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Same-Sex Desire in Indian Culture Representation s in Literature and Film Ross BN
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Oggetto che si trova a: New Haven, Connecticut, Stati Uniti
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Numero oggetto eBay:395424364348
Specifiche dell'oggetto
- Condizione
- Subject
- Literature
- ISBN
- 9781137570758
Informazioni su questo prodotto
Product Identifiers
Publisher
Palgrave Macmillan
ISBN-10
113757075X
ISBN-13
9781137570758
eBay Product ID (ePID)
8038828696
Product Key Features
Number of Pages
Xi, 205 Pages
Publication Name
Same-Sex Desire in Indian Culture : Representations in Literature and Film, 1970-2015
Language
English
Publication Year
2016
Subject
Asian / General, Asian / Indic, Modern / 20th Century, General, Film / History & Criticism, LGBT
Type
Textbook
Subject Area
Literary Criticism, Foreign Language Study, Performing Arts
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
133.9 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-025068
Dewey Edition
23
Reviews
"Oliver Ross brings fresh insight to the debates and texts he examines and undertakes some excellent exegeses of much-analyzed, as well as under-analysed texts. He bravely takes on the current received wisdom that gay identity is 'irremediably Eurocentric'; as he points out, practitioners of queer theory who propound this view exempt queer theory itself from Eurocentricity in a largely unexamined way." - Ruth Vanita, Professor of Liberal Studies, University of Montana, USA and co-editor of Same-Sex Love in India: Readings from Literature and History, "Oliver Ross brings fresh insight to the debates and texts he examines and undertakes some excellent exegeses of much-analyzed, as well as under-analysed texts. He bravely takes on the current received wisdom that gay identity is 'irremediably Eurocentric'; as he points out, practitioners of queer theory who propound this view exempt queer theory itself from Eurocentricity in a largely unexamined way." - Ruth Vanita, Professor of Liberal Studies, University of Montana, USA and co-editor of Same-Sex Love in India: Readings from Literature and History
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
820.9/353
Table Of Content
Introduction 1. Contradictions or Syncretism? The Politics of Female-Female Desire in Deepa Mehta's Fire and Ligy J. Pullappally's Sancharram (The Journey)2. "Am I Lesbian?" The Contexts of Female-Female Desire in the Work of Kamala Das3. "The Bliss I Could Portray": Elliptical and Declamatory Male-Male Desire in the Work of Vikram Seth4. Communal Tensions: Homosexuality in Raj Rao's The Boyfriend and Neel Mukherjee's A Life Apart5. Transitional Mediations: Homosexuality in My Brother Nikhil, 68 Pages, and Quest/ThaangConclusion
Synopsis
This book explores representations of same-sex desire in Indian literature and film from the 1970s to the present. Through a detailed analysis of poetry and prose by authors like Vikram Seth, Kamala Das, and Neel Mukherjee, and films from Bollywood and beyond, including Onir's My Brother Nikhil and Deepa Mehta's Fire , Oliver Ross argues that an initially Euro-American "homosexuality" with its connotations of an essential psychosexual orientation, is reinvented as it overlaps with different elements of Indian culture. Dismantling the popular belief that vocal gay and lesbian politics exist in contradistinction to a sexually "conservative" India, this book locates numerous alternative practices and identities of same-sex desire in Indian history and modernity. Indeed, many of these survived British colonialism, with its importation of ideas of sexual pathology and perversity, in changed or codified forms, and they are often inflected by gay and lesbian identities in the present. In this account, Oliver Ross challenges the preconception that, in the contemporary world, a grand narrative of sexuality circulates globally and erases all pre-existing narratives and embodiments of sexual desire., Leading to protest and debate, same-sex desire in Indian literature and film has appeared in a wide range of works since 1970 including Vikram Seth and the films of Deepa Mehta. Using these works as a focal point, among many others, Ross argues that an Euro-American notion of homosexuality is reinvented when coming into contact with Indian culture., This book explores representations of same-sex desire in Indian literature and film from the 1970s to the present. Through a detailed analysis of poetry and prose by authors like Vikram Seth, Kamala Das, and Neel Mukherjee, and films from Bollywood and beyond, including Onir's My Brother Nikhil and Deepa Mehta's Fire, Oliver Ross argues that an initially Euro-American "homosexuality" with its connotations of an essential psychosexual orientation, is reinvented as it overlaps with different elements of Indian culture. Dismantling the popular belief that vocal gay and lesbian politics exist in contradistinction to a sexually "conservative" India, this book locates numerous alternative practices and identities of same-sex desire in Indian history and modernity. Indeed, many of these survived British colonialism, with its importation of ideas of sexual pathology and perversity, in changed or codified forms, and they are often inflected by gay and lesbian identities in thepresent. In this account, Oliver Ross challenges the preconception that, in the contemporary world, a grand narrative of sexuality circulates globally and erases all pre-existing narratives and embodiments of sexual desire.
LC Classification Number
PN770-779
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