Reviews
PRAISE FOR MARTIN MCDONAGH AND THE PILLOWMAN: "McDonagh is destined to be one of the theatrical luminaries of the 21st century." --The New Republic "Energizing . . . a blindingly bright black comedy." --Ben Brantley, The New York Times "A complex tale about life and art, about fact and illusion, about politics, society, cruelty and creativity." --Alastair Macaulay, Financial Times "Martin McDonagh, master of bad taste in black comedy's cause and persistent enfant terrible, leaps towards maturity in this dazzling, disquieting nightmare of a play which makes up its own Grimm fairy-tales." --Nicholas de Jongh, Evening Standard "A play of extraordinary power and stunning theatrical bravura." --Michael Coveney, Daily Mail, A complex tale about life and art, about fact and illusion, about politics, society, cruelty and creativity., PRAISE FOR MARTIN MCDONAGH AND THE PILLOWMAN: "McDonagh is destined to be one of the theatrical luminaries of the 21st century." - -The New Republic "Energizing . . . a blindingly bright black comedy." --Ben Brantley, The New York Times "A complex tale about life and art, about fact and illusion, about politics, society, cruelty and creativity." --Alastair Macaulay, Financial Times "Martin McDonagh, master of bad taste in black comedy's cause and persistent enfant terrible, leaps towards maturity in this dazzling, disquieting nightmare of a play which makes up its own Grimm fairy-tales." --Nicholas de Jongh, Evening Standard "A play of extraordinary power and stunning theatrical bravura." --Michael Coveney, Daily Mail, Martin McDonagh, master of bad taste in black comedy's cause and persistent enfant terrible, leaps towards maturity in this dazzling, disquieting nightmare of a play which makes up its own Grimm fairy-tales., "Energizing . . . a blindingly bright black comedy." -- Ben Brantley, The New York Times "A complex tale about life and art, about fact and illusion, about politics, society, cruelty and creativity." -- Alastair Macaulay, Financial Times "Martin McDonagh, master of bad taste in black comedy's cause and persistent enfant terrible, leaps towards maturity in this dazzling, disquieting nightmare of a play which makes up its own Grimm fairy-tales." -- Nicholas de Jongh, Evening Standard "A play of extraordinary power and stunning theatrical bravura." -- Michael Coveney, Daily Mail, PRAISE FOR MARTIN MCDONAGH AND THE PILLOWMAN: "McDonagh is destined to be one of the theatrical luminaries of the 21st century." --The New Republic "Energizing . . . a blindingly bright black comedy." --Ben Brantley,The New York Times "A complex tale about life and art, about fact and illusion, about politics, society, cruelty and creativity." --Alastair Macaulay,Financial Times "Martin McDonagh, master of bad taste in black comedy's cause and persistent enfant terrible, leaps towards maturity in this dazzling, disquieting nightmare of a play which makes up its own Grimm fairy-tales." --Nicholas de Jongh,Evening Standard "A play of extraordinary power and stunning theatrical bravura." --Michael Coveney,Daily Mail, "Energizing . . . a blindingly bright black comedy." --Ben Brantley, The New York Times "A complex tale about life and art, about fact and illusion, about politics, society, cruelty and creativity." --Alastair Macaulay, Financial Times "Martin McDonagh, master of bad taste in black comedy's cause and persistent enfant terrible, leaps towards maturity in this dazzling, disquieting nightmare of a play which makes up its own Grimm fairy-tales." --Nicholas de Jongh, Evening Standard "A play of extraordinary power and stunning theatrical bravura." --Michael Coveney, Daily Mail
