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Embodied Acting: What Neuroscience Tells Us About Performance by Rick Kemp (Engl

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Oggetto che si trova a: Fairfield, Ohio, Stati Uniti
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Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
ISBN-13
9780415507875
Book Title
Embodied Acting
ISBN
9780415507875

Informazioni su questo prodotto

Product Identifiers

Publisher
Routledge
ISBN-10
0415507871
ISBN-13
9780415507875
eBay Product ID (ePID)
110603584

Product Key Features

Number of Pages
232 Pages
Publication Name
Embodied Acting : What Neuroscience Tells Us about Performance
Language
English
Publication Year
2012
Subject
Theater / General, Cognitive Neuroscience & Cognitive Neuropsychology, General, Entertainment & Performing Arts, Acting & Auditioning
Type
Textbook
Subject Area
Performing Arts, Biography & Autobiography, Psychology
Author
Rick Kemp
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
14.4 Oz
Item Length
8.8 in
Item Width
5.7 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2012-007101
Reviews
'This is a very interesting book for actors, directors and - as I think - also for psychologists and philosophers. It can be seen as a pioneering work, opening doors to new fields of research: actors can be considered experts of the mind/body- interaction and it might make sense to think about a "psychology of acting" that approaches the body/mind-controversy through the study of actors and acting.' - Gunter Lösel, Theaterforschung, 'This is a very interesting book for actors, directors and - as I think - also for psychologists and philosophers. It can be seen as a pioneering work, opening doors to new fields of research: actors can be considered experts of the mind/body- interaction and it might make sense to think about a psychology of acting that approaches the body/mind-controversy through the study of actors and acting.'  Gunter Lösel, Theaterforschung, 'This is a very interesting book for actors, directors and - as I think - also for psychologists and philosophers. It can be seen as a pioneering work, opening doors to new fields of research: actors can be considered experts of the mind/body- interaction and it might make sense to think about a "psychology of acting" that approaches the body/mind-controversy through the study of actors and acting.' - Gunter Lsel, Theaterforschung
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
792.02/8
Synopsis
'A focus on the body, its actions, and its cognitive mechanisms identifies ... foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor's body.' - from the Introduction Embodied Acting is an essential, pragmatic intervention in the study of how recent discoveries within cognitive science can - and should - be applied to performance. For too long, a conceptual separation of mind and body has dominated actor training in the West. Cognitive science has shown this binary to be illusory, shattering the traditional boundaries between mind and body, reason and emotion, knowledge and imagination. This revolutionary new volume explores the impact that a more holistic approach to the "bodymind" can have on the acting process. Drawing on his experience as an actor, director and scholar, Rick Kemp interrogates the key cognitive activities involved in performance, including: non-verbal communication the relationship between thought, speech, and gesture the relationship between self and character empathy, imagination, and emotion. New perspectives on the work of Stanislavski, Michael Chekhov, and Jacques Lecoq - as well as contemporary practitioners including Daniel Day-Lewis and Katie Mitchell - are explored through practical exercises and accessible explanations. Blending theory, practice, and cutting-edge neuroscience, Kemp presents a radical re-examination of the unconscious activities engaged in creating, and presenting, a role.
LC Classification Number
PN2058

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