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Paradise Lost: And Its Critics di Waldock, A. J. a.-
by Waldock, A. J. a. | PB | Good
US $7,97
CircaEUR 7,16
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Numero oggetto eBay:195559151115
Specifiche dell'oggetto
- Condizione
- Buone condizioni
- Note del venditore
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780521091411
- Subject Area
- Literary Criticism
- Publication Name
- Paradise Lost : and Its Critics
- Publisher
- Cambridge University Press
- Item Length
- 7.8 in
- Subject
- Poetry, European / English, Irish, Scottish, Welsh
- Publication Year
- 1961
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4 in
- Item Weight
- 5.6 Oz
- Item Width
- 5.1 in
- Number of Pages
- 160 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521091411
ISBN-13
9780521091411
eBay Product ID (ePID)
99601556
Product Key Features
Number of Pages
160 Pages
Language
English
Publication Name
Paradise Lost : and Its Critics
Publication Year
1961
Subject
Poetry, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
5.6 Oz
Item Length
7.8 in
Item Width
5.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
821.4
Table Of Content
Preface; 1. The poet and the theme; 2. The fall (i); 3. The fall (ii); 4. Satan and the technique of degradation; 5. God and the angels - and Dante; 6. 'Unconscious meanings' in Paradise Lost; Conclusion; Index.
Synopsis
Professor Waldock rejects the common critical urge, at the time of this book's publication in 1961, to assert that certain parts of Paradise Lost conflict with Milton's stated aim. Instead he argues that, because Milton recounts the difficult first chapters of Genesis at such length and in such imaginative detail, he disconcerts his readers. Milton's poetic power gives Adam and Eve at the moment of the Fall such human attractiveness that it is impossible to condemn them. The magnificent figure of Satan is consistently more appealing than Milton's God; and by a fatal lack of literary tact God is presented directly and quoted at length. This leads Milton into absurd literalisms and sometimes into evasiveness and self-contradiction and produces a conflict between what Milton meant to do and what the poem actually does. Professor Waldock's witty critical arguments appeal to the reader's direct and unprompted response to the poetry., Professor Waldock wittily rejects the common critical urge, at the time of this book's publication in 1961, to assert that certain parts of Paradise Lost conflict with Milton's stated aim. Instead he argues that the real conflict exists between what Milton meant to do and what the poem actually does.
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