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Arte moderna: una breve introduzione di David Cottington (inglese) Paperback Bo-

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Specifiche dell'oggetto

Condizione: Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...

ISBN-13: 9780192803641

Type: Does not apply

ISBN: 9780192803641

Book Title: Modern Art: a Very Short Introduction

Book Series: Very Short Introductions Ser.

Publisher: Oxford University Press, Incorporated

Item Length: 6.9 in

Publication Year: 2005

Format: Trade Paperback

Language: English

Illustrator: Yes

Item Height: 0.4 in

Author: David Cottington

Genre: Art

Topic: History / General

Item Weight: 5.2 Oz

Item Width: 4.4 in

Number of Pages: 176 Pages

Informazioni su questo prodotto

Product Identifiers

Publisher

Oxford University Press, Incorporated

ISBN-10

0192803646

ISBN-13

9780192803641

eBay Product ID (ePID)

31010893

Product Key Features

Book Title

Modern Art: a Very Short Introduction

Number of Pages

176 Pages

Language

English

Topic

History / General

Publication Year

2005

Illustrator

Yes

Genre

Art

Author

David Cottington

Book Series

Very Short Introductions Ser.

Format

Trade Paperback

Dimensions

Item Height

0.4 in

Item Weight

5.2 Oz

Item Length

6.9 in

Item Width

4.4 in

Additional Product Features

Intended Audience

Trade

LCCN

2004-027127

Dewey Edition

Reviews

'Review from previous edition This sounds lively and original to me.There's little, if anything, to compare with it'Professor Erika Doss, University of Colorado at Boulder, on the proposal

Series Volume Number

Vol. 120

CLASSIFICATION_METADATA

{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Trade Paperback"],"IsChildren":["No"],"Genre":["ART"],"Topic":["History / General"],"IsTextBook":["Yes"],"IsFiction":["No"]}

Dewey Decimal

709.04

Table Of Content

IntroductionIntroduction: Modern Art: Monument or Mockery?1. The formation of the Avant-Garde2. New media, new messages3. Somebody had to be Picasso: the artist as hero4. High and Low: culture and consumerism5. Past the post: whatever next?

Synopsis

As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi., As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'?Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable., Public interest in modern art continues to grow, as witnessed by the spectacular success of the Tate Modern in London and the Bilbao Guggenheim. Modern Art: A Very Short Introduction engages general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. The book focuses on interrogating the idea of "modern" art by asking such questions as: What makes a work of art qualify as modern, or fail to? How has this selection been made? What is the relationship between modern and contemporary art? Is "postmodernist" art no longer modern, or just no longer modernist? In either case, why--and what does this claim mean, both for art and the idea of "the modern?" Cottingham examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed (1999). He also looks at the role of the dealer from the main Cubist art dealer Kahnweiler, to Charles Saatchi. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam, As public interest in modern art continues to grow, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and its history. This book does just that., Public interest in modern art continues to grow, as witnessed by the spectacular success of the Tate Modern in London and the Bilbao Guggenheim. Modern Art: A Very Short Introduction engages general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. The book focuses on interrogating the idea of "modern" art by asking such questions as: What makes a work of art qualify as modern, or fail to? How has this selection been made? What is the relationship between modern and contemporary art? Is "postmodernist" art no longer modern, or just no longer modernist? In either case, why--and what does this claim mean, both for art and the idea of "the modern?" Cottingham examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles , and Tracey Emin's Bed (1999). He also looks at the role of the dealer from the main Cubist art dealer Kahnweiler, to Charles Saatchi. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam

LC Classification Number

N6490.C68 2005

2005

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