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Product Information
Owners of Audio Production and Critical Listening , some copies of the disc may have issues with the Mac version of the software. For the correct files, please visit www.taylorandfrancis.com/info/contact/ Making decisions about how and when to apply sound processing effects and recording techniques can make or break your song mix. The decisions you make come down to your listening skills--what you hear and how you perceive it. Your ability to properly discern sound, identify a problem, and act accordingly, especially when the decision needs to be made quickly, makes all the difference to the success of the final track. Audio Production and Critical Listening develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. The interactive "ear training" software practice modules give you experience identifying various types of signal processes and manipulation--EQ, dynamics, reverb, distortion, delay, and more. The software sits alongside the clear and detailed explanations in the book, offering a complete learning package that will help you train your ears to listen and really "hear" your recordings.
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0240812956
ISBN-13
9780240812953
eBay Product ID (ePID)
79712830
Product Key Features
Publication Name
Audio Production and Critical Listening : Technical Ear Training
Format
Hardcover
Language
English
Subject
Recording & Reproduction, Acoustics & Sound
Publication Year
2010
Series
Audio Engineering Society Presents Ser.
Type
Textbook
Subject Area
Technology & Engineering, Music
Number of Pages
176 Pages
Dimensions
Item Length
9.4 in
Item Height
0.6 in
Item Width
7.7 in
Item Weight
19.2 Oz
Additional Product Features
LCCN
2009-052978
Lc Classification Number
Mt35
Table of Content
Introduction 1 Listening 1.1 Everyday Listening 1.2 What is Technical Ear Training? 1.3 What is Timbre? 1.4 Shaping Sounds 1.5 Sound Reproduction System Configurations 1.6 The Listening Environment 2 Spectral Balance and Equalization 2.1 Types of Filters and Equalizers 2.2 Practice 2.3 Exercises 3 Spatial Attributes 3.1 Time Delay 3.2 Reverberation 3.3 Delay and Comb Filtering 3.4 Reverberation in Multichannel Audio 3.5 Description of the Software Training Module 3.6 Mid-Side Matrixing, Stereo Shuffling, and Polarity Reversal 3.7 Summary 4 Dynamic Range and Levels 4.1 Level Changes 4.2 Compressors and Limiters 4.3 Expanders and Gates 5 Distortion and Noise 5.1 Clipping and Overdrive 5.2 Noise, Hum and Buzz 5.3 Quantization Distortion: Bit Rate Reduction 6 Amplitude Envelope 6.1 Digital Audio Editing: The Source-Destination Technique 6.2 Software Exercise Module 6.3 Focus of the Exercise 6.4 Conclusions 7 Analysis of Sound 7.1 Analysis of Sound from Electroacoustic Sources 7.2 Graphical Analysis of Sound 7.3 Multichannel Audio 7.4 Selecting Listening Material 7.5 Analysis Examples 7.6 Sound Enhancers on Media Players 7.7 Analysis of Sound from Acoustic Sources 7.8 Conclusions A About the software practice modules Bibliography
Copyright Date
2010
Target Audience
College Audience
Dewey Decimal
781.49
Dewey Edition
22
Illustrated
Yes
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