Foto 1 di 1
Foto 1 di 1
Francesca Woodman di Corey Keller (2013, copertina rigida)-
US $600,00
CircaEUR 538,45
o Proposta d'acquisto
Condizione:
Come Nuovo
Libro che sembra nuovo anche se è già stato letto. La copertina non presenta segni di usura visibili ed è inclusa la sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
Spedizione:
Gratis USPS Media MailTM.
Oggetto che si trova a: Evanston, Illinois, Stati Uniti
Consegna:
Consegna prevista tra il sab 28 set e il gio 3 ott a 43230
Restituzioni:
Restituzioni non accettate.
Pagamenti:
Fai shopping in tutta sicurezza
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:234909054290
Specifiche dell'oggetto
- Condizione
- ISBN
- 9781935202660
- Book Title
- Francesca WOOdman
- Publisher
- D.A.P./Distributed Art Publishers
- Item Length
- 11.1 in
- Publication Year
- 2013
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.2 in
- Genre
- Photography
- Topic
- Individual Photographers / Monographs, Subjects & Themes / Portraits & Selfies, General
- Item Weight
- 0 Oz
- Item Width
- 9.6 in
- Number of Pages
- 224 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
D.A.P./Distributed Art Publishers
ISBN-10
1935202669
ISBN-13
9781935202660
eBay Product ID (ePID)
103028207
Product Key Features
Book Title
Francesca WOOdman
Number of Pages
224 Pages
Language
English
Topic
Individual Photographers / Monographs, Subjects & Themes / Portraits & Selfies, General
Publication Year
2013
Illustrator
Yes
Genre
Photography
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
0 Oz
Item Length
11.1 in
Item Width
9.6 in
Additional Product Features
Intended Audience
Trade
LCCN
2011-025392
Reviews
In an exceptionally informative catalog essay for the present exhibition, the art historian Julia Bryan-Wilson surveys the critical and art historical literature that has proliferated around Woodman's oeuvre.Francesca Woodman, the photographer who took her own life at 22 in 1981, is as close to a true saint as the putatively secular world of contemporary art can claim. The dreamy, formally playful and disarmingly erotic pictures Woodman made - mostly of herself partly unclothed or naked - project a self surrendering unreservedly to the spirit of art...it remains a poignant record of adolescent joy, fear, ambition and angst. It was not only her body that she exposed - she bared her soul too, and that is a rare and beautiful thing., Even though they are quite small, about 5 by 5 inches, Woodman's haunting photographs have drawn admirers for decades., In an exceptionally informative catalog essay for the present exhibition, the art historian Julia Bryan-Wilson surveys the critical and art historical literature that has proliferated around Woodman's oeuvre.Francesca Woodman, the photographer who took her own life at 22 in 1981, is as close to a true saint as the putatively secular world of contemporary art can claim. The dreamy, formally playful and disarmingly erotic pictures Woodman made - mostly of herself partly unclothed or naked - project a self surrendering unreservedly to the spirit of art it remains a poignant record of adolescent joy, fear, ambition and angst. It was not only her body that she exposed - she bared her soul too, and that is a rare and beautiful thing., In an exceptionally informative catalog essay for the present exhibition, the art historian Julia Bryan-Wilson surveys the critical and art historical literature that has proliferated around Woodman's oeuvre.Francesca Woodman, the photographer who took her own life at 22 in 1981, is as close to a true saint as the putatively secular world of contemporary art can claim. The dreamy, formally playful and disarmingly erotic pictures Woodman made - mostly of herself partly unclothed or naked - project a self surrendering unreservedly to the spirit of art…it remains a poignant record of adolescent joy, fear, ambition and angst. It was not only her body that she exposed - she bared her soul too, and that is a rare and beautiful thing., This is a comprehensive monograph of Francesca Woodman's photographic oeuvre, which as achieved cult status is the 30 years since the artist's brief yet prolific career ended when she took her life at age 22.
Dewey Edition
23
Dewey Decimal
770.74794/61
Synopsis
Artists who arrive fully formed at a young age always dazzle, and Francesca Woodman was one of the most gifted and dazzling artist prodigies in recent history. In 1972, the 13-year-old Woodman made a black-and-white photograph of herself sitting at the far end of a sofa in her home in Boulder, Colorado. Her face is obscured by her hair, light radiates from an unseen source behind her out at the viewer through her right hand. This photograph typifies much of what would characterize Woodman's work to come: a semi-obscured female form merging with or flailing against a somewhat bare and often dilapidated interior. In an oeuvre of around 800 photographs made in just nine years, Woodman performed her own body against the textures of wallpaper, door frame, baths and couches, radically extending the Surrealist photography of Man Ray, Hans Bellmer and Claude Cahun and creating a mood and language all her own. In the 30 years since her untimely death, Woodman has gained a following among successive generations of artists and photographers, a testament to her work's undeniable immediacy and enduring appeal Amid a renewed intensification of interest in Francesca Woodman, this volume is published for a major touring exhibition of her photographs and films at the San Francisco Museum of Modern Art and the Guggenheim. Containing many previously unpublished photographs, it is the definitive Francesca Woodman monograph. Francesca Woodman (1958-1981) was born in Denver, Colorado, to the well-known artists George and Betty Woodman. In 1975 she attended the Rhode Island School of Design, and in 1979 she moved to New York, to attempt to build a career in photography. In 1981, at the age of 22, she committed suicide., In the thirty years since her death, FrancescaWoodman's work has retained an undeniable immediacy and continues to inspire a cult-like following of admirers.Woodman began photographing at the age of thirteen. By the time she enrolled at the Rhode Island School of Design in 1975, she was already an accomplished photographer with a remarkably mature and focused approach to her work. At the age of twenty-two, she committed suicide. Woodman might be merely a tragic footnote in the history of photography were it not for the startlingly compelling, complex and artistically resolved body of work she produced during her short career. Her oeuvre represents a remarkably rich and singular exploration of the human body in space and of the genre of self-portraiture in particular. Her practice assimilated and advanced aspects of feminist theory, Conceptualist practice, and performance art. Thus, a close re-examination of the maturation and reception of Woodman's artistic vision presents an important and timely opportunity to reassess the heady artistic moment during which she came of age. This catalogue, produced by the San Francisco Museum of Modern Art in conjunction with the first major American exhibition of the artist's work in more than two decades, promises to be a landmark reconsideration of Woodman for the twenty-first century. It will paint a fuller picture of her oeuvre than has previously been available, spanning her earliest student experiments to her late, large-scale blueprint studies of caryatid-like figures for the massive Temple Project, and her experiments with fashion photography. The exhibition will bring to light many photographs that have never before been exhibited or published, and the book will focus on these and other vintage prints that theWoodman estate is making available for this exhibition and publication. These rare prints will allow audiences to appreciateWoodman's skill as a printer, and to grasp the importance of the final print to her artistic vision. Through all of these means, Francesca Woodman will examine why her photographs continue to be so profoundly affective many decades after their making.
LC Classification Number
TR655.W66 2011
Text by
Blessing, Jennifer, Bryan-Wilson, Julia
Descrizione dell'oggetto fatta dal venditore
Registrato come venditore privato
Pertanto non si applicano i diritti dei consumatori derivanti dalla normativa europea. La Garanzia cliente eBay è comunque applicabile alla maggior parte degli acquisti. Scopri di piùScopri di più
Feedback del venditore (1)
- t***n (1342)- Feedback lasciato dall'acquirente.Ultimo annoAcquisto verificatoAs described; prompt shipping; good priceBonnard by Yve-Alain Bois, Pierre Bonnard and Georges Rocque (2006, Hardcover) (#234909062557)