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Specifiche dell'oggetto
- Condizione
- Book Title
- Understanding Derrida, Understanding Modernism
- ISBN
- 9781501371318
- Publication Name
- Understanding Derrida, Understanding Modernism
- Item Length
- 9in
- Publisher
- Bloomsbury Publishing
- Series
- Understanding Philosophy, Understanding Modernism Ser.
- Publication Year
- 2020
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7in
- Item Width
- 6in
- Item Weight
- 15.7 Oz
- Number of Pages
- 328 Pages
Informazioni su questo prodotto
Product Information
This volume makes a significant contribution to both the study of Derrida and of modernist studies. The contributors argue, first, that deconstruction is not "modern"; neither is it "postmodern" nor simply "modernist." They also posit that deconstruction is intimately connected with literature, not because deconstruction would be a literary way of doing philosophy, but because literature stands out as a "modern" notion. The contributors investigate the nature and depth of Derrida's affinities with writers such as Joyce, Kafka, Antonin Artaud, Georges Bataille, Paul Celan, Maurice Blanchot, Theodor Adorno, Samuel Beckett, and Walter Benjamin, among others.With its strong connection between philosophy and literary modernism, this highly original volume advances modernist literary study and the relationship of literature and philosophy.
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1501371312
ISBN-13
9781501371318
eBay Product ID (ePID)
18050104495
Product Key Features
Publication Name
Understanding Derrida, Understanding Modernism
Format
Trade Paperback
Language
English
Series
Understanding Philosophy, Understanding Modernism Ser.
Publication Year
2020
Type
Textbook
Number of Pages
328 Pages
Dimensions
Item Length
9in
Item Height
0.7in
Item Width
6in
Item Weight
15.7 Oz
Additional Product Features
Lc Classification Number
B2430.D484
Reviews
"The 14 diverse and original essays in this volume-along with Rabaté's important introduction and brilliant glossary of Derrida keywords-make it an immensely useful resource for understanding Derrida's relation to major European modernists...More important, however, are the local insights these essays provide on topics such as Baudelaire's ethics of almsgiving, the difference between Agamben and Derrida on reading Kafka, the relation of Bataille's "general economy" to Derrida's "arche-writing," the agon between Derrida and Sartre vis-à-vis Genet... Summing Up: Highly recommended." -- CHOICE "Derrida as a reader of modernism; Derrida as a modernist: both these propositions-and the relationship between them-are explored in this fascinating collection of essays, ably introduced and edited by Rabaté. The volume makes a fresh contribution to our understanding of the reach and richness of Derrida's work as well as the multifaceted character of modernist literature and philosophy." -- Derek Attridge, Emeritus Professor of English, University of York, UK, and author of The Singularity of Literature (2004) " Who , or better yet, what speaks in 'literature' for Derrida? This long-awaited book offers thought-provoking answers to this question, examined here through close readings of Derrida's countersignatures to writers such as Baudelaire, Kafka, Celan, Joyce, Blanchot, Beckett, and Cixous. Neither a theory nor a critical method, Derrida's approach gives us something else to ponder: the conditions of the impossible enacted by the event of literature. This impressive volume thus allows us to better understand how Derrida reconfigures the concept of modernity, beyond all labels, genres, or periodizations. Moreover, this book is itself a remarkable and timely contribution to the 'humanities to come' Derrida so pressingly called for. Whether it concern the Law, the absolute singularity of the other, the secret and testimony, or democracy, literature always lies affirmatively and performatively at the very core of Derrida's thought." -- Ginette Michaud, Professor of French Literature, Université de Montréal, Canada, The 14 diverse and original essays in this volume--along with Rabaté's important introduction and brilliant glossary of Derrida keywords--make it an immensely useful resource for understanding Derrida's relation to major European modernists...More important, however, are the local insights these essays provide on topics such as Baudelaire's ethics of almsgiving, the difference between Agamben and Derrida on reading Kafka, the relation of Bataille's "general economy" to Derrida's "arche-writing," the agon between Derrida and Sartre vis-à-vis Genet... Summing Up: Highly recommended., Understanding Derrida, Understanding Modernism is a superb, transformative exercise of critical thought, attuned to both contextual and philosophical-ethical différance; it allows Derrida's work to be read next to, and by, a multi-angled and often eccentric philosophical and literary modernism. In a scholarship of industrial proportions, it stands out as writing after one of the most revolutionary thinkers of all time., " Understanding Derrida, Understanding Modernism is a superb, transformative exercise of critical thought, attuned to both contextual and philosophical-ethical différance; it allows Derrida's work to be read next to, and by, a multi-angled and often eccentric philosophical and literary modernism. In a scholarship of industrial proportions, it stands out as writing after one of the most revolutionary thinkers of all time." - Textual Practice "The 14 diverse and original essays in this volume-along with Rabaté's important introduction and brilliant glossary of Derrida keywords-make it an immensely useful resource for understanding Derrida's relation to major European modernists...More important, however, are the local insights these essays provide on topics such as Baudelaire's ethics of almsgiving, the difference between Agamben and Derrida on reading Kafka, the relation of Bataille's "general economy" to Derrida's "arche-writing," the agon between Derrida and Sartre vis-à-vis Genet... Summing Up: Highly recommended." -- CHOICE "Derrida as a reader of modernism; Derrida as a modernist: both these propositions-and the relationship between them-are explored in this fascinating collection of essays, ably introduced and edited by Rabaté. The volume makes a fresh contribution to our understanding of the reach and richness of Derrida's work as well as the multifaceted character of modernist literature and philosophy." -- Derek Attridge, Emeritus Professor of English, University of York, UK, and author of The Singularity of Literature (2004) " Who , or better yet, what speaks in 'literature' for Derrida? This long-awaited book offers thought-provoking answers to this question, examined here through close readings of Derrida's countersignatures to writers such as Baudelaire, Kafka, Celan, Joyce, Blanchot, Beckett, and Cixous. Neither a theory nor a critical method, Derrida's approach gives us something else to ponder: the conditions of the impossible enacted by the event of literature. This impressive volume thus allows us to better understand how Derrida reconfigures the concept of modernity, beyond all labels, genres, or periodizations. Moreover, this book is itself a remarkable and timely contribution to the 'humanities to come' Derrida so pressingly called for. Whether it concern the Law, the absolute singularity of the other, the secret and testimony, or democracy, literature always lies affirmatively and performatively at the very core of Derrida's thought." -- Ginette Michaud, Professor of French Literature, Université de Montréal, Canada, Derrida as a reader of modernism; Derrida as a modernist: both these propositions--and the relationship between them--are explored in this fascinating collection of essays, ably introduced and edited by Rabaté. The volume makes a fresh contribution to our understanding of the reach and richness of Derrida's work as well as the multifaceted character of modernist literature and philosophy., Who , or better yet, what speaks in 'literature' for Derrida? This long-awaited book offers thought-provoking answers to this question, examined here through close readings of Derrida's countersignatures to writers such as Baudelaire, Kafka, Celan, Joyce, Blanchot, Beckett, and Cixous. Neither a theory nor a critical method, Derrida's approach gives us something else to ponder: the conditions of the impossible enacted by the event of literature. This impressive volume thus allows us to better understand how Derrida reconfigures the concept of modernity, beyond all labels, genres, or periodizations. Moreover, this book is itself a remarkable and timely contribution to the 'humanities to come' Derrida so pressingly called for. Whether it concern the Law, the absolute singularity of the other, the secret and testimony, or democracy, literature always lies affirmatively and performatively at the very core of Derrida's thought.
Table of Content
Introduction : Derrida's modernity and our modernism Jean-Michel Rabaté, University of Pennsylvania, USA Part 1. Rethinking the main concepts of modernism 1. Trickster Economy: Derrida's Baudelaire, and the Role of Money, Counterfeits, and Alms in the Modern City Marit Grøtta, University of Oslo, Norway 2. Kant's Celestial Economy; a Footnote to The Gift of Death Eddis N. Miller, Pace University, USA 3. Derrida and Kafka: A Talmudic Disputation Before the Law Vivian Liska, Antwerp University, Belgium 4. Derrida with Heidegger: Poetic Language, Animality, World Jennifer Anna Gosetti-Ferencei, Fordham University, USA 5. To Wound the Language: Derrida Reads Celan Miriam Jerade, University of Mexico, Mexico Part 2. Engaging with the poetics of canonical modernism 6. Derrida's Joyce Sam Slote, Trinity College, Dublin 7. Derrida re-voicing Artaud Alhelí Alvarado, Columbia University, USA 8. Derrida on Bataille: from dueling to duet Claire Lozier, University of Leeds, UK 9. A Cross in the margin, Inscription and Erasure in Derrida and Pound Mark Byron, University of Sydney, Australia 10. Derrida after Valéry (after Derrida) Suzanne Guerlac, University of California, Berkeley, USA Part 3. Différance as performance: pushing modernism beyond its borders 11. Three ways of looking at Derrida's encounter with Austin Raoul Moati, University of Chicago, USA 12. Writing in the Shadow of Sartre's Genet, Derrida's Glas and the Ethics of Biography Robert Doran, Rochester University, USA 13. Derrida, Cixous, and (Feminine) Writing Marta Segarra, University of Barcelona, Spain 14. Reading between the lines: Derrida, Blanchot, Beckett Leslie Hill, University of Warwick, UK Part 4. Glossary Jean-Michel Rabaté AporiaAuto-immunityBiography/Autobiography/AutothanatographyDeconstruction Différance HauntologyHospitalityIterabilityLiesMethodsPerformativePoetryUndecidabilityWriting / Texting Index
Target Audience
College Audience
Topic
Comparative Literature, European / French, General, Semiotics & Theory
Dewey Decimal
194
Dewey Edition
23
Genre
Literary Criticism, Philosophy
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