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John Simon on Music: Criticism 1979-2005 [John Simon On--]-

Testo originale
John Simon on Music : Criticism 1979-2005 [John Simon On--]
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US $56,43
CircaEUR 50,64
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Ottime condizioni
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US $3,99 (circa EUR 3,58) USPS Media MailTM.
Oggetto che si trova a: Old Bridge, New Jersey, Stati Uniti
Consegna:
Consegna prevista tra il gio 26 set e il sab 28 set a 43230
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Numero oggetto eBay:285701493797
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Specifiche dell'oggetto

Condizione
Ottime condizioni: Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. ...
ISBN
9781557835062
Book Title
John Simon on Music : Criticism 1979-2005
Book Series
John Simon On- Ser.
Publisher
Leonard Corporation, Hal
Item Length
9.2 in
Publication Year
2005
Format
Hardcover
Language
English
Item Height
1.5 in
Author
John Simon
Genre
Music, Performing Arts
Topic
History & Criticism, Theater / General, Instruction & Study / Appreciation
Item Weight
33.8 Oz
Item Width
6.2 in
Number of Pages
456 Pages

Informazioni su questo prodotto

Product Identifiers

Publisher
Leonard Corporation, Hal
ISBN-10
1557835063
ISBN-13
9781557835062
eBay Product ID (ePID)
44125193

Product Key Features

Book Title
John Simon on Music : Criticism 1979-2005
Number of Pages
456 Pages
Language
English
Topic
History & Criticism, Theater / General, Instruction & Study / Appreciation
Publication Year
2005
Genre
Music, Performing Arts
Author
John Simon
Book Series
John Simon On- Ser.
Format
Hardcover

Dimensions

Item Height
1.5 in
Item Weight
33.8 Oz
Item Length
9.2 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Trade
LCCN
2005-009984
Dewey Edition
22
Dewey Decimal
780/.9
Synopsis
(Applause Books). This provocative collection and major publishing event brings together the critical highlights of the well-known New York cultural critic John Simon. Covering a span of more than three decades, it includes previously published work from New York, The Hudson Review, National Review, Opera News, The New Leader , and other notable publications. This music volume is the most varied and contains both music reviews and essays on opera and classical performances and recordings, even Brazilian music, with CD references, that reflect Simon's most up-to-date views on the topic. A SAMPLE: Simon on Erik Satie: "The preferred word for Satie's music is depouillement, meaning stripping down, sobriety, concision, or bareness. 'The artist does not have the right to dispose needlessly of the hearer's time,' Satie proclaimed. But no one else's bareness, save that of a Greek statue or Renaissance nude, seems so fully, sensuously self-sufficient.", This provocative collection and major publishing event brings together the critical highlights of the well-known New York cultural critic John Simon. Covering a span of more than three decades, it includes previously published work from New York, The Hudson Review, National Review, Opera News, The New Leader, and other notable publications. This music volume is the most varied and contains both music reviews and essays on opera and classical performances and recordings, even Brazilian music, with CD references, that reflect Simon's most up-to-date views on the topic. A SAMPLE: Simon on Erik Satie: "The preferred word for Satie's music is depouillement, meaning stripping down, sobriety, concision, or bareness. 'The artist does not have the right to dispose needlessly of the hearer's time, ' Satie proclaimed. But no one else's bareness, save that of a Greek statue or Renaissance nude, seems so fully, sensuously self-sufficient.", (Applause Books). This provocative collection and major publishing event brings together the critical highlights of the well-known New York cultural critic John Simon. Covering a span of more than three decades, it includes previously published work from New York, The Hudson Review, National Review, Opera News, The New Leader, and other notable publications. This music volume is the most varied and contains both music reviews and essays on opera and classical performances and recordings, even Brazilian music, with CD references, that reflect Simon's most up-to-date views on the topic. A SAMPLE: Simon on Erik Satie: "The preferred word for Satie's music is depouillement, meaning stripping down, sobriety, concision, or bareness. 'The artist does not have the right to dispose needlessly of the hearer's time, ' Satie proclaimed. But no one else's bareness, save that of a Greek statue or Renaissance nude, seems so fully, sensuously self-sufficient."
LC Classification Number
ML60.S55 2005

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