1.1 Minority 1.2 Straight Life 1.3 Blue Funk 1.4 A Little Taste 1.5 People Will Say We're in Love 1.6 Nardis 1.7 Two Left Feet 1.8 Just Squeeze Me (But Don't Tease Me) 1.9 I Got It Bad (And That Ain't Good) 1.10 Nothin' 1.11 Jump for Joy 1.12 Bli - Blip 1.13 Chocolate Shake 1.14 If Life Were All Peaches and Cream 1.15 Brown - Skin Gal (In the Galico Gown) 1.16 The Tune of the Hickory Stick 2.1 Blues Oriental 2.2 Things Are Getting Better 2.3 Serves Me Right 2.4 Groovin' High 2.5 The Sidewalks of New York 2.6 Sounds for Sid 2.7 Just One of Those Things 2.8 Limehouse Blues 2.9 Stars Fell on Alabama 2.10 Wabash 2.11 Grand Central 2.12 You' Re a Weaver of Dreams 2.13 The Sleeper 3.1 Blue Spring 3.2 It Might As Well Be Spring 3.3 Poetic 3.4 Spring Is Here 3.5 Spring Cannon 3.6 Passion Spring 3.7 If This Isn't Love 3.8 Poor Butterfly 3.9 I Guess I Hang My Tears Out to Dry 3.10 I've Told Every Little Star 3.11 Barefoot Sunday Blues 3.12 Serenata 3.13 I Remember You 4.1 This Here 4.2 Spontaneous Combustion 4.3 Hi - Fly 4.4 You Got It! 4.5 Bohemia After Dark 4.6 Work Song 4.7 Dat Dere 4.8 Easy Living 4.9 Del Sasser 4.10 Jeannine 4.11 Soon 4.12 Them Dirty Blues
Notes
Of all the hard bop players that exploded onto the American jazz scene during the 1950s, saxophonist Julian Edwin "Cannonball" Adderley was among the most highly-respected. Often named the spiritual successor to Charlie Parker, Adderley's lightning-fast delivery and clear, upbeat sound appeared on some of the most important recordings of the era, both as a sideman and as leader of his own bands.