Synopsis
This edition in the Oxford Shakespeare series completes the trilogy of Henry VI plays. In his introduction Michael Taylor considers the implications of the gap between first performance in 1592 and the play's first printed appearance in the 1623 folio. He discusses key issues such as language, structure, performance history, and the role of women in the play., Henry VI: Part One is a dramatic tale of the lives of soldiers, diplomats, kings, and insurrectionists. It depicts the fractious instability of the court and nobility of fifteenth-century England, and their squabbles with their French counterparts. Despite its debut performance in 1592, however, Henry VI: Part One does not appear in printed form until some thirty years later, in the 1623 folio. There are many questions, therefore, surrounding exactly how many people wrote the play, when they did so, how it was performed, who played what part, and the nature of the manuscript behind the first performance. In his wide-ranging introduction, Michael Taylor offers answers to these questions, and discusses other key issues such as language, structure, performance history, and the role of women in the play. Taylor edits the play for students, scholars, and theater-goers with an informative commentary on all aspects of the language, action, characters, and staging., The Oxford ShakespeareGeneral Editor: Stanley WellsThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers- a new, modern-spelling text, collated and edited from all existing printings- On-page commentary and notes explain meaning, staging, language, and allusions- Detailed introduction considers the first performance in 1592 in relation to the 1623 folio, structure, theatrical history, and the role of women in the play- Illustrated with production photographs and related art- Full index to introduction and commentary- Durable sewn binding for lasting use'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.'
