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Cambridge Musical Texts and Monographs: Bach Interpretation : Articulation Marks
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- Compralo SubitoCambridge Musical Texts and Monographs: Bach Interpretation : Articulation Marks
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Oggetto che si trova a: Saint Paul, Minnesota, Stati Uniti
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Specifiche dell'oggetto
- Condizione
- ISBN
- 9780521372398
Informazioni su questo prodotto
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521372399
ISBN-13
9780521372398
eBay Product ID (ePID)
1249081
Product Key Features
Number of Pages
296 Pages
Language
English
Publication Name
Bach Interpretation : Articulation Marks in Primary Sources of J. S. Bach
Subject
History & Criticism, General, Instruction & Study / Theory
Publication Year
1990
Type
Textbook
Subject Area
Music
Series
Cambridge Musical Texts and Monographs
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
21.5 Oz
Item Length
9.3 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
89-007141
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
780/.92
Table Of Content
List of plates; Preface; List of abbreviations; Introduction; Part I. Background to Articulation in the Performance Practice of Bach's Era: 1. The primacy of singing; 2. Articulation marks in string playing; 3. Articulation marks in wind playing; 4. Articulation marks in keyboard playing; 5. Articulation marks and rhythmic inequality; Part II. The Principles of Bach's Notated Articulation: A Study of the Scores and Parts of the Concerted Vocal Works: 6. Articulation marks within the compositional and notational procedure; 7. Principal articulation patterns in the instrumental parts of vocal works; 8. Fundamentals of Bach's notated articulation; Part III. Bach's Refined Articulation - The Instrumental Works: 9. Bach's role in the preparation of printed sources 10. Articulation marks in fair copies of works for instrumental ensemble; 11. Bach's keyboard articulation and the development of the keyboard idiom; 12. Bach and 'modern' articulation: slurs as 'phrase marks'; 13. Articulation marks in analysis and interpretation; Conclusion; Appendixes; Notes; References; Index of BMV works; Index of names.
Synopsis
This study is a comprehensive assessment of J.S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources. Dr Butt analyses their role within the compositional processes, how they relate to the norms of articulation of the period, and how they might assist us in understanding Bach's style., A comprehensive assessment of J.S. Bach’s use of articulation marks (i.e. slurs and dots) in the large body of primary sources., This study is a comprehensive assessment of J. S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources. Dr Butt analyses the role of such markings within the compositional process, how they relate to the norms of articulation of the period, and how they might assist us in a deeper understanding and evaluation of Bach's style. With its extensive catalogue of the most common slurring patterns based on a study of over 100 concerted vocal works, this book is invaluable both for performers on all baroque instruments, and for scholars with an interest in Bach's style and source studies. It also contributes to our perception of Bach's position in music history: the purpose of music in the Lutheran Germany of Bach's time and its rhetorical power; the close relationship between composer and performer within the context of 'practical' music; and the functions and development of notation.
LC Classification Number
ML410.B1 B9 1990
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