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Music of the Baroque: An Anthology of Scores by David Schulenberg (English) Pape
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Numero oggetto eBay:396824888936
Specifiche dell'oggetto
- Condizione
- ISBN-13
- 9780199942015
- Book Title
- Music of the Baroque
- ISBN
- 9780199942015
Informazioni su questo prodotto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199942013
ISBN-13
9780199942015
eBay Product ID (ePID)
167928953
Product Key Features
Number of Pages
400 Pages
Publication Name
Music of the Baroque
Language
English
Subject
History & Criticism, General
Publication Year
2013
Type
Textbook
Subject Area
Music
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
17.6 Oz
Item Length
6.1 in
Item Width
9.1 in
Additional Product Features
Edition Number
3
Intended Audience
College Audience
LCCN
2013-005312
Reviews
I suspect that most teachers of the baroque period will know and recommend the volume. It reads well, and given the space, it manages to offer some detail on the music selected for attention., "This text covers the basics with clarity and efficiency."--Charles E. Brewer, Florida State University"Music of the Baroque is beautifully written. I'd recommend the text and its accompanying anthology by praising the clarity of the writing style, the English translations, the boxes in every chapter, the diversity of the material, and the extraordinary attention to musical detail. It offers an excellent introduction to the major composers, styles, and genres of the Baroque period."--Alexis Luko, Carleton University
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
780.9/032
Table Of Content
1. IntroductionMusic History 1600-1750: Some Basic IdeasHistorical Background: Western Europe, 1600-1750Music in European History, 1600-1750The Place of Music and Musicians in SocietyPerformance Practices2. A Sixteenth-Century Prologue: Motet and MadrigalThe Late Renaissance Motet: Palestrina and LassusThe Madrigal3. Transitions Around 1600Some General DevelopmentsThe Basso ContinuoInstrumentsMonody4. Monteverdi and Early Baroque Musical DramaClaudio MonteverdiMonteverdi's OrfeoLater WorksVenetian Opera5. Secular Vocal Music of the Later Seventeenth CenturyBarbara StrozziAlessandro Scarlatti and the Later CantataThe Dissemination of Baroque Style6. Lully and French Musical DramaThe French StyleLully's Armide7. Seventeenth-Century Sacred MusicSacred Music in Venice: Giovanni GabrieliSacred Music in Germany: Heinrich SchützSeventeenth-Century OratorioLalande and the Grand Motet8. Late Baroque OperaHandelRameau9. Late Baroque Sacred MusicJ. S. BachHandel and the Eighteenth-Century Oratorio10. Music for Solo Instruments I: Toccata and SuiteThe Lute and Its RepertoryKeyboard Instruments of the Seventeenth and Eighteenth CenturiesBaroque Keyboard Music in ItalyBaroque Keyboard Music in France and Germany11. Music for Solo Instruments II: Fugues and PiècesLater Baroque Keyboard MusicJ. S. Bach's Music for Solo InstrumentsEighteenth-Century Keyboard Music in FranceOther Eighteenth-Century Keyboard Composers12. Music for Instrumental Ensemble I: The SonataThe Chief Ensemble Instruments of the BaroqueTypes of Baroque Music for Instrumental EnsembleThe Baroque Sonata13. Music for Instrumental Ensemble II: Sinfonia and ConcertoThe Bolognese Trumpet SinfoniaThe Baroque Concerto14. A Mid-Eighteenth-Century Epilogue: The Galant StyleThe Galant StyleBibliographyIndex
Synopsis
Music of the Baroque , Third Edition, and its accompanying anthology of scores offer a vivid introduction to European music from 1600 through 1750. Integrating historical and cultural context with composer biography, music analysis, and performance practice, the text surveys Baroque music while analyzing in depth more than thirty works from the principal traditions of the period. It also places special emphasis on the evolution of instruments and performance practices, showing how the period shaped them into what we know today. Organized by chronology and genre, the third edition expands the discussion of social and cultural issues through new sidebars on women in music, gender and the castrato voice, the relationship of music to ethnicity and colonialism, and other key areas of study. Also new are contemporary perspectives, including writings by composers Caccini and Couperin and critics Artusi, Scheibe, and Burney. Visit the companion website at www.oup.com/us/schulenberg for a discography of the scores included in the anthology (with links to online recordings), sample worksheets, and supplementary musical scores, This textbook is a concise survey of European music from 1600 through 1750 and is designed for junior/senior level courses in Baroque music. These are the centuries of the composers Palestrina, Monteverdi, Schütz, Lully, and Bach - years that saw the culminating development of the polyphonic motet and madrigal, the invention of opera and oratorio, and the emergence of such instrumental genres as sonata, suite, and concerto, key forms in which composers have continued to write to the present day. The text features a survey of Baroque vocal music organized by chronology and genre, followed by chapters on keyboard music and instrumental music, and an epilogue on the gallant style that emphasizes the continuation of that tradition into what we call the Classical style. The text balances historical context with musical analysis, emphasizes interpretation and the music's historical performing practices, and provides concise definitions of terms and basic explanations of key theoretical issues. The author's website includes a discography there for the scores included in the anthology., This textbook is a concise survey of European music from 1600 through 1750 and is designed for junior/senior level courses in Baroque music. These are the centuries of the composers Palestrina, Monteverdi, Schütz, Lully, and Bach-years that saw the culminating development of the polyphonic motet and madrigal, the invention of opera and oratorio, and the emergence of such instrumental genres as sonata, suite, and concerto, key forms in which composers have continued to write to the present day. The text features a survey of Baroque vocal music organized by chronology and genre, followed by chapters on keyboard music and instrumental music, and an epilogue on the gallant style that emphasizes the continuation of that tradition into what we call the Classical style. The text balances historical context with musical analysis, emphasizes interpretation and the music's historical performing practices, and provides concise definitions of terms and basic explanations of key theoretical issues. The author's website includes a discography there for the scores included in the anthology., This textbook is a concise survey of European music from 1600 through 1750 and is designed for junior/senior level courses in Baroque music.
LC Classification Number
ML193.S38 2014
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- c***a (121)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoThe seller was very responsive and answered me on a timely matter. The product itself came in its packaging and was new, not used at all. The packaging was not beat up or anything, safely delivered to my mailbox. No mix ups and zero stress with delivery. The price for the product is completely understandable for the product. I really appreciate the seller and I am very happy to have purchased through this seller. Completely trustable!
- w***i (875)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoAbsolutely Wonderful Seller!! Terrific Item As Described!!! Great Service and Communication!! Shipped In Waterproof Packaging!! I Received Item In About One Week!! Very Pleased With Seller! I Will Buy From This Seller Again!!
- e***_ (17)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoSeller handles a massive inventory so I give them grace on the slow processing and shipping. They were very communicative and prompt with their response when I messaged in asking about it. Book was in good condition as described. Small ding on the page edges which wasn't mentioned, but that's fairly common even at your typical book store. Still a good value and I'd buy from them again.