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The Hour of the Star by Clarice Lispector: New
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Oggetto che si trova a: Sparks, Nevada, Stati Uniti
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Numero oggetto eBay:402776459819
Specifiche dell'oggetto
- Condizione
- Publication Date
- 2011-11-09
- Edition Number
- 2
- Pages
- 128
- ISBN
- 9780811219495
Informazioni su questo prodotto
Product Identifiers
Publisher
New Directions Publishing Corporation
ISBN-10
0811219496
ISBN-13
9780811219495
eBay Product ID (ePID)
109009565
Product Key Features
Edition
2
Book Title
Hour of the Star
Number of Pages
128 Pages
Language
English
Topic
Psychological, Contemporary Women, Jewish
Publication Year
2011
Illustrator
Yes
Genre
Fiction
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
4.2 Oz
Item Length
7.9 in
Item Width
5.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2011-025482
TitleLeading
The
Dewey Edition
23
Reviews
A new translation of Clarice Lispector's searing last novel, The Hour of the Star by Lispector biographer Benjamin Moser--with an introduction by Colm Tóibín--reveals the mesmerizing force of the revitalized modernist's Rio-set tale of a young naïf, who, along with the piquantly intrusive narrator, challenges the reader's notions of identity, storytelling, and love., This text investigates the knowledge of not knowing and the rich poverty of the inner void with stratagems of obfuscation, leaps of language, and suspensions of syntax and form that are perhaps best received by the gut., "In this slim novella, Lispector uses an intricate narrative structure in order to represent a peculiar state of mind. Rodrigo, a well-off and cultured man, struggles to tell the story of the sad life of Macaba, an unhygienic, sickly, unlovable, and an altogether "un-ideal" typist living in the slums of Rio de Janeiro. Although Rodrigo claims he's the only person who could love Macaba--if only because she's the subject of his narrative--he really tells her story as a way to thwart his own isolation. Lispector employs odd sentence fragments and erratic grammatical choices to highlight the importance of imagination as a means for her characters to liberate themselves from their banal existences. Through Rodrigo's narrative, Lispector artfully ponders the fate of her characters, and their fears and desires, in a harsh and unforgiving cityscape. Startlingly original and profoundly sad, The Hour of the Star is a provocative work by a highly influential author who should be more widely read.", In less than one hundred pages, Clarice Lispector tells a brilliantly multi-faceted and searing story., "In this slim novella, Lispector uses an intricate narrative structure in order to represent a peculiar state of mind. Rodrigo, a well-off and cultured man, struggles to tell the story of the sad life of Macabéa, an unhygienic, sickly, unlovable, and an altogether "un-ideal" typist living in the slums of Rio de Janeiro. Although Rodrigo claims he's the only person who could love Macabéa--if only because she's the subject of his narrative--he really tells her story as a way to thwart his own isolation. Lispector employs odd sentence fragments and erratic grammatical choices to highlight the importance of imagination as a means for her characters to liberate themselves from their banal existences. Through Rodrigo's narrative, Lispector artfully ponders the fate of her characters, and their fears and desires, in a harsh and unforgiving cityscape. Startlingly original and profoundly sad, The Hour of the Star is a provocative work by a highly influential author who should be more widely read.", The only antidote to stupidity is an agitated intelligence constantly prowling for blank spots in one's outward seeming. The Hour of the Star is a romance, then, between stupidity and its neurotic observer, a restless stretching away from form, tradition, and the stupefying rules they impose on writing., A new translation of Clarice Lispector's searing last novel, The Hour of the Star by Lispector biographer Benjamin Moser--with an introduction by Colm Tóibín--reveals the mesmerizing force of the revitalized modernist's Rio-set tale of a young naif, who, along with the piquantly intrusive narrator, challenges the reader's notions of identity, storytelling, and love., A new translation of Clarice Lispector's searing last novel, The Hour of the Star by Lispector biographer Benjamin Moser--with an introduction by Colm Tibn--reveals the mesmerizing force of the revitalized modernist's Rio-set tale of a young naif, who, along with the piquantly intrusive narrator, challenges the reader's notions of identity, storytelling, and love., "In this slim novella, Lispector uses an intricate narrative structure in order to represent a peculiar state of mind. Rodrigo, a well-off and cultured man, struggles to tell the story of the sad life of Macabéa, an unhygienic, sickly, unlovable, and an altogether "un-ideal" typist living in the slums of Rio de Janeiro. Although Rodrigo claims he's the only person who could love Macabéa--if only because she's the subject of his narrative--he really tells her story as a way to thwart his own isolation. Lispector employs odd sentence fragments and erratic grammatical choices to highlight the importance of imagination as a means for her characters to liberate themselves from their banal existences. Through Rodrigo's narrative, Lispector artfully ponders the fate of her characters, and their fears and desires, in a harsh and unforgiving cityscape. Startlingly original and profoundly sad, The Hour of the Star is a provocative work by a highly influential author who should be more widely read.", "In this slim novella, Lispector uses an intricate narrative structure in order to represent a peculiar state of mind. Rodrigo, a well-off and cultured man, struggles to tell the story of the sad life of Macaba, an unhygienic, sickly, unlovable, and an altogether "un-ideal" typist living in the slums of Rio de Janeiro. Although Rodrigo claims he's the only person who could love Macaba--if only because she's the subject of his narrative--he really tells her story as a way to thwart his own isolation. Lispector employs odd sentence fragments and erratic grammatical choices to highlight the importance of imagination as a means for her characters to liberate themselves from their banal existences. Through Rodrigo's narrative, Lispector artfully ponders the fate of her characters, and their fears and desires, in a harsh and unforgiving cityscape. Startlingly original and profoundly sad, The Hour of the Star is a provocative work by a highly influential author who should be more widely read.", An artist of vivid imagination. If her work is thoughtful and poetic, distinguished by touching insight and human sympathy, it is also full of irony and wild humor., The Hour of the Star trips up our concept of the novel. What a story is expected to do. How characters act. Why writers write. Why readers read. It's an experience you won't forget., The Hour of the Star trips up our concept of the novel. What a story is expected to do. How characters act. Why writers write. Why readers read. It's an experience you won't forget.
Dewey Decimal
869.3
Synopsis
Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Colas, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free/She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator--edge of despair to edge of despair--and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love and the art of fiction. In her last book she takes readers close to the true mystery of life and leave us deep in Lispector territory indeed., Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macab a, one of life's unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macab a loves movies, Coca-Colas, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macab a is inwardly free/She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator--edge of despair to edge of despair--and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love and the art of fiction. In her last book she takes readers close to the true mystery of life and leave us deep in Lispector territory indeed., A new edition of Clarice Lispector's final masterpiece, now with a vivid introduction by Colm Tóibín.
LC Classification Number
PQ9697.L585H6713
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