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Acque profonde: il continuum testuale nella letteratura indiana americana, tascabile...-
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Numero oggetto eBay:364390439539
Specifiche dell'oggetto
- Condizione
- Book Title
- Deep Waters : The Textual Continuum in American Indian Literature
- ISBN
- 9781496207685
- Subject Area
- Literary Criticism, Social Science
- Publication Name
- Deep Waters : the Textual Continuum in American Indian Literature
- Publisher
- University of Nebraska Press
- Item Length
- 8.5 in
- Subject
- Ethnic Studies / Native American Studies, Native American
- Publication Year
- 2018
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.8 in
- Item Weight
- 11.7 Oz
- Item Width
- 5.5 in
- Number of Pages
- 270 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
University of Nebraska Press
ISBN-10
1496207688
ISBN-13
9781496207685
eBay Product ID (ePID)
27038758487
Product Key Features
Number of Pages
270 Pages
Publication Name
Deep Waters : the Textual Continuum in American Indian Literature
Language
English
Publication Year
2018
Subject
Ethnic Studies / Native American Studies, Native American
Type
Textbook
Subject Area
Literary Criticism, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
11.7 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2010-008266
Dewey Edition
22
Reviews
"Articulating a much-needed change in the way scholars approach Native American literatures, Teuton's thought-provoking study redefines one's sense of the relationship between tradition and modernity and poses significant questions for further research and work in the field."--C.L. Sheffield, Choice, "A careful examination of modes of Native American storytelling focusing on links between the oral, graphic, and critical impulses."--Richard Mace, Pennsylvania Literary Journal, "Christopher Teuton's study of four American Indian writers . . . offers a useful model for theorizing the interdependence of oral and written traditions within Indigenous communities."--Lindsey Claire Smith, Great Plains Quarterly, "Teuton moves elegantly between his tribal background and a multitribal approach that makes a convincing claim for rethinking the role of media in arguments about indigenous literary studies--indeed, in literary studies across the board."-- Wicazo Sa Review
Dewey Decimal
810.9/897
Table Of Content
Acknowledgements Introduction: Diving into Deep Waters 1. The Oral Impulse, the Graphic Impulse, and the Critical Impulse: Reframing Signification in American Indian Literary Studies 2. N. Scott Momaday's The Way to Rainy Mountain: Vision, Textuality, and History 3. Trickster Leads the Way: A Reading of Gerald Vizenor's Bearheart: The Heirship Chronicles 4. Transforming "Eventuality": The Aesthetics of a Tribal "Word-Collector" in Ray A. Young Bear's Black Eagle Child and Remnants of the First Earth 5. Interpreting Our World: Authority and the Written Word in Robert J. Conley's Real People Series Epilogue: Building Ground in American Indian Textual Studies Notes Works Cited Index
Synopsis
Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Diné sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recording thought are interdependent, their functions and purposes determined by social, political, and cultural contexts. The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the critical impulse, we see how and why various types of contemporary Native literary production are interrelated and draw from long-standing indigenous methods of creative representation. Teuton breaks down the disabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression., Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Din sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recording thought are interdependent, their functions and purposes determined by social, political, and cultural contexts. The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the critical impulse, we see how and why various types of contemporary Native literary production are interrelated and draw from long-standing indigenous methods of creative representation. Teuton breaks down the disabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression. Christopher B. Teuton (Cherokee Nation) is a professor of American Indian studies at the University of Washington. He is the author of the American Book Award-winner Cherokee Stories of the Turtle Island Liars and the coeditor of Reasoning Together: The Native Critics Collective .
LC Classification Number
PS153.I52T46 2010
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