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Representing Women by Linda Nochlin: New
US $27,09
CircaEUR 23,98
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Gratis Standard Shipping.
Oggetto che si trova a: Sparks, Nevada, Stati Uniti
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Consegna prevista tra il gio 8 mag e il lun 12 mag a 43230
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Numero oggetto eBay:403969113050
Specifiche dell'oggetto
- Condizione
- Publication Date
- 2019-04-04
- ISBN
- 9780500294758
Informazioni su questo prodotto
Product Identifiers
Publisher
Thames & Hudson
ISBN-10
0500294755
ISBN-13
9780500294758
eBay Product ID (ePID)
16038277320
Product Key Features
Book Title
Representing Women
Number of Pages
272 Pages
Language
English
Publication Year
2019
Topic
Women, History / Contemporary (1945-), Subjects & Themes / Human Figure
Illustrator
Yes
Genre
Art, History
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
22.9 Oz
Item Length
9.1 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-956160
Dewey Edition
23
Dewey Decimal
757.4
Synopsis
Women--as warriors, workers, mothers, lovers--haunt nineteenth and twentieth-century Western painting. This republication of Representing Women brings together the late Linda Nochlin's most important and pioneering writings on the representation of women in art as she considers works by Jean-Francois Millet, Eugene Delacroix, Gustave Courbet, Edgar Degas, Georges Seurat, Mary Cassatt, and Kathe Kollwitz, among many others. In a riveting, partly autobiographical introduction, Nochlin argues for the honest virtues of an art history that rejects methodological presuppositions and for art historians to investigate the work before their eyes while focusing on its subject matter, informed by a sensitivity to its feminist spirit., Women - as warriors, workers, mothers, sensual women,even absent women - haunt 19th- and 20th-century Western painting: their representation is one of its most common subjects. Representing Women brings together Linda Nochlin's most important writings on the subject, as she considers work by Miller, Delacroix, Courbet, Degas, Seurat, Cassatt and Kollwitz, among many others. In her riveting, partly autobiographical, extended introduction, Nochlin documents her own pioneering approach to art history; throughout the seven essays in this book, she argues for the honest virtues of an art history that rejects methodological assumptions, and for art historians who investigate the work before their eyes while focusing on its subject matter, informed by a sensitivity to its feminist spirit.
LC Classification Number
N7630
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