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Deez to Blues di Mario Pavone (CD, 2012, digipak) Jazz, Raro OOP-

Testo originale
Deez to Blues by Mario Pavone (CD, 2012, digipak) Jazz, Rare OOP
Condizione:
Come Nuovo
Rare OOP
Prezzo:
US $10,00
CircaEUR 9,36
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Spedizione:
US $4,48 (circa EUR 4,19) Economica. Vedi i dettagliper la spedizione
Oggetto che si trova a: Easton, Maryland, Stati Uniti
Consegna:
Consegna prevista tra il gio 27 giu e il sab 29 giu a 43230
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Numero oggetto eBay:145764049323

Specifiche dell'oggetto

Condizione
Come Nuovo
Oggetto che sembra essere stato appena estratto dalla confezione sigillata originale. Ogni parte dell'oggetto risulta intatta e priva di difetti e segni di usura visibili. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore. Vedi tutte le definizioni delle condizioniviene aperta una nuova finestra o scheda
Note del venditore
“Rare OOP”
UPC
0801495162323
Artist
Pavone, Mario
Format
CD
Producer
Mario Pavone
Release Year
2012
Record Label
Cdb, CD Baby
Release Title
Deez to Blues
Genre
Jazz

Informazioni su questo prodotto

Product Identifiers

Producer
Mario Pavone
Record Label
Cdb, CD Baby
UPC
0801495162323
eBay Product ID (ePID)
26046069637

Product Key Features

Format
CD
Release Year
2012
Genre
Jazz
Artist
Pavone, Mario
Release Title
Deez to Blues

Dimensions

Item Height
0.27 in
Item Weight
0.15 lb
Item Length
5.76 in
Item Width
4.86 in

Additional Product Features

Number of Discs
1
Number of Tracks
7
Tracks
1.1 Zines 1.2 Deez 1.3 Xapo 1.4 Dances 3/5 1.5 Day of the Dark Bright Light 1.6 Ocbo 1.7 Second-Term Blues
Notes
Bassist/composer Mario Pavone has collaborated with both legendary innovators and today's most respected young musicians to consistently define the cutting edge of jazz for the past 40 years. He has anchored the trios of Paul Bley (1968-72), Bill Dixon (1980's), and the late Thomas Chapin (1990-97), and co-led a variety of notable ensembles with Anthony Braxton, Wadada Leo Smith, Marty Ehrlich, and Michael Musillami. His list of sidemen past and present includes Steven Bernstein, Gerald Cleaver, Dave Douglas, Peter Madsen, Tony Malaby, Joshua Redman, George Schuller, Michael Sarin, Craig Taborn, and Matt Wilson among many others. And, unlike most artists whose careers span five decades, his most recent recordings are his most widely acclaimed, appearing on best-of-the-year lists from Slate.com, AllAboutJazz.com, AllAboutJazz-New York, Coda, the Village Voice, and the New York Times among others. Although a long career in jazz awaited him, Pavone never received formal music training and didn't seriously encounter jazz until his freshman year at the University of Connecticut in 1958. Growing up in Waterbury, Connecticut, he developed a fondness for black R&B vocal groups, as well as the 1940's movie music he heard as a child, but a college friend's jazz record collection-and seeing John Coltrane one fateful night at the Village Vanguard in 1961-set him on the musical path. With legendary guitarist/fellow Waterbury native Joe Diorio's encouragement, Pavone rented a bass in the summer of 1964 and began plucking out the percussive sound that would become his trademark. He was playing professionally by 1965, though his full-time job was putting his Industrial Engineering degree to work for major corporations. Upon hearing the news about Coltrane's death in 1967, he left his briefcase on his desk, got in the car, and drove to the funeral, where he decided on the spot to dedicate the rest of his life to music. He toured Europe with Paul Bley in 1968, and performed on the pianist's recording, Canada (Radio Canada), with Barry Altschul. Soon after he met vibraphonist/composer Bobby Naughton, among others, and became a part of New York's early 70's loft scene with groups like Bill Dixon's Orchestra of the Streets. By 1975, he was a founding member of the New Haven, Connecticut-based Creative Music Improvisers Forum (CMIF), with Naughton, Wadada Leo Smith, Gerry Hemingway, Wes Brown, Reverend Dwight Andrews and others, which produced concerts and recordings that gave musicians more control over their own music. In 1980, Pavone began an 18-year musical relationship with Thomas Chapin, which would lead to a number of collaborations, most notably Chapin's seminal trio with drummer Michael Sarin. Around the same time, Pavone recorded his first titles as a leader, 1979's Digit and 1981's Shodo on his own Alacra label, crediting Naughton and Smith with motivating him to write his own music and teaching him about open-ended composition. Since Chapin's untimely death in 1998, Pavone has recorded exclusively with his own bands, with the exception of his son Michael's 2001 debut, Trio (Playscape). His discography now features 17 recordings as a leader/co-leader, including his acclaimed 2006 release, Deez to Blues, on Playscape Recordings, the label he has called home since 1999. In addition to his ongoing activities as a bandleader, Pavone's artwork and photography have graced the covers of dozens of recordings since the mid 90's, and he currently serves as an educator, administrator and board member for the Litchfield Jazz Festival and Litchfield Summer Jazz Camp in Litchfield, Connecticut. Deez to blues Bassist/composer Mario Pavone's 17th recording as a leader/co-leader, and his third to feature trumpeter/arranger Steve Bernstein, documents six new original Pavone compositions that feature his trademark style of putting the rhythm section at the center of the action and casting traditional lead instruments in a supporting role. Recorde

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