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Charles Sheeler: Fashion, Photography, and Sculptural Form by Kirsten M Jensen
US $53,34
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- Compralo SubitoCharles Sheeler: Fashion, Photography, and Sculptural Form by Kirsten M Jensen
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Oggetto che si trova a: Sparks, Nevada, Stati Uniti
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Numero oggetto eBay:403985347934
Specifiche dell'oggetto
- Condizione
- Book Title
- Charles Sheeler: Fashion, Photography, and Sculptural Form
- Publication Date
- 2017-03-29
- Pages
- 256
- ISBN
- 9781512821482
Informazioni su questo prodotto
Product Identifiers
Publisher
University of Pennsylvania Press
ISBN-10
1512821489
ISBN-13
9781512821482
eBay Product ID (ePID)
237682158
Product Key Features
Number of Pages
256 Pages
Publication Name
Charles Sheeler : Fashion, Photography, and Sculptural Form
Language
English
Publication Year
2017
Subject
Commercial, Individual Photographers / Essays, Subjects & Themes / Fashion
Type
Textbook
Subject Area
Photography
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
71.9 Oz
Item Length
12.3 in
Item Width
10.6 in
Additional Product Features
Intended Audience
College Audience
LCCN
2018-302156
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
770
Synopsis
Philadelphia native Charles Sheeler (1883-1965) is recognized as one of the founding figures of American modernism. Initially trained in impressionist landscape painting, he experimented early in his career with compositions inspired by European modernism before developing a linear, hard-edge style now known as Precisionism. Sheeler is best known for his powerful and compelling images of the Machine Age--stark paintings and photographs of skyscrapers, factories, and power plants--that he created while working in the 1920s and 1930s. Less known, and even lesser studied, is that he worked from 1926 to 1931 as a fashion and portrait photographer for Cond Nast. The body of work he produced during this time, mainly for Vanity Fair and Vogue , has been almost universally dismissed by scholars of American modernism as purely commercial, the results of a painter's "day job," and nothing more. Charles Sheeler contends that Sheeler's fashion and portrait photography was instrumental to the artist's developing modernist aesthetic. Over the course of his time at Cond Nast, Sheeler's fashion photography increasingly incorporated the structural design of abstraction: rhythmic patterning, dramatic contrast, and abstract compositions. The subjects of Sheeler's fashion and portrait photography appear pared down to their barest essentials, as sculptural objects composed of line, form, and light. The objective, distant, and rigorously formal style that Sheeler developed at Cond Nast would eventually be applied to all of his artistic forays: architectural, industrial, and vernacular. The contributing essays to Charles Sheeler expose the artistic breadth and depth of Sheeler's Cond Nast oeuvre, over 300 images of which are gathered in this volume. Michener Art Museum curator Kirsten M. Jensen provides the historical context for Sheeler's experimentation in the years preceding his time at Cond Nast, as well as a comprehensive analysis of the artist's Cond Nast photography alongside his Precisionist work. Further essays explore the role of Cond Nast, the individual, in shaping the era's culture; investigate how Sheeler's work reinterpreted and shifted contemporary trends in architecture and fashion; examine the influence of Sheeler's experimentation with filmmaking on his later work; and analyze Sheeler's influence on later generations of fashion photographers, who have continued his studies into the model as a sculptural form., Philadelphia native Charles Sheeler (1883-1965) is recognized as one of the founding figures of American modernism. Initially trained in impressionist landscape painting, he experimented early in his career with compositions inspired by European modernism before developing a linear, hard-edge style now known as Precisionism. Sheeler is best known for his powerful and compelling images of the Machine Age--stark paintings and photographs of skyscrapers, factories, and power plants--that he created while working in the 1920s and 1930s. Less known, and even lesser studied, is that he worked from 1926 to 1931 as a fashion and portrait photographer for Condé Nast. The body of work he produced during this time, mainly for Vanity Fair and Vogue , has been almost universally dismissed by scholars of American modernism as purely commercial, the results of a painter's "day job," and nothing more. Charles Sheeler contends that Sheeler's fashion and portrait photography was instrumental to the artist's developing modernist aesthetic. Over the course of his time at Condé Nast, Sheeler's fashion photography increasingly incorporated the structural design of abstraction: rhythmic patterning, dramatic contrast, and abstract compositions. The subjects of Sheeler's fashion and portrait photography appear pared down to their barest essentials, as sculptural objects composed of line, form, and light. The objective, distant, and rigorously formal style that Sheeler developed at Condé Nast would eventually be applied to all of his artistic forays: architectural, industrial, and vernacular. The contributing essays to Charles Sheeler expose the artistic breadth and depth of Sheeler's Condé Nast oeuvre, over 300 images of which are gathered in this volume. Michener Art Museum curator Kirsten M. Jensen provides the historical context for Sheeler's experimentation in the years preceding his time at Condé Nast, as well as a comprehensive analysis of the artist's Condé Nast photography alongside his Precisionist work. Further essays explore the role of Condé Nast, the individual, in shaping the era's culture; investigate how Sheeler's work reinterpreted and shifted contemporary trends in architecture and fashion; examine the influence of Sheeler's experimentation with filmmaking on his later work; and analyze Sheeler's influence on later generations of fashion photographers, who have continued his studies into the model as a sculptural form., Charles Sheeler: Fashion, Photography, and Sculptural Form explores how Charles Sheeler (1883-1965), a pioneering American modernist, further developed his signature Precisionist style during his years working as a fashion photographer at Condé Nast.
LC Classification Number
TR679
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AlibrisBooks
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Feedback sul venditore (515.971)
- m***m (2312)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoI’m thrilled with my recent purchase . The website was user-friendly, and the product descriptions were accurate. Customer service was prompt and helpful, answering all my questions. My order arrived quickly, well-packaged, and the product exceeded my expectations in quality. I’m impressed with the attention to detail and the overall experience. I’ll definitely shop here again and highly recommend from this seller to others. Thank you for a fantastic experience!
- a***n (54)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoMistakenly ordered a paperback that I thought was a hardcover, not sellers fault; it was described properly on the listing. Seller still processed a refund the day I went to return the item and let me keep the item anyway. A+++ service. Book arrived quickly in great condition and for a great price. Thank you so much! Amazing seller!
- n***c (97)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoseller was communicative about my shipment, media mail took a while and tracking wasn't updated frequently, but seller communicated to me very quickly on status. the item came new and wrapped as described, though the packaging in it was packed wasn't sturdy and falling apart when it got to me.