Times A-Changin: misuratore flessibile come espressione di sé nella musica del cantautore...-
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Numero oggetto eBay:354988581538
Specifiche dell'oggetto
- Condizione
- Book Title
- Times A-Changin : Flexible Meter As Self-Expression in Singer-son
- ISBN
- 9780197635216
- Subject Area
- Music
- Publication Name
- Times A-Changin' : Flexible Meter As Self-Expression in Singer-Songwriter Music
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6.5 in
- Subject
- History & Criticism, Genres & Styles / General
- Publication Year
- 2023
- Series
- Oxford Studies in Music Theory Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.8 in
- Item Weight
- 16 Oz
- Item Width
- 9.6 in
- Number of Pages
- 208 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0197635210
ISBN-13
9780197635216
eBay Product ID (ePID)
28059122877
Product Key Features
Number of Pages
208 Pages
Publication Name
Times A-Changin' : Flexible Meter As Self-Expression in Singer-Songwriter Music
Language
English
Publication Year
2023
Subject
History & Criticism, Genres & Styles / General
Type
Textbook
Subject Area
Music
Series
Oxford Studies in Music Theory Ser.
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
16 Oz
Item Length
6.5 in
Item Width
9.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2023-006287
Dewey Edition
23/eng/20230210
Reviews
"Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing process of decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba "Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970s--artists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating book with new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College, "Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing processof decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba"Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970sDLartists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating bookwith new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College, "Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing process of decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba"Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970s--artists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating book with new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College, "Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing process of decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba"Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970sDLartists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating book with new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College, "Murphy's book is an important contribution to academic understanding of singer-songwriter repertoires and flexible meter. Her attention to the work of Buffy Sainte-Marie offers a long-overdue analytical examination of one of the most important Indigenous popular music artists of the last hundred years. Murphy's work highlights Sainte-Marie's advocacy for Indigenous rights alongside analytical details, modeling one of many paths forward in the ongoing process of decolonizing music theory and analysis." -- Dr. Robin Attas, Educational Developer, Equity Diversity Inclusion, Centre for the Advancement of Teaching and Learning, University of Manitoba"Times a Changin' provides a much-needed and insightful study of musical techniques used by the singer-songwriters of the 1960s and 1970s'e"artists whose lyrics and voices have resonated deeply in the history of popular music but whose creative approaches to musical time have been largely unaccounted for until now. Readers interested in these artists, and in the theory and analysis of meter in popular music, will come away from this illuminating book with new appreciation for how singer-songwriters have been able to connect so profoundly with their audiences." -- Joti Rockwell, Associate Professor of Music, Pomona College
Illustrated
Yes
Dewey Decimal
782.42164/1226
Table Of Content
AbstractTable of ContentsList of Figures and CaptionsAcknowledgementsChapter 1: The Self Expressive Rhetoric of Flexible MeterSelf-Expressive FeaturesFlexible Meter and "The Fiddle and the Drum"Self-Expression and the Singer-SongwriterExpectations for Singer-Songwriter MusicBob Dylan and The Folk RevivalFlexible Meter as Self-Expression in Singer-Songwriter Music Chapter 2: The Theory of Flexible MeterTypes of Flexible MeterRegular MeterReinterpreted MeterLost MeterAmbiguous MeterMetric Potential Chapter 3: Regular and Reinterpreted MeterRegular MeterReinterpreted MeterJoni Mitchell's Rhapsodic SentimentsPaul Simon: Reinterpreted Meter Expressing Enigmatic LyricsCat Stevens's IntrospectionA Closer Look: Joni Mitchell's "Lesson in Survival"Chapter 4: Self-Expressive Innovations: Lost MeterBob Dylan's "Only a Pawn in Their Game"Cat Stevens's "Time"Joni Mitchell's "Blue"Chapter 5: Intensifying "Imperfection": Ambiguous MeterBob Dylan's "Down the Highway"Bob Dylan's "Restless Farewell"Joni Mitchell's "The Fiddle and the Drum"Buffy Sainte-Marie's "Sir Patrick Spens" Chapter 6: What Happens Next? Self-Expressive Flexible MeterBeyond 1982Future Singer-SongwritersBuffy Sainte-Marie's "My Country" (1966)"My Country" (1966, Rainbow Quest)"My Country" (2017, Medicine Songs) Conclusion: Flexible Meter as Self-ExpressionIndex
Synopsis
How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance., In 1960s and 1970s singer-songwriter music, some artists used malleable metric settings alongside other features of self-expression in performance. This resulted in songs with extremes of self-expressive timing flexibility that cannot be accounted for using a single conception of meter. This book proposes a theory of flexible meter that recasts metric structure as encompassing the variety of metric scenarios presented by the self-expressive performance practice of singer-songwriters, from metric regularity to metric ambiguity, and vacillations between these two possibilities. Author Nancy Murphy explores performances by Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to investigate the individual metric style of each artist and how their flexible metric techniques contribute to the self-expressive rhetoric of the singer-songwriter performance tradition.
LC Classification Number
ML3850.M815 2023
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