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Bomb The Bass - Territorio sconosciuto (vinile colorato 180 grammi)-
US $33,98
CircaEUR 30,49
Condizione:
Nuovo
Oggetto mai aperto, ancora sigillato (se applicabile). L'oggetto è nella confezione sigillata originale (se applicabile). Per maggiori dettagli, consulta l'inserzione del venditore.
Spedizione:
Sped. gratis in 3 giorni
Ricevilo tra il mer 25 set e il gio 26 set a 43230.
Oggetto che si trova a: Brackenridge, Pennsylvania, Stati Uniti
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico dell'acquirente.
Pagamenti:
Fai shopping in tutta sicurezza
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:395344155023
Specifiche dell'oggetto
- Condizione
- Custom Bundle
- No
- Material
- Vinyl
- Modified Item
- No
- UPC
- 8719262006942
- Artist
- Bomb the Bass
- Format
- Record
- Release Year
- 2019
- Record Label
- Movl, Music On Vinyl
- Release Title
- Unknown Territory
- Genre
- Electronic
Informazioni su questo prodotto
Product Identifiers
Record Label
Movl, Music On Vinyl
UPC
8719262006942
eBay Product ID (ePID)
26046051076
Product Key Features
Format
Record
Release Year
2019
Genre
Electronic
Artist
Bomb the Bass
Release Title
Unknown Territory
Dimensions
Item Height
0.20 in
Item Weight
0.68 lb
Item Length
12.50 in
Item Width
12.28 in
Additional Product Features
Country/Region of Manufacture
Netherlands
Number of Discs
1
Notes
Limited 180gm audiophile vinyl LP pressing including mini poster. Bomb the Bass' second album Unknown Territory was a venture into the progressive dance music. 'Winter in July' was the album's single hit, peaking at #7 in the UK charts. The mid-tempo hip-hop was later being dubbed as trip-hop. Music writer Simon Reynolds searched for a way to 'combine the art of sampling with the energy of rock and roll'. This combination worked out pretty well and the 10 songs shows how they developed to a band who integrated different aspects from electronic music in their hip-hop sounds. Bomb The Bass were one of the first acts to bring sample-based music and scratching to a mainstream audience.
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