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Brian Eno Ambient 1: Music For Airports (vinile 180 grammi) dischi e LP nuovi-

Testo originale
Brian Eno Ambient 1: Music For Airports (180 Gram Vinyl) Records & LPs New
Condizione:
Nuovo
2 disponibili
Prezzo:
US $35,77
CircaEUR 32,88
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Spedizione:
Oggetto che si trova a: Charleston, South Carolina, Stati Uniti
Consegna:
Consegna prevista tra il gio 13 giu e il mar 18 giu a 43230
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Numero oggetto eBay:176343797974
Ultimo aggiornamento: 21 mag 2024 09:43:37 CESTVedi tutte le revisioniVedi tutte le revisioni

Specifiche dell'oggetto

Condizione
Nuovo: Oggetto mai aperto, ancora sigillato (se applicabile). L'oggetto è nella confezione sigillata ...
Style
LP
Country/Region of Manufacture
US
Material
Vinyl
Record Grading
Mint (M)
Type
Vinyl
Sleeve Grading
Mint (M)
Inlay Condition
Mint (M)
Language
English
Catalog Number
6775054
Case Type
Cardboard Sleeve
UPC
0602567750543
Artist
Eno, Brian
Format
Record
Release Year
2018
Record Label
ASK, Astralwerks
Release Title
Ambient 1: Music for Airports
Genre
Rock

Informazioni su questo prodotto

Product Information

180 gram Vinyl 2018 Standard Edition. Released 16th November 2018. Though not the earliest entry in the genre (which Eno makes no claim to have invented), ‘Ambient 1 (Music For Airports)’ was the first album ever to be explicitly labelled ‘ambient music’. Eno had previously created similarly quiet, unobtrusive music on albums ‘Evening Star’, ‘Discreet Music’, and Harold Budd's ‘The Pavilion of Dreams’ (which he produced), but this was the first album to give it precedence as a cohesive concept. He gave his explanation of and aspirations for ambient music in this short 1978 essay. Eno conceived the idea for ‘Music For Airports’ while spending several hours waiting at Cologne Bonn Airport, becoming annoyed by the uninspired sound and the atmosphere it created. The recording was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal, by avoiding the derivative and familiar elements of typical ‘canned music’. The album features contributions from Robert Wyatt and Rhett Davies. ‘Ambient 1 (Music For Airports)’ was followed by Harold Budd and Brian Eno’s ‘Ambient 2 (The Plateaux of Mirror)’ and ‘Ambient 3 (Day Of Radiance)’ by Laraaji, which was also produced by Eno. Ambient 1: Music For Airports

Product Identifiers

Record Label
ASK, Astralwerks
UPC
0602567750543
eBay Product ID (ePID)
23046081511

Product Key Features

Release Year
2018
Format
Record
Genre
Rock
Artist
Eno, Brian
Release Title
Ambient 1: Music for Airports

Dimensions

Item Height
0.12 in
Item Weight
0.62 lb
Item Length
12.29 in
Item Width
12.27 in

Additional Product Features

Number of Tracks
4
Country/Region of Manufacture
United States
Tracks
1.1 1/1 (Acoustic and Electric Piano; Synthesizer.) Brian Eno, Rhett Davies, Robert Wyatt 16:30 1.2 2/1 (Vocals; Synthesizer.) :20 2.1 1/2 (Vocals; Acoustic Piano.) 11:30 2.2 2/2 (Synthesizer Only. Lasts 9:38 6:00
Number of Discs
1
Notes
Limited 180gm vinyl LP pressing. Though not the earliest entry in the genre (which Eno makes no claim to have invented), Ambient 1 (Music For Airports) was the first album ever to be explicitly labelled 'ambient music'. Eno had previously created similarly quiet, unobtrusive music on albums 'Evening Star', 'Discreet Music', and Harold Budd's 'The Pavilion of Dreams' (which he produced), but this was the first album to give it precedence as a cohesive concept. He gave his explanation of and aspirations for ambient music in this short 1978 essay. Eno conceived the idea for 'Music For Airports' while spending several hours waiting at Cologne Bonn Airport, becoming annoyed by the uninspired sound and the atmosphere it created. The recording was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal, by avoiding the derivative and familiar elements of typical 'canned music'. The album features contributions from Robert Wyatt and Rhett Davies.

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