik illuminates every facet of the African understanding of rhythm, from timing systems to elementary pulsation. His analysis of tusona ideographs in Luchazi culture leads to an exploration of African space/time concepts that synthesizes his theories of art, rhythm, and culture. Featuring a large number of photographs and accompanied by a compact disc of Kubik's own recordings, Theory of African Music, Volume II , will be an invaluable reference for years to come.
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226456935
ISBN-13
9780226456935
eBay Product ID (ePID)
102767999
Product Key Features
Publication Name
Theory of African Music, Volume II
Format
Hardcover
Language
English
Subject
Ethnomusicology, Africa / General, Anthropology / Cultural & Social, Instruction & Study / Theory, Ethnic
Publication Year
2010
Series
Chicago Studies in Ethnomusicology Ser.
Type
Textbook
Subject Area
Music, History, Social Science
Number of Pages
368 Pages
Dimensions
Item Length
0.9 in
Item Height
0.1 in
Item Width
0.6 in
Item Weight
19.4 Oz
Additional Product Features
LCCN
2009-042892
Series Volume Number
2
Number of Volumes
2 Vols.
Lc Classification Number
Ml350.K83 2010
Volume Number
Vol. 2
Reviews
Theory of African Music is monumental and falls into the 'must read' category for (ethno)musicologists, most particularly Africanists. Beyond the enormous quantity of information, data, and analytical approaches, the overwhelming strength of these volumes is Kubik's lateral savvy. His breadth of knowledge and depth of understanding is unequalled in African music scholarship. Kubik also leaves a legacy of fascinating yet unexplained 'musical riddles' to stimulate our curiosity (Vol. I, 15-19). How is it that the multipart singing of the Baule in The Ivory Coast employs the same tonal system of triads within an equiheptatonic scale as the Ngangela, Chokwe, and Luvale in Angola? How can one explain the almost identical xylophones and performance practices among the Makonde and Makua in northern Mozambique and the Baule and Kru in The Ivory Coast and Liberia? And why do almost all sub-Saharan Africans dance in counterclockwise processions? Kubik may have left these riddles to others, though we look forward to his future publications with anticipation., "Gerhard Kubik's scholarship is deep and vast, and this collection of his writing has no parallel. He stands alone among Africanists for many reasons, which are amply demonstrated in these volumes: the length of time in which he has been actively researching and writing about music, the vast geographic breadth of his work within Africa, his experience in both Anglophone and Francophone Africa, and his seamless understanding of and sympathy for both older genres and more recent guitar music."-Eric Charry, Wesleyan University, Gerhard Kubik's scholarship is deep and vast, and this collection of his writing has no parallel. He stands alone among Africanists for many reasons, which are amply demonstrated in these volumes: the length of time in which he has been actively researching and writing about music, the vast geographic breadth of his work within Africa, his experience in both Anglophone and Francophone Africa, and his seamless understanding of and sympathy for both older genres and more recent guitar music., Theory of African Music is monumental and falls into the 'must read' category for (ethno)musicologists, most particularly Africanists. Beyond the enormous quantity of information, data, and analytical approaches, the overwhelming strength of these volumes is Kubik's lateral savvy. His breadth of knowledge and depth of understanding is unequalled in African music scholarship. Kubik also leaves a legacy of fascinating yet unexplained 'musical riddles' to stimulate our curiosity (Vol. I, 1519). How is it that the multipart singing of the Baule in The Ivory Coast employs the same tonal system of triads within an equiheptatonic scale as the Ngangela, Chokwe, and Luvale in Angola? How can one explain the almost identical xylophones and performance practices among the Makonde and Makua in northern Mozambique and the Baule and Kru in The Ivory Coast and Liberia? And why do almost all sub-Saharan Africans dance in counterclockwise processions? Kubik may have left these riddles to others, though we look forward to his future publications with anticipation., Theory of African Music is monumental and falls into the 'must read' category for (ethno)musicologists, most particularly Africanists. Beyond the enormous quantity of information, data, and analytical approaches, the overwhelming strength of these volumes is Kubik's lateral savvy. His breadth of knowledge and depth of understanding is unequalled in African music scholarship. Kubik also leaves a legacy of fascinating yet unexplained 'musical riddles' to stimulate our curiosity (Vol. I, 15-19). How is it that the multipart singing of the Baule in The Ivory Coast employs the same tonal system of triads within an equiheptatonic scale as the Ngangela, Chokwe, and Luvale in Angola? How can one explain the almost identical xylophones and performance practices among the Makonde and Makua in northern Mozambique and the Baule and Kru in The Ivory Coast and Liberia? And why do almost all sub-Saharan Africans dance in counterclockwise processions? Kubik may have left these riddles to others, though we look forward to his future publications with anticipation., "Gerhard Kubik's scholarship is deep and vast, and this collection of his writing has no parallel. He stands alone among Africanists for many reasons, which are amply demonstrated in these volumes: the length of time in which he has been actively researching and writing about music, the vast geographic breadth of his work within Africa, his experience in both Anglophone and Francophone Africa, and his seamless understanding of and sympathy for both older genres and more recent guitar music."Eric Charry, Wesleyan University
Table of Content
Author's Preface to Volumes I and II VI. The Cognitive Study of African Musical "Rhythm" VII. African Music and Auditory Perception VIII. Àl ?´ --Yoruba Chantefables: An Integrated Approach towards West African Music and Oral Literature IX. Genealogy of a Malawian Musician Family: Daniel J. Kachamba (1947-1987) and His Associates X. African Space/Time Concepts and the Tusona Ideographs in Luchazi Culture Further Recommended Readings List of Musical Examples on CD II Indexes for Volumes I and II Index of Artists and Authors Index of African Ethnic-Linguistic Designations Index of Song Titles General Index
Copyright Date
2010
Target Audience
Scholarly & Professional
Dewey Decimal
780.96
Dewey Edition
22
Illustrated
Yes
Descrizione dell'oggetto fatta dal venditore
Informazioni sul venditore professionale
Alibris, Inc.
Rob Lambert
2560 9th St
Ste 215
94710-2565 Berkeley, CA
United States
Certifico che tutte le mie attività di vendita saranno conformi alle leggi e ai regolamenti dell'Unione Europea.
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:403991451672
Spedizione e imballaggio
Luogo in cui si trova l'oggetto:
Sparks, Nevada, Stati Uniti
Destinazione:
Albania, Andorra, Angola, Anguilla, Antigua e Barbuda, Arabia Saudita, Argentina, Armenia, Aruba, Australia, Austria, Bahamas, Bahrain, Bangladesh, Belgio, Belize, Benin, Bermuda, Bhutan, Bolivia, Bosnia-Erzegovina, Botswana, Brunei Darussalam, Bulgaria, Burkina Faso, Burundi, Cambogia, Camerun, Canada, Capo Verde, Isole, Ciad, Cile, Cina, Cipro, Città del Vaticano, Colombia, Corea del Sud, Costa Rica, Costa d'Avorio, Danimarca, Ecuador, Egitto, El Salvador, Emirati Arabi Uniti, Eritrea, Estonia, Etiopia, Fiji, Filippine, Finlandia, Francia, Gambia, Georgia, Germania, Ghana, Giamaica, Giappone, Gibilterra, Gibuti, Giordania, Grecia, Grenada, Groenlandia, Guatemala, Guiana, Guinea, Guinea Equatoriale, Haiti, Honduras, Hong Kong, India, Indonesia, Irlanda, Islanda, Isole Cayman, Isole Salomone, Israele, Italia, Kazakhstan, Kenya, Kiribati, Kuwait, Kyrgyzstan, Laos, Lesotho, Lettonia, Libano, Liechtenstein, Lituania, Lussemburgo, Macau, Macedonia, Madagascar, Malawi, Malaysia, Maldive, Mali, Malta, Marocco, Mauritania, Mauritius, Messico, Moldavia, Monaco, Mongolia, Montenegro, Montserrat, Mozambico, Namibia, Nauru, Nepal, Nicaragua, Niger, Norvegia, Nuova Zelanda, Oman, Paesi Bassi, Pakistan, Panama, Papua Nuova Guinea, Paraguay, Perù, Polonia, Portogallo, Qatar, Regno Unito, Repubblica Ceca, Repubblica Centrafricana, Repubblica Dominicana, Repubblica del Congo, Repubblica del Gabon, Repubblica dell'Azerbaigian, Repubblica democratica del Congo, Repubblica di Croazia, Romania, Ruanda, Saint Kitts e Nevis, Saint Vincent e Grenadine, Samoa occidentali, San Marino, Santa Lucia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovacchia, Slovenia, Spagna, Sri Lanka, Stati Uniti, Sud Africa, Suriname, Svezia, Svizzera, Swaziland, Taiwan, Tajikistan, Tanzania, Thailandia, Togo, Tonga, Trinidad e Tobago, Tunisia, Turchia, Turkmenistan, Turks e Caicos, Isole, Uganda, Ungheria, Uruguay, Uzbekistan, Vanuatu, Vietnam, Wallis e Futuna, Yemen, Zambia, Zimbabwe
Paesi in cui non si effettua la spedizione:
APO/FPO, Afghanistan, Alaska/Hawaii, Algeria, Barbados, Bielorussia, Brasile, Federazione Russa, Guadalupa, Guinea-Bissau, Guyana francese, Iraq, Liberia, Libia, Martinica, Nigeria, Nuova Caledonia, Polinesia francese, Protettorati USA, Riunione, Ucraina, Venezuela
| Spedizione e imballaggio | A | Servizio | Consegna*Vedi le note di consegna |
|---|---|---|---|
| Spedizione gratuita | Stati Uniti | Standard Shipping | Consegna prevista tra il lun 10 giu e il ven 14 giu a 43230 |
| US $5,50 (circa EUR 5,06) | Stati Uniti | Expedited Shipping | Consegna prevista tra il lun 10 giu e il ven 14 giu a 43230 |
| Tempi di imballaggio |
|---|
| La spedizione di solito viene effettuata entro 2 giorni lavorativi dalla ricezione del pagamento. |
| Imposte |
|---|
| Il venditore addebita l'imposta sulla vendita in |
Imposte sulle vendite per oggetto num. 403991451672
Imposte sulle vendite per oggetto num. 403991451672
Il venditore riscuote l'imposta sulle vendite per gli oggetti spediti ai seguenti Stati:
| Stato | Aliquota dell'imposta sulla vendita |
|---|
Regole sulle restituzioni
| Dopo aver ricevuto l'oggetto, contatta il venditore entro | Modalità di rimborso | Spese di restituzione |
|---|---|---|
| 30 giorni | Rimborso in contanti | L'acquirente paga le spese di spedizione per la restituzione dell'oggetto |
Clicca quiqui per ulteriori dettagli sulle Restituzioni. Per le transazioni idonee, sei coperto dal programma Garanzia cliente eBay se ricevi un oggetto non conforme alla descrizione.
Le spese di spedizione per la restituzione sono a carico dell'acquirente.
| Informazioni sulla restituzione |
|---|
| Restituzioni accettate |
Dettagli di pagamento
Metodi di pagamento
Nota: nella procedura di pagamento potrebbero non essere disponibili alcuni metodi di pagamento a causa della valutazione del rischio dell'acquirente.
Registrato come venditore professionale
Feedback del venditore (461.309)
r***r (444)- Feedback lasciato dall'acquirente.
Mese scorso
Acquisto verificato
My package came quickly and in good condition
r***e (11)- Feedback lasciato dall'acquirente.
Mese scorso
Acquisto verificato
Perfect condition & fast shipping
0***0 (543)- Feedback lasciato dall'acquirente.
Mese scorso
Acquisto verificato
Prompt shipment. Secure packaging
Valutazioni e recensioni del prodotto
Vedi altro:
- Riviste di musica, danza e teatro, tema musici,
- Riviste di musica, danza e teatro settimanale,
- Riviste di musica, danza e teatro rossi,
- Riviste di musica, danza e teatro mensile,
- Riviste di musica, danza e teatro mensile, tema musici,
- Riviste di musica, danza e teatro, tema musici in italiano,
- Riviste di musica, danza e teatro settimanale, tema musici,
- Riviste di musica, danza e teatro in italiano,
- Riviste di musica, danza e teatro neri,
- Libri di testo, tema musici