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Street : New York City 70s, 80s, 90s by Carrie Boretz (2017, Hardcover)

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CircaEUR 38,99
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Oggetto che si trova a: Massapequa Park, New York, Stati Uniti
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Numero oggetto eBay:396658347621
Ultimo aggiornamento: 26 mag 2025 23:23:25 CESTVedi tutte le revisioniVedi tutte le revisioni

Specifiche dell'oggetto

Condizione
Buone condizioni: Libro che è già stato letto ma è in buone condizioni. Mostra piccolissimi danni ...
ISBN
9781576878422

Informazioni su questo prodotto

Product Identifiers

Publisher
powerHouse Books
ISBN-10
1576878422
ISBN-13
9781576878422
eBay Product ID (ePID)
237615764

Product Key Features

Book Title
Street : New York City 70s, 80s, 90s
Number of Pages
136 Pages
Language
English
Publication Year
2017
Topic
Individual Photographers / Monographs, United States / State & Local / Middle Atlantic (DC, De, Md, NJ, NY, Pa), Subjects & Themes / Historical, Subjects & Themes / Street Photography, United States / Northeast / Middle Atlantic (NJ, NY, Pa)
Illustrator
Yes
Genre
Travel, Photography, History
Author
Carrie Boretz
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
32.2 Oz
Item Length
9 in
Item Width
11 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
The photographs detain notions of simplicity and awareness, avoiding the commotion of the city. The book brings together works of the past, but with aspects of humanity that remain on the streets today., "She [Boretz] has mastered the ability to arrest the viewer's eye and resonate with the timeless photographs of children playing in the park, streets, and schoolyards. As well as the intimacy in lovers, strangers, and relatives. Street embodies the entire spectrum of the complexities of the common people." -Daily Beast ""Instead of capturing the social and political strife that dominated the city during that period, Carrie's work focuses on the subtle and often familiar comings and goings of everyday life in the neighbourhoods around where she lived, before the city was reborn and regenerated into the New York we know today." -i-D "The book is a testament to seeing, Carrie managing to stay hyper aware of juxtapositions and relationships, but it is also a testament to commitment, returning year after year to the streets in search of that split second of something real and beautiful." -Lenscratch "The photographs detain notions of simplicity and awareness, avoiding the commotion of the city. The book brings together works of the past, but with aspects of humanity that remain on the streets today." - Wallpaper* AS SEEN IN: IN-PUBLIC, PEOPLE, and Timeline., Her black and white photographs are a study in compositional skills when photography was much different from the present era of technological advancement., She [Boretz] has mastered the ability to arrest the viewer's eye and resonate with the timeless photographs of children playing in the park, streets, and schoolyards. As well as the intimacy in lovers, strangers, and relatives.Streetembodies the entire spectrum of the complexities of the common people., "She [Boretz] has mastered the ability to arrest the viewer's eye and resonate with the timeless photographs of children playing in the park, streets, and schoolyards. As well as the intimacy in lovers, strangers, and relatives. Street embodies the entire spectrum of the complexities of the common people." -Daily Beast "The book is a testament to seeing, Carrie managing to stay hyper aware of juxtapositions and relationships, but it is also a testament to commitment, returning year after year to the streets in search of that split second of something real and beautiful." -Lenscratch "The photographs detain notions of simplicity and awareness, avoiding the commotion of the city. The book brings together works of the past, but with aspects of humanity that remain on the streets today." - Wallpaper*, The book is a testament to seeing, Carrie managing to stay hyper aware of juxtapositions and relationships, but it is also a testament to commitment, returning year after year to the streets in search of that split second of something real and beautiful., Instead of capturing the social and political strife that dominated the city during that period, Carrie's work focuses on the subtle and often familiar comings and goings of everyday life in the neighbourhoods around where she lived, before the city was reborn and regenerated into the New York we know today.
Dewey Decimal
779.47471092
Synopsis
These pictures from the mid-1970s through the 1990s show the reality of New York's streets - the great city was one often filled with contradictions., The photographs in STREET were taken by Carrie Boretz in New York City from the mid-1970s through the 1990s. It is common knowledge that the city was on rocky ground for many of those years but these are not pictures filled with drama or strife. Instead Boretz was always more interested in the subtle and familiar moments of everyday life in the various neighborhoods where she lived, before much of the graffiti was scrubbed away and the city sanitized and reborn to what it has since become. For so many living in and visiting New York today, it is forgotten or altogether not known how different so many parts of the city were during that time. Many of these pictures show the reality of the streets then, where every day workers, the homeless, the affluent, and tourists all shared the common space, providing examples of how one of the greatest cities in the world was one often filled with contradictions. But there is also a timeless element to these images as children still play in the parks, streets, and schoolyards, commuters still face the elements daily as they wait, there are still regular demonstrations and parades, and the whole spectrum of the joys and pitfalls of humanity are still visible most anywhere a person looks. For Boretz nothing was scripted, it all played out right before her. As Patti Smith said, "You need no rationale, no schooling. It's love at first sight. You see something and you have to capture it. Instinctive, bang, you feel one with it." Indeed, Boretz doesn't have a philosophy about shooting other than trusting her instinct: she saw, she shot, she moved on, always looking for moments that made her heart beat faster. It was the continual rush of knowing that at any time she could come upon something real and beautiful. That is why and how she shot and why and how her STREET is so special., The photographs in Street were taken by Carrie Boretz in New York City from the mid-1970s through the 1990s. Boretz doesn't have a philosophy about shooting other than trusting her instinct: she saw, she shot, she moved on, always looking for moments that made her heart beat faster. It was the continual rush of knowing that at any time she could come upon something real and beautiful. That is why and how she shot and why and how her Street is so special., The photographs inSTREETwere taken by Carrie Boretz in New York City from the mid-1970s through the 1990s. It is common knowledge that the city was on rocky ground for many of those years but these are not pictures filled with drama or strife. Instead Boretz was always more interested in the subtle and familiar moments of everyday life in the various neighborhoods where she lived, before much of the graffiti was scrubbed away and the city sanitized and reborn to what it has since become. For so many living in and visiting New York today, it is forgotten or altogether not known how different so many parts of the city were during that time. Many of these pictures show the reality of the streets then, where every day workers, the homeless, the affluent, and tourists all shared the common space, providing examples of how one of the greatest cities in the world was one often filled with contradictions. But there is also a timeless element to these images as children still play in the parks, streets, and schoolyards, commuters still face the elements daily as they wait, there are still regular demonstrations and parades, and the whole spectrum of the joys and pitfalls of humanity are still visible most anywhere a person looks. For Boretz nothing was scripted, it all played out right before her. As Patti Smith said, "You need no rationale, no schooling. It's love at first sight. You see something and you have to capture it. Instinctive, bang, you feel one with it." Indeed, Boretz doesn't have a philosophy about shooting other than trusting her instinct: she saw, she shot, she moved on, always looking for moments that made her heart beat faster. It was the continual rush of knowing that at any time she could come upon something real and beautiful. That is why and how she shot and why and how herSTREETis so special.
LC Classification Number
TR659.8

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