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Occhi luminosi - Down in the Weeds, Where the World Once Was [Vinile rosso/arancione] NUOVO-

Testo originale
Bright Eyes - Down in the Weeds, Where the World Once Was [Red/Orange Vinyl] NEW
Condizione:
Nuovo
Prezzo:
US $25,00
CircaEUR 23,30
Goditi i vantaggi. Restituzioni accettate.
Spedizione:
US $4,87 (circa EUR 4,54) Economica. Vedi i dettagliper la spedizione
Oggetto che si trova a: Glendale, California, Stati Uniti
Consegna:
Consegna prevista tra il ven 28 giu e il lun 1 lug a 43230
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Restituzioni:
Restituzioni entro 30 giorni. L'acquirente paga le spese di spedizione per la restituzione dell'oggetto. Vedi i dettagli- per maggiori informazioni sulle restituzioni
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Informazioni sul venditore

Registrato come venditore privato, pertanto non si applicano i diritti dei consumatori derivanti dalla normativa europea. La Garanzia cliente eBay è comunque applicabile alla maggior parte degli acquisti.Ulteriori informazioniRegistrato come venditore privato
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Numero oggetto eBay:285595136503

Specifiche dell'oggetto

Condizione
Nuovo: Oggetto mai aperto, ancora sigillato (se applicabile). L'oggetto è nella confezione sigillata ...
Speed
33 RPM
Type
Double LP
Record Grading
Mint (M)
Sleeve Grading
Mint (M)
Color
Red
Record Size
12"
Style
2000s, Indie
Features
Colored Vinyl
Material
Vinyl
Edition
Collector's Edition, Limited Edition
UPC
0656605151045
Artist
Bright Eyes
Format
Record
Release Year
2020
Record Label
Dead Oceans, Dedo
Release Title
Down in the Weeds, Where the World Once Was (Iex) (Red/Orange Vinyl)
Genre
Rock

Informazioni su questo prodotto

Product Identifiers

Record Label
Dead Oceans, Dedo
UPC
0656605151045
eBay Product ID (ePID)
10046091542

Product Key Features

Release Year
2020
Format
Record
Genre
Rock
Artist
Bright Eyes
Release Title
Down in the Weeds, Where the World Once Was (Iex) (Red/Orange Vinyl)

Dimensions

Item Height
0.21in
Item Weight
0.90lb.
Item Length
12.27in
Item Width
12.25in

Additional Product Features

Number of Tracks
14
Country/Region of Manufacture
United States
Tracks
Pageturners Rag, Dance and Sing, Just Once in the World, Mariana Trench, One and Done, Pan and Broom, Stairwell Song, Persona Non Grata, Tilt-A-Whirl, Hot Car in the Sun, Forced Convalescence, To Death's Heart (In Three Parts), Calais to Dover, Comet Song
Number of Discs
2
Notes
Transparent red / transparent orange vinyl. Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst's early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes' music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It's a study of the beauty in unsteadiness in all it's forms - in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it's just about searching for a way through. The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I'm Wide Awake It's Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one's own turmoil. In it's own way, I'm Wide Awake It's Morning carved out it's place in the canon of great anti-war albums by being both present and prophetic, it's urgency enduring 15 years later. In 2011 the release of The People's Key, Bright Eyes' ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band's core members - Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott - has remained omnipresent, through both the members' original work and collaboration. In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers' breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers. Oberst, who's nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert. The heart at Bright Eyes' songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both "Lua" and "First Day of My Life"; Lorde's version of the penultimate The People's Key track, the funereal-waltz "Ladder Song," was a focal point of The Hunger Games' soundtrack; The Killers covered "Four Winds" for their Spaceman EP; and Lil Peep's "Worlds Away" samples "Something Vague" while Young Thug's "Me Or Us" samples "First Day of My Life." Bright Eyes' expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes' singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someon

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