Foto 1 di 1
Foto 1 di 1
Mumford on Modern Art in The 1930s by Lewis Mumford
US $13,33
CircaEUR 11,98
Condizione:
Ottime condizioni
Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
Spedizione:
Gratis USPS Media MailTM.
Oggetto che si trova a: San Francisco, California, Stati Uniti
Consegna:
Consegna prevista tra il gio 26 set e il mar 1 ott a 43230
Restituzioni:
Restituzioni entro 14 giorni. Le spese di spedizione del reso sono a carico dell'acquirente.
Pagamenti:
Fai shopping in tutta sicurezza
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:175679585858
Specifiche dell'oggetto
- Condizione
- ISBN
- 9780520248588
- Subject Area
- Art, Language Arts & Disciplines
- Publication Name
- Mumford on Modern Art in the 1930s
- Publisher
- University of California Press
- Item Length
- 9 in
- Subject
- History / Modern (Late 19th Century to 1945), Criticism & Theory, Journalism, American / General, History / General
- Publication Year
- 2007
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1 in
- Item Weight
- 17 Oz
- Item Width
- 6 in
- Number of Pages
- 277 Pages
Informazioni su questo prodotto
Product Identifiers
Publisher
University of California Press
ISBN-10
0520248589
ISBN-13
9780520248588
eBay Product ID (ePID)
52858296
Product Key Features
Number of Pages
277 Pages
Language
English
Publication Name
Mumford on Modern Art in the 1930s
Publication Year
2007
Subject
History / Modern (Late 19th Century to 1945), Criticism & Theory, Journalism, American / General, History / General
Type
Textbook
Subject Area
Art, Language Arts & Disciplines
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
17 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-009142
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
709/.04
Table Of Content
Acknowledgments List of Illustrations Introduction "The Metropolitan Milieu" 1932-1933 "The Art Galleries: The Taste of Today." New Yorker VIII (October 1, 1932) "The Art Galleries: Shows Abroad." New Yorker VIII (October 8, 1932) "The Art Galleries: Mr. Bloom's Anniversary; And a Disciple of Atget." New Yorker VIII (October 15, 1932) "The Art Galleries: Seventy Years; The Work of Mary Cassatt." New Yorker VIII (November 12, 1932) "The Art Galleries: Marin; MirÓ." New Yorker VIII (November 19, 1932) "The Art Galleries: American Paintings." New Yorker VIII (December 10, 1932) "The Art Galleries: Paint and Stone." New Yorker VIII (January 21, 1933) "The Art Galleries: World Tour." New Yorker IX (February 18, 1933) "The Art Galleries: Cabarets and Clouds." New Yorker IX (April 1, 1933) "The Art Galleries: Impressionism and the Circus; Three Decades." New Yorker IX (April 22, 1933) "The Art Galleries: Resurrection; And the Younger Generation." New Yorker IX (May 13, 1933) "The Art Galleries: The Summer Circuit." New Yorker IX (August 12, 1933) 1933-1934 "The Art Galleries: West, South, and Across the Harlem." New Yorker IX (September 23, 1933) "The Art Galleries: Miniatures and Heirlooms." New Yorker IX (October 21, 1933) "The Art Galleries: Extramural Activities." New Yorker IX (October 28, 1933) "The Art Galleries: Two Americans." New Yorker IX (November 11, 1933) "The Art Galleries: New York Under Glass." New Yorker IX (November 25, 1933) "The Art Galleries: The Frozen Nightmares of SeÑor Dali." New Yorker IX (December 9, 1933) "The Art Galleries: Across the Hudson; Jean LurÇat's ' Double Bill; Paints, Pastels, and the Parthenon." New Yorker IX (December 30, 1933) "The Art Galleries: Rivera and the Workers." New Yorker IX (January 13, 1934) "The Art Galleries: Portrait of the Mechanic as a Young Man; Newcomers in Retrospect." New Yorker X (March 31, 1934) "The Art Galleries: Circus Time; Statues and Prints; Americana." New Yorker X (April 7, 1934) "The Art Galleries: Memorials and Moderns," New Yorker X (April 14, 1934) "The Art Galleries: Benton of Missouri; A Galaxy of Goyas." New Yorker X (April 21, 1934), 55-57 "The Art Galleries: Toyshop; Reflections on Mediocrity." New Yorker X (April 28, 1934) "The Art Galleries: Tips for Travellers; The Modern Museum." New Yorker X (June 9, 1934) 1934-1935 "The Art Galleries: Critics and Cameras." New Yorker X (September 29, 1934) "The Art Galleries: A Catalogue and Homer." New Yorker X (October 20, 1934) "The Art Galleries: In Memoriam." New Yorker X (November 17, 1934) "The Art Galleries: Marin and Others." New Yorker X (November 24, 1934) "The Art Galleries: A Camera and Alfred Stieglitz." New Yorker X (December 22, 1934) "The Art Galleries: Anniversary; Post-Centenary Whistler; Mr. Curry and the American Scene." New Yorker X (February 2, 1935) "The Art Galleries: Lachaise and O'Keeffe." New Yorker X (February 9, 1935) "The Art Galleries: Paints, Palettes, and the Public Wall." New Yorker XI (February 16, 1935) "The Art Galleries: New High in Abstractions," New Yorker XI (March 2, 1935) "The Art Galleries: The Dark Continent; And George Grosz." New Yorker XI (March 30, 1935) "The Art Galleries: Mirrors and the Metropolitan." New Yorker XI (April 6, 1935) "The Art Galleries: The Three Bentons." New Yorker XI (April 20, 1935) "The Art Galleries: A Group of Americans." New Yorker XI (May 4, 1935) "The Art Galleries: In Capitulation." New Yorker XI (June 1, 1935) 1935-1936 "The Art Galleries: LÉger and the Machine." New Yorker XI (October 19, 1935) "The Art Galleries: A Synopsis of Ryder." New Yorker XI (November 2, 1935) "The Art Galleries: The Work of van Gogh." New Yorker XI (November 16, 1935)
Synopsis
Although Lewis Mumford is widely acknowledged as the seminal American critic of architecture and urbanism in the twentieth century, he is less known for his art criticism. He began contributing to this field in the early 1920s, and his influence peaked between 1932 and 1937, when he was art critic for the "New Yorker. "This book, for the first time, assembles Mumford's important art criticism in a single volume. His columns bring wit and insight to bear on a range of artists, from establishment figures like Matisse and Brancusi to relatively new arrivals like Reginald Marsh and Georgia O'Keeffe. These articles provide an unusual window onto the New York art scene just as it was casting off provincialism in favor of a more international outlook. On a deeper level, the columns probe beneath the surface of modern art, revealing an alienation that Mumford believed symptomatic of a larger cultural disintegration. Many of the themes Mumford addresses overlap with those of his more familiar architectural criticism: the guiding role of the past in stimulating creativity in the present, the increasing congestion of the modern metropolis, the alarming lack of human control over modern technology, and the pressing need to restore organic balance to everyday living. Though he was open to new movements emanating from Europe, Mumford became the chief advocate of a progressive American modernism that was both socially aware and formally inventive., Although Lewis Mumford is widely acknowledged as the seminal American critic of architecture and urbanism in the twentieth century, he is less known for his art criticism. He began contributing to this field in the early 1920s, and his influence peaked between 1932 and 1937, when he was art critic for theNew Yorker.This book, for the first time, assembles Mumford's important art criticism in a single volume. His columns bring wit and insight to bear on a range of artists, from establishment figures like Matisse and Brancusi to relatively new arrivals like Reginald Marsh and Georgia O'Keeffe. These articles provide an unusual window onto the New York art scene just as it was casting off provincialism in favor of a more international outlook. On a deeper level, the columns probe beneath the surface of modern art, revealing an alienation that Mumford believed symptomatic of a larger cultural disintegration. Many of the themes Mumford addresses overlap with those of his more familiar architectural criticism: the guiding role of the past in stimulating creativity in the present, the increasing congestion of the modern metropolis, the alarming lack of human control over modern technology, and the pressing need to restore organic balance to everyday living. Though he was open to new movements emanating from Europe, Mumford became the chief advocate of a progressive American modernism that was both socially aware and formally inventive., Although Lewis Mumford is widely acknowledged as the seminal American critic of architecture and urbanism in the twentieth century, he is less known for his art criticism. He began contributing to this field in the early 1920s, and his influence peaked between 1932 and 1937, when he was art critic for the New Yorker. This book, for the first time, assembles Mumford's important art criticism in a single volume. His columns bring wit and insight to bear on a range of artists, from establishment figures like Matisse and Brancusi to relatively new arrivals like Reginald Marsh and Georgia O'Keeffe. These articles provide an unusual window onto the New York art scene just as it was casting off provincialism in favor of a more international outlook. On a deeper level, the columns probe beneath the surface of modern art, revealing an alienation that Mumford believed symptomatic of a larger cultural disintegration. Many of the themes Mumford addresses overlap with those of his more familiar architectural criticism: the guiding role of the past in stimulating creativity in the present, the increasing congestion of the modern metropolis, the alarming lack of human control over modern technology, and the pressing need to restore organic balance to everyday living. Though he was open to new movements emanating from Europe, Mumford became the chief advocate of a progressive American modernism that was both socially aware and formally inventive.
LC Classification Number
2006009142
Descrizione dell'oggetto fatta dal venditore
Categorie più popolari di questo Negozio
Registrato come venditore privato
Pertanto non si applicano i diritti dei consumatori derivanti dalla normativa europea. La Garanzia cliente eBay è comunque applicabile alla maggior parte degli acquisti. Scopri di piùScopri di più
Feedback del venditore (590)
- x***a (870)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoFast shipping. Well packaged. Item as described. Great seller.Postcard: Barge Canal Lock, Baldwinsville, NY, Earl T. Wood, Divided, Unposted (#176399003611)
- a***f (506)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoItem as described, only nicer. Packaged beautifully, and arrived without a flaw. Thank-you for the preparation in packaging, mailing quickly, and everything on your end. I am happy to to add this beautiful book to my library!Heroes of Light and Shadow by Yousuf Karsh (#176390379453)
- g***l (970)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoGreat transaction! Item exactly as described. Well packaged and quick shipping.Postcard: Easter, Slightly Embossed, Whitney Made, Divided Back, Unposted (#176384882352)
Valutazioni e recensioni del prodotto
Vedi altro:
- Libri e riviste di narrativa Autore Lewis Carroll,
- Narrativa Autore Lewis Carroll per bambini e ragazzi,
- Libri e riviste di saggistica Autore Lewis Carroll,
- Libri e riviste Autore Lewis Carroll per bambini e ragazzi,
- Libri e riviste di narrativa The Walking Dead,
- Libri antichi e da collezione, tema letteratura moderna,
- Narrativa per bambini e ragazzi, tema letteratura moderna,
- Libri antichi e da collezione, tema letteratura moderna in italiano,
- Libri antichi e da collezione, tema letteratura moderna in francese,
- Libri antichi e da collezione beige, tema letteratura moderna