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Film Festivals: History, Theory, Method, Practice by Marijke de Valck (English)
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Specifiche dell'oggetto
- Condizione
- ISBN-13
- 9780415712460
- Book Title
- Film Festivals
- ISBN
- 9780415712460
Informazioni su questo prodotto
Product Identifiers
Publisher
Routledge
ISBN-10
0415712467
ISBN-13
9780415712460
eBay Product ID (ePID)
219830931
Product Key Features
Number of Pages
256 Pages
Publication Name
Film Festivals : History, Theory, Method, Practice
Language
English
Publication Year
2016
Subject
Film / General, Media Studies
Type
Textbook
Subject Area
Performing Arts, Social Science
Format
Hardcover
Dimensions
Item Weight
17.6 Oz
Item Length
9.2 in
Item Width
6.2 in
Additional Product Features
Intended Audience
College Audience
LCCN
2015-036239
Dewey Edition
23
Reviews
"Bringing together leading film festivals scholars, this book is a welcome and much needed addition both to the growing field of festival studies, and world cinema more generally. Festivals, no doubt, offer the most fruitful ground on which to investigate the transnational dynamic of cinema, but they are a complex phenomenon and anything but easy to study. Because they present such a dizzying convergence of numerous elements--cinephilia, tourism, art, business, geopolitics--they have escaped the traditional, rather limited frameworks in film studies. This volume brings these diverse dimensions together in a systematic method, offering productive theoretical and practical tools with which to address both the specificity of particular festivals and their embeddedness in a larger festival and cultural network." Meta Mazaj, Senior Lecturer in Cinema Studies, University of Pennsylvania "For any scholar interested in the part played by film festivals in the emerging study of transnational film culture this excellent collection provides a comprehensive and vital starting point." Gareth Stanton, Senior Lecturer in Media and Communications, Goldsmiths, University of London, "Bringing together leading film festivals scholars, this book is a welcome and much needed addition both to the growing field of festival studies, and world cinema more generally. Festivals, no doubt, offer the most fruitful ground on which to investigate the transnational dynamic of cinema, but they are a complex phenomenon and anything but easy to study. Because they present such a dizzying convergence of numerous elements--cinephilia, tourism, art, business, geopolitics--they have escaped the traditional, rather limited frameworks in film studies. This volume brings these diverse dimensions together in a systematic method, offering productive theoretical and practical tools with which to address both the specificity of particular festivals and their embeddedness in a larger festival and cultural network." -Meta Mazaj,Senior Lecturer in Cinema Studies, University of Pennsylvania "For any scholar interested in the part played by film festivals in the emerging study of transnational film culture this excellent collection provides a comprehensive and vital starting point." - Gareth Stanton,Senior Lecturer in Media and Communications, Goldsmiths, University of London "... the present volume treats film festivals theoretically and comparatively, considering them as networked sites that negotiate cultural capital on local, national, and global scales. Contributors include many of the key researchers in the field, among them Cindy Hing-Yuk Wong, author of the terrific Film Festivals: Culture, People, and Power on the Global Screen(2011). Valck includes in this skillfully edited collection essays not only on Cannes and Asian film festivals but also on "identity-based community festivals." ... this book is required reading for anyone interested in the subject." - S. C. Dillon,Bates College
Illustrated
Yes
Dewey Decimal
791.43074
Table Of Content
Preface The Film Festival and Film Culture's Transnational Essence Dina Iordanova Introduction What is a Film Festival? How to Study Festivals and Why You Should Marijke de Valck Part I History Introduction Brendan Kredell 1 Making Film History at the Cannes film festival Dorota Ostrowska 2 Film Festivals in Asia: Notes on History, Geography and Power from a Distance Julian Stringer 3 The Film Festival Circuit: Networks, Hierarchies, and Circulation Skadi Loist Part II Theory Introduction Marijke de Valck 4 Contingency, Time and Event: An Archaeological Approach to the Film Festival Janet Harbord 5 Publics and Counterpublics: Rethinking Film Festivals as Public Spheres Cindy Hing-Yuk Wong 6 Fostering Art, Adding Value, Cultivating Taste: Film Festivals as Sites of Cultural Legitimization Marijke de Valck Part III Method Introduction Skadi Loist 7 Being There, Taking Place: Ethnography at the Film Festival Toby Lee 8 On Studying Film Festival Ephemera: The Case of Queer Film Festivals and Archives of Feelings Ger Zielinski 9 Positionality and Film Festival Research: A Conversation Diane Burgess and Brendan Kredell Part IV Practice Introduction Brendan Kredell 10 Seeing Differently: The Curatorial Potential of Film Festival Programming Roya Rastegar 11 Affective Labor and the Work of Film Festival Programming Liz Czach 12 "The Festival Film": Film Festival Funds as Cultural Intermediaries Tamara L. Falicov
Synopsis
The last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature on this topic, offering an authoritative and comprehensive introduction to the area. With a combination of chapters specifically examining history, theory, method and practice, it offers a clear structure and systematic approach for the study of film festivals. Offering a collection of essays written by an international range of established scholars, it discusses well-known film festivals in Europe, North America and Asia, but equally devotes attention to the diverse range of smaller and/or specialized events that take place around the globe. It provides essential knowledge on the origin and development of film festivals, discusses the use of theory to study festivals, explores the methods of ethnographic and archival research, and looks closely at the professional practice of programming and film funding. Each section, moreover, is introduced by the editors, and all chapters include useful suggestions for further reading. This will be an essential textbook for students studying film festivals as part of their film, media and cultural studies courses, as well as a strong research tool for scholars that wish to familiarize themselves with this burgeoning field.
LC Classification Number
PN1993.4.F477 2016
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- c***a (121)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoThe seller was very responsive and answered me on a timely matter. The product itself came in its packaging and was new, not used at all. The packaging was not beat up or anything, safely delivered to my mailbox. No mix ups and zero stress with delivery. The price for the product is completely understandable for the product. I really appreciate the seller and I am very happy to have purchased through this seller. Completely trustable!
- m***4 (1605)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoLeaving positive feedback because 1) item was packed well & arrived as described 2) seller did give partial refund when subsequent price dropped below org purchase price. 3) communication was quick However, there was a downside to this transaction -item listed as in-stock but ended up waiting nearly a month for them to get it from their distributer then ship it to me (bought June 29th, arrived around July 21). Auction said 12-15 days. Better clarity would have prevented lot of frustration
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