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THE POETICS OF IMPERSONALITY: T. S. ELIOT AND EZRA POUND By Maud Ellmann

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ISBN-10
0748691294
Book Title
The Poetics of Impersonality: T. S. Eliot and Ezra Pound
ISBN
9780748691296
Subject Area
Literary Criticism
Publication Name
Poetics of Impersonality : T. S. Eliot and Ezra Pound
Publisher
Edinburgh Tea & Coffee Company University Press
Item Length
5.5 in
Subject
Asian / General, Poetry, American / General, European / English, Irish, Scottish, Welsh
Publication Year
2013
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Maud Ellmann
Item Weight
10.1 Oz
Item Width
8.4 in
Number of Pages
224 Pages

Informazioni su questo prodotto

Product Identifiers

Publisher
Edinburgh Tea & Coffee Company University Press
ISBN-10
0748691294
ISBN-13
9780748691296
eBay Product ID (ePID)
204156228

Product Key Features

Number of Pages
224 Pages
Language
English
Publication Name
Poetics of Impersonality : T. S. Eliot and Ezra Pound
Subject
Asian / General, Poetry, American / General, European / English, Irish, Scottish, Welsh
Publication Year
2013
Type
Textbook
Subject Area
Literary Criticism
Author
Maud Ellmann
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
10.1 Oz
Item Length
5.5 in
Item Width
8.4 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
19
TitleLeading
The
Reviews
The local analyses, the verbal felicities, the luminous details of Maud Ellmann's book are striking and inventive. The great strength of the book, as I see it, lies in the productive convergence of post-structuralist theory and a scrupulous historical sense... (The reading of the poems) is original, supple, and provoking., Maud Ellmann's book is vivid and original. The author is very intelligent and has done her reading with resourcefulness and penetration. Frank KermodeThe local analyses, the verbal felicities, the luminous details of Maud Ellmann's book are striking and inventive. The great strength of the book, as I see it, lies in the productive convergence of post-structuralist theory and a scrupulous historical sense... (The reading of the poems) is original, supple, and provoking. Michael Levenson, Professor of English, University of Virginia, Maud Ellmann's book is vivid and original. The author is very intelligent and has done her reading with resourcefulness and penetration. Frank Kermode The local analyses, the verbal felicities, the luminous details of Maud Ellmann's book are striking and inventive. The great strength of the book, as I see it, lies in the productive convergence of post-structuralist theory and a scrupulous historical sense... (The reading of the poems) is original, supple, and provoking. Michael Levenson, Professor of English, University of Virginia
Dewey Decimal
821/.912/09353
Synopsis
In this classic work, Maud Ellmann examines T. S. Eliot's and Ezra Pound's criticism in terms of what she calls the 'poetics of impersonality'. Her superb and entirely original readings of the major poems of the modernist canon have earned a lasting place in criticism., In this classic work, Maud Ellmann examines T. S. Eliot's and Ezra Pound's criticism in terms of what she calls the 'poetics of impersonality'. She convincingly shows that Eliot's and Pound's attempts to overcome personality merely reinstated it in a new guise. And her superb and entirely original readings of the major poems of the modernist canon have earned a lasting place in criticism. Following an analysis of Eliot's relation to Bergson, Ellmann goes on to analyse Eliot's 'Tradition and the Individual Talent' and the later After Strange Gods, the early poems, The Waste Land, and Four Quartets. She then turns to Pound's Personae, particularly 'Mauberley', and the Cantos. Ellmann looks for the contradictions inherent in modernist literary ideology and deftly teases out their implications. Stylish and perceptive, this book marked the debut of a major literary critic, and it has as much resonance today as it did on first publication., This book features original readings of Pound and Eliot from a major literary critic. In this classic work, Maud Ellmann examines T. S. Eliot's and Ezra Pound's criticism in terms of what she calls the 'poetics of impersonality'. She convincingly shows that Eliot's and Pound's attempts to overcome personality merely reinstated it in a new guise: her superb and entirely original readings of the major poems of the modernist canon have earned a lasting place in criticism. Stylish and perceptive, this book marked the debut of a major literary critic, and it has as much resonance today as it did on first publication. Ellmann analyses Eliot's relation to Bergson, then his 'Tradition and the Individual Talent' and the later After Strange Gods, the early poems, The Waste Land, and Four Quartets. She then turns to Pound's Personae, particularly 'Mauberley', and the Cantos. Ellmann looks for the contradictions inherent in modernist literary ideology and deftly teases out their implications.
LC Classification Number
PS3509.L43

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