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Pastiche, Culture Memory in Art, Film, Literature, Ingeborg Hoesterey, 1st Print
US $18,70
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Numero oggetto eBay:285806348010
Specifiche dell'oggetto
- Condizione
- Ottime condizioni
- Note del venditore
- Features
- 1st Edition, Illustrated
- ISBN
- 9780253214454
- Subject Area
- Literary Criticism, Art, Philosophy, Social Science
- Publication Name
- Pastiche : Cultural Memory in Art, Film, Literature
- Publisher
- Indiana University Press
- Item Length
- 9.2 in
- Subject
- Criticism & Theory, History & Surveys / Modern, Anthropology / Cultural & Social, Semiotics & Theory, History / General, Subjects & Themes / General
- Publication Year
- 2001
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 8.4 Oz
- Item Width
- 6.1 in
- Number of Pages
- 160 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253214459
ISBN-13
9780253214454
eBay Product ID (ePID)
1785031
Product Key Features
Number of Pages
160 Pages
Language
English
Publication Name
Pastiche : Cultural Memory in Art, Film, Literature
Subject
Criticism & Theory, History & Surveys / Modern, Anthropology / Cultural & Social, Semiotics & Theory, History / General, Subjects & Themes / General
Publication Year
2001
Type
Textbook
Subject Area
Literary Criticism, Art, Philosophy, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
8.4 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
00-061397
Dewey Edition
21
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
700/.9/049
Table Of Content
Contents Introduction 1. A Discourse History of Pasticcio and Pastiche 2. Pastiche in the Visual Arts 3. Cinematic Pastiche 4. Literary Pastiche 5. Pastiche Culture Beyond High and Low Coda Notes Works Cited Index
Synopsis
Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or?in the case of architects?the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualität von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth0-253-33880-8$45.95 L / £34.00 paper0-253-21445-9$19.95 s / £15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda, Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or--in the case of architects--the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualit t von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth 0-253-33880-8 $45.95 L / 34.00 paper 0-253-21445-9 $19.95 s / 15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda, 95 s / £15.50 ContentsA Discourse History of Pasticcio and PastichePastiche in the Visual ArtsCinematic PasticheLiterary PastichePastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance StylesCoda, Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or--in the case of architects--the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualität von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth0-253-33880-8$45.95 L / 34.00 paper0-253-21445-9$19.95 s / 15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda
LC Classification Number
NX456.5.P66H63 2001
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