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Cahiers dArt N1, 2015: Calder in Francia (Cahiers dArt Revues). Rower, diga*#-
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Specifiche dell'oggetto
- Condizione
- Title
- Cahiers dArt N1, 2015: Calder in France (Cahiers dArt Revues)
- ISBN
- 9782851171818
- Subject Area
- Art
- Publication Name
- Cahiers D'art: Calder in France : 39th Year
- Publisher
- Cahiers D'art
- Item Length
- 13.9 in
- Subject
- Sculpture & Installation, Individual Artists / General, Criticism & Theory, Annuals
- Publication Year
- 2015
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Item Weight
- 44.1 Oz
- Item Width
- 9.9 in
- Number of Pages
- 194 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
Cahiers D'art
ISBN-10
285117181X
ISBN-13
9782851171818
eBay Product ID (ePID)
25038733365
Product Key Features
Number of Pages
194 Pages
Publication Name
Cahiers D'art: Calder in France : 39th Year
Language
English
Publication Year
2015
Subject
Sculpture & Installation, Individual Artists / General, Criticism & Theory, Annuals
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
44.1 Oz
Item Length
13.9 in
Item Width
9.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
730.92
Synopsis
History of the artists who have lived in residence at Alexander Calder's former studio in Sache, France, "Calder reached his artistic maturity in 1920s Paris at a time when the city was very much the center of burgeoning avant-garde experimentation. His early years in Paris marked the beginning of a lasting love for France, where he met many of his lifelong artist friends," explains Alexander S. C. Rower, grandson of the artist and president of the Calder Foundation. "Calder's time in France, and his continued legacy there, constitutes a natural and rich subject for study." The revue undertakes an in-depth exploration of the significant years Calder spent in France, beginning with his crucial years in Paris from 1926 to 1933, during which time the artist firmly established his imprint on the avant-garde scene. After the war, Calder spent significant periods of time in Paris in 1946, in Aix-en-Provence in 1953, and finally in Saché in the Loire Valley, where he would design his final monumental studio in 1963. The revue unveils the studios where Calder lived and worked through archival documentation, offering deeper insight into his work in each of these enigmatic places. Calder in France also celebrates the legacy of Calder's Saché studio over the past 25 years as a residency program for contemporary artists. Over the past quarter century, fifty artists have worked in Calder's studio, including Martin Puryear, Tara Donovan, Ernesto Neto and Sarah Sze. The revue contains interviews with Tadashi Kawamata, Abraham Cruzvillegas and Rachel Harrison, a selection of images of past residents' work, and a special portfolio of models for new sculptures by 2014 resident Monika Sosnowska. The revue also highlights Calder's relationship with former Cahiers d'Art publisher Christian Zervos through the reproduction of several pivotal essays on Calder published during the artist's lifetime. Images of the artist's work are published alongside seminal texts by Alexander S. C. Rower, and Susan Braeuer Dam, Director of Research and Publications at the Calder Foundation. The revue is also enriched with contributions by Alfred Pacquement, former Director of the Musée National d'Art moderne, Centre Pompidou and President of the Board of the Atelier Calder; Raphaël Bouvier, Curator at the Fondation Beyeler; Robert Rubin, architectural historian; and Hans-Ulrich Obrist, Co-Director of the Serpentine Gallery in London. Accompanying the texts are defining photographs of Calder and his work by Ugo Mulas and also Agnès Varda, with an interview by curator and art historian Joan Simon., To commemorate the 25th anniversary of the Atelier Calder in France, the residency at Calder's former studioin Sache, this special issue of the revue will be published on Calder in France. It will include historical essays and numerous previously unpublished photographs pertaining to Calder's time in France, the design and construction of his Sache studio, and an essay by Alfred Pacquement (President of the Board of the Atelier Calder) on the artists who have been in residency over the past 25 years., Calder in France , produced in collaboration with the Calder Foundation, is a tribute to Alexander Calder that focuses on the modern artist's long-standing relationship with France, beginning with his years in Paris from 1926 to 1933, during which time the artist firmly established his imprint on the avant-garde scene. After the war, Calder spent significant periods of time in Paris in 1946, in Aix-en-Provence in 1953, and finally in Saché in the Loire Valley, where he would design his final monumental studio in 1963 that became in 1989 the Atelier Calder residency programme for artists to pursue projects and create new work in an exceptional environment. The revue contains images of Calder's work, interviews with Tadashi Kawamata, Abraham Cruzvillegas and Rachel Harrison, a selection of images of past residents' work, and a special portfolio of models for new sculptures by 2014 resident Monika Sosnowska, highlights on Calder's relationship with former Cahiers d'Art publisher Christian Zervos through reproduction of pivotal essays on Calder published during the artist's lifetime, texts by Alexander S. C. Rower, Calder's grandson and President of the Calder Foundation, Susan Braeuer Dam, Director of Research and Publications at the Calder Foundation, and contributions by Alfred Pacquement, Raphaël Bouvier, Robert Rubin, and Hans-Ulrich Obrist. Accompanying the texts will be defining photographs of Calder and his work by Ugo Mulas and also Agnès Varda, with an interview by art historian Joan Simon., Calder in France , produced in collaboration with the Calder Foundation, is a tribute to Alexander Calder that focuses on the modern artist's long-standing relationship with France, beginning with his years in Paris from 1926 to 1933, during which time the artist firmly established his imprint on the avant-garde scene. After the war, Calder spent significant periods of time in Paris, Aix-en-Provence, and finally in Sach , where he would design his final monumental studio in 1963 that became in 1989 the Atelier Calder residency program. The revue contains images of Calder's work, interviews with Tadashi Kawamata, Abraham Cruzvillegas, and Rachel Harrison, a selection of images of past residents' work, and a special portfolio of models for new sculptures by 2014 resident Monika Sosnowska, highlights on Calder's relationship with former Cahiers d'Art publisher Christian Zervos through reproduction of pivotal essays on Calder published during the artist's lifetime, texts by Alexander S. C. Rower, Calder's grandson and President of the Calder Foundation, Susan Braeuer Dam, Director of Research and Publications at the Calder Foundation, and contributions by Alfred Pacquement, Rapha l Bouvier, Robert Rubin, and Hans-Ulrich Obrist. Accompanying the texts will be defining photographs of Calder and his work by Ugo Mulas and also Agnes Varda, with an interview by art historian Joan Simon.
LC Classification Number
NB237
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