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Dickinson Unbound: Paper, Process, Poetics by Alexandra Socarides (English) Hard
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- Compralo SubitoDickinson Unbound: Paper, Process, Poetics by Alexandra Socarides (English) Hard
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Numero oggetto eBay:388840431668
Specifiche dell'oggetto
- Condizione
- Book Title
- Dickinson Unbound
- ISBN-13
- 9780199858088
- ISBN
- 9780199858088
Informazioni su questo prodotto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
019985808X
ISBN-13
9780199858088
eBay Product ID (ePID)
2309304043
Product Key Features
Number of Pages
240 Pages
Publication Name
Dickinson Unbound : Paper, Process, Poetics
Language
English
Publication Year
2012
Subject
General, Poetry
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
15.2 Oz
Item Length
9.3 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-043282
Dewey Edition
23
Reviews
"This is by far the best book on Dickinson I have read in a long time. It is an important and timely contribution to Dickinson studies, to the history of the book, to the history of reading, and a crucial contribution to the emerging field of nineteenth-century historical poetics."--Virginia Jackson, author of Dickinson's Misery: A Theory of Lyric Reading"Socarides' close attention to Dickinson's compositional practices is so interesting that it's astonishing that it's taken this long for such a book to appear-although the demanding nature of her primary archival work may explain why it has not. Dickinson Unbound sets a high standard for rigor and care of inference in Dickinson manuscript studies." --Mary Loeffelholz, author of From School to Salon: Reading Nineteenth-Century American Women'sPoetry"Characterized by rigorous scholarship, Socarides's invaluable inquiry into method sets a precedent for Dickinson studies...Highly recommended." --Choice"[O]ffers an exciting and insightful intervention into Dickinson studies while also suggesting new avenues for approaching women's poetry of the nineteenth century." --Legacy, "This is by far the best book on Dickinson I have read in a long time. It is an important and timely contribution to Dickinson studies, to the history of the book, to the history of reading, and a crucial contribution to the emerging field of nineteenth-century historical poetics."--Virginia Jackson, author of Dickinson's Misery: A Theory of Lyric Reading "Socarides' close attention to Dickinson's compositional practices is so interesting that it's astonishing that it's taken this long for such a book to appear-although the demanding nature of her primary archival work may explain why it has not. Dickinson Unbound sets a high standard for rigor and care of inference in Dickinson manuscript studies." --Mary Loeffelholz, author of From School to Salon: Reading Nineteenth-Century American Women's Poetry "Characterized by rigorous scholarship, Socarides's invaluable inquiry into method sets a precedent for Dickinson studies...Highly recommended." --Choice "[O]ffers an exciting and insightful intervention into Dickinson studies while also suggesting new avenues for approaching women's poetry of the nineteenth century." --Legacy, "This is by far the best book on Dickinson I have read in a long time. It is an important and timely contribution to Dickinson studies, to the history of the book, to the history of reading, and a crucial contribution to the emerging field of nineteenth-century historical poetics."--Virginia Jackson, author of Dickinson's Misery: A Theory of Lyric Reading "Socarides' close attention to Dickinson's compositional practices is so interesting that it's astonishing that it's taken this long for such a book to appear-although the demanding nature of her primary archival work may explain why it has not. Dickinson Unbound sets a high standard for rigor and care of inference in Dickinson manuscript studies." --Mary Loeffelholz, author ofFrom School to Salon: Reading Nineteenth-Century American Women's Poetry, "This is by far the best book on Dickinson I have read in a long time. It is an important and timely contribution to Dickinson studies, to the history of the book, to the history of reading, and a crucial contribution to the emerging field of nineteenth-century historical poetics."--Virginia Jackson, author of Dickinson's Misery: A Theory of Lyric Reading "Socarides' close attention to Dickinson's compositional practices is so interesting that it's astonishing that it's taken this long for such a book to appear-although the demanding nature of her primary archival work may explain why it has not. Dickinson Unbound sets a high standard for rigor and care of inference in Dickinson manuscript studies." --Mary Loeffelholz, author of From School to Salon: Reading Nineteenth-Century American Women's Poetry "Characterized by rigorous scholarship, Socarides's invaluable inquiry into method sets a precedent for Dickinson studies...Highly recommended." --Choice, "This is by far the best book on Dickinson I have read in a long time. It is an important and timely contribution to Dickinson studies, to the history of the book, to the history of reading, and a crucial contribution to the emerging field of nineteenth-century historical poetics."--Virginia Jackson, author of Dickinson's Misery: A Theory of Lyric Reading"Socarides' close attention to Dickinson's compositional practices is so interesting that it's astonishing that it's taken this long for such a book to appear-although the demanding nature of her primary archival work may explain why it has not. Dickinson Unbound sets a high standard for rigor and care of inference in Dickinson manuscript studies." --Mary Loeffelholz, author of From School to Salon: Reading Nineteenth-Century American Women's Poetry"Characterized by rigorous scholarship, Socarides's invaluable inquiry into method sets a precedent for Dickinson studies...Highly recommended." --Choice"[O]ffers an exciting and insightful intervention into Dickinson studies while also suggesting new avenues for approaching women's poetry of the nineteenth century." --Legacy
Illustrated
Yes
Dewey Decimal
811/.4
Table Of Content
AcknowledgmentsAbbreviationsIntroduction1. Dickinson's Sheets2. Epistolary Practices and the Problem of Genre3. Sewing the Fascicles: Elegy, Consolation, and the Poetics of Interruption4. Dickinson's "Sets" and the Rejection of Sequence5. Methods of Unmaking: Dickinson's Late Drafts, Scraps, and FragmentsAfterwordIndex
Synopsis
In Dickinson Unbound , Alexandra Socarides takes readers on a journey through the actual steps and stages of Emily Dickinson's creative process. In chapters that deftly balance attention to manuscripts, readings of poems, and a consideration of literary and material culture, Socarides takes up each of the five major stages of Dickinson's writing career: copying poems onto folded sheets of stationery; inserting and embedding poems into correspondence; sewing sheets together to make fascicles; scattering loose sheets; and copying lines on often torn and discarded pieces of household paper. In so doing, Socarides reveals a Dickinsonian poetics starkly different from those regularly narrated by literary history. Here, Dickinson is transformed from an elusive poetic genius whose poems we have interpreted in a vacuum into an author who employed surprising (and, at times, surprisingly conventional) methods to wholly new effect. Dickinson Unbound gives us a Dickinson at once more accessible and more complex than previously imagined. As the first authoritative study of Dickinson's material and compositional methods, this book not only transforms our ways of reading Dickinson, but advocates for a critical methodology that insists on the study of manuscripts, composition, and material culture for poetry of the nineteenth century and thereafter., In Dickinson Unbound, Alexandra Socarides takes readers on a journey through the actual steps and stages of Emily Dickinson's creative process. In chapters that deftly balance attention to manuscripts, readings of poems, and a consideration of literary and material culture, Socarides takes up each of the five major stages of Dickinson's writing career: copying poems onto folded sheets of stationery; inserting and embedding poems into correspondence; sewing sheets together to make fascicles; scattering loose sheets; and copying lines on often torn and discarded pieces of household paper. In so doing, Socarides reveals a Dickinsonian poetics starkly different from those regularly narrated by literary history. Here, Dickinson is transformed from an elusive poetic genius whose poems we have interpreted in a vacuum into an author who employed surprising (and, at times, surprisingly conventional) methods to wholly new effect. Dickinson Unbound gives us a Dickinson at once more accessible and more complex than previously imagined. As the first authoritative study of Dickinson's material and compositional methods, this book not only transforms our ways of reading Dickinson, but advocates for a critical methodology that insists on the study of manuscripts, composition, and material culture for poetry of the nineteenth century and thereafter., Rich in archival research, Dickinson Unbound is the first authoritative study of Emily Dickinson's material and compositional methods.
LC Classification Number
PS1541.Z5S675 2012
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