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Liner Note Authors: Patrick Snyder; John Tobler. Recording information: Filmore East, New York, NY (1966); RCA Studios, Los Angeles, CA (1966); The New Orleans House, Berkeley, CA (1966); Wally Heider's, San Francisco, CA (1966); Winterland, San Francisco, CA (1966); Filmore East, New York, NY (1967); RCA Studios, Los Angeles, CA (1967); The New Orleans House, Berkeley, CA (1967); Wally Heider's, San Francisco, CA (1967); Winterland, San Francisco, CA (1967); Filmore East, New York, NY (1968); RCA Studios, Los Angeles, CA (1968); The New Orleans House, Berkeley, CA (1968); Wally Heider's, San Francisco, CA (1968); Winterland, San Francisco, CA (1968); Filmore East, New York, NY (1969); RCA Studios, Los Angeles, CA (1969); The New Orleans House, Berkeley, CA (1969); Wally Heider's, San Francisco, CA (1969); Winterland, San Francisco, CA (1969); Filmore East, New York, NY (1970); RCA Studios, Los Angeles, CA (1970); The New Orleans House, Berkeley, CA (1970); Wally Heider's, San Francisco, CA (1970); Winterland, San Francisco, CA (1970); Filmore East, New York, NY (1971); RCA Studios, Los Angeles, CA (1971); The New Orleans House, Berkeley, CA (1971); Wally Heider's, San Francisco, CA (1971); Winterland, San Francisco, CA (1971); Filmore East, New York, NY (1972); RCA Studios, Los Angeles, CA (1972); The New Orleans House, Berkeley, CA (1972); Wally Heider's, San Francisco, CA (1972); Winterland, San Francisco, CA (1972); Filmore East, New York, NY (1973); RCA Studios, Los Angeles, CA (1973); The New Orleans House, Berkeley, CA (1973); Wally Heider's, San Francisco, CA (1973); Winterland, San Francisco, CA (1973); Filmore East, New York, NY (1974); RCA Studios, Los Angeles, CA (1974); The New Orleans House, Berkeley, CA (1974); Wally Heider's, San Francisco, CA (1974); Winterland, San Francisco, CA (1974); Filmore East, New York, NY (1976); RCA Studios, Los Angeles, CA (1976); The New Orleans House, Berkeley, CA (1976); Wally Heider's, San Francisco, CA (1976); Winterland, San Francisco, CA (1976). Photographers: Dave Patrick; Jim Marshall ; Randy Tuten; Jim Smircich; Tony Lane; Roger Ressmeyer; Charles Stewart . This odds and sods collection of the Jefferson Airplane gives an eclectic overview of one of the premier San Francisco bands. Although several of their better-known songs are included ("White Rabbit," "Volunteers"), the purpose of Flight Log seems to be to tell the story of the original JA lineup rather than present their greatest hits. The first half of the record documents the group together, the second half the group apart. A live version of "Somebody to Love" rides the sonic punch of Kaukonen and Cassady; Marty Balin's "Comin' Back to Me" remains one of the Airplane's finest ballads. The initial Hot Tuna recordings are also represented here along with tracks from the Blows Against the Empire assemblage. The inclusion of Jefferson Starship's "Ride the Tiger points the way to a slicker, pop-oriented future. While Flight Log is not essent
