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Action/Abstrac tion: Pollock, de Kooning, and American Art, 1940-1976: Used
US $15,98
CircaEUR 13,60
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Buone condizioni
Libro che è già stato letto ma è in buone condizioni. Mostra piccolissimi danni alla copertina incluse alcune rigature, ma nessun foro o strappo. È possibile che la sovraccoperta per le copertine rigide non sia inclusa. La rilegatura presenta minimi segni di usura. La maggior parte delle pagine non è danneggiata e mostra una quantità minima di piegature o strappi, sottolineature di testo a matita, nessuna evidenziazione di testo né scritte ai margini. Non ci sono pagine mancanti. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Oggetto che si trova a: Sparks, Nevada, Stati Uniti
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Consegna prevista tra il mar 29 lug e il sab 2 ago a 94104
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Numero oggetto eBay:403977901189
Specifiche dell'oggetto
- Condizione
- Publication Date
- 2009-08-04
- Pages
- 344
- ISBN
- 9780300139204
Informazioni su questo prodotto
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300139209
ISBN-13
9780300139204
eBay Product ID (ePID)
73384237
Product Key Features
Book Title
Action/Abstraction : Pollock, De Kooning, and American Art, 1940-1976
Number of Pages
344 Pages
Language
English
Publication Year
2009
Topic
History / Contemporary (1945-), Criticism & Theory, Collections, Catalogs, Exhibitions / General, American / General
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
0.1 in
Item Weight
72.9 Oz
Item Length
1.2 in
Item Width
1 in
Additional Product Features
Intended Audience
Trade
LCCN
2007-046613
Reviews
Winner of the 2010 National Jewish Book Award in the Visual Arts Category sponsored by the Jewish Book Council
Dewey Edition
22
Dewey Decimal
709.73/0747471
Synopsis
The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical, and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. It also presents an extensive commentary on the two most influential critics of postwar American art-Clement Greenberg and Harold Rosenberg-whose powerful views shaped perceptions of Abstract Expressionism and other contemporary art movements. In one essay, Norman L. Kleeblatt traces the influence of Abstract Expressionism into the mid-1970s and examines its connection to subsequent art styles. Other essays range from the literary and intellectual culture of New York during that period and an analysis of sculpture and representation to a discussion of Jewish issues in relation to postwar American Art. In addition, the book features a magisterial essay by eminent critic Irving Sandler and a copiously illustrated cultural timeline by Maurice Berger. Published in association with The Jewish Museum, New York Exhibition Schedule: The Jewish Museum, New York (May 4, 2008 - September 21, 2008) Saint Louis Art Museum (October 19, 2008 - January 11, 2009) The Albright-Knox Art Gallery, Buffalo (February 13 - May 31, 2009), The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical, and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. It also presents an extensive commentary on the two most influential critics of postwar American art--Clement Greenberg and Harold Rosenberg--whose powerful views shaped perceptions of Abstract Expressionism and other contemporary art movements. In one essay, Norman L. Kleeblatt traces the influence of Abstract Expressionism into the mid-1970s and examines its connection to subsequent art styles. Other essays range from the literary and intellectual culture of New York during that period and an analysis of sculpture and representation to a discussion of Jewish issues in relation to postwar American Art. In addition, the book features a magisterial essay by eminent critic Irving Sandler and a copiously illustrated cultural timeline by Maurice Berger.
LC Classification Number
N6512.5.A25A33 2008
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- r***r (2944)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoAwesome book thanks!
- m***m (2293)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoI’m thrilled with my recent purchase . The website was user-friendly, and the product descriptions were accurate. Customer service was prompt and helpful, answering all my questions. My order arrived quickly, well-packaged, and the product exceeded my expectations in quality. I’m impressed with the attention to detail and the overall experience. I’ll definitely shop here again and highly recommend from this seller to others. Thank you for a fantastic experience!
- a***n (43)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoMistakenly ordered a paperback that I thought was a hardcover, not sellers fault; it was described properly on the listing. Seller still processed a refund the day I went to return the item and let me keep the item anyway. A+++ service. Book arrived quickly in great condition and for a great price. Thank you so much! Amazing seller!
- n***c (94)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoseller was communicative about my shipment, media mail took a while and tracking wasn't updated frequently, but seller communicated to me very quickly on status. the item came new and wrapped as described, though the packaging in it was packed wasn't sturdy and falling apart when it got to me.