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Numero oggetto eBay:388347764013
Specifiche dell'oggetto
- Condizione
- Book Title
- Spaces - Exploring Spatial Experiences Of Representation And Rece
- ISBN
- 9789048563265
Informazioni su questo prodotto
Product Identifiers
Publisher
Amsterdam University Press
ISBN-10
9048563267
ISBN-13
9789048563265
eBay Product ID (ePID)
15065344624
Product Key Features
Number of Pages
222 Pages
Language
English
Publication Name
Spaces : Exploring Spatial Experiences of Representation and Reception in Screen Media
Publication Year
2024
Subject
Film / General, Environmental & Land Art, Film & Video
Type
Textbook
Subject Area
Art, Performing Arts
Series
The Key Debates: Mutations and Appropriations in European Film Studies
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
14.9 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.436
Table Of Content
Editorial Acknowledgements 1. Introduction: Phenomenologies of Screen Space - Ian Christie Part 1 Spaces of Spectatorship 2. Panoramic Space and the Mesdag Show - Luke McKernan 3. Places of Exhibition - Mark Cosgrove 4. Lockdown as a Mental Space of Communication - Roger Odin Part 2 Spaces on Screen 5. THE GO-BETWEEN's picturesque: figure (and disfigurement) in the landscape - Mark Broughton 6. Akerman and Domestic Space - Sarah Leperchey 7. Sequence and Simultaneity: Robinson's Spaces - Patrick Keiller 8. Unhoused: on the American Spaces of NOMADLAND - Ian Christie Part 3 Spatial Speculations 9. Conjuring Space on Page and Screen - a dialogue - Isobel Armstrong and Ian Christie 10. Fly me to the moon... extraterrestrial projections in artists' film and video - Catherine Elwes 11. Stereoscopic Space in Cinema: an Embodied Experience - Yosr Ben Romdhane 12. Of Drones and the Environmental Crisis in the Year 2020 - Teresa Castro 13. Afterword: Beyond the frame: "immersion", new technologies and old ambitions - Ian Christie Index
Synopsis
Film has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion and paradox has been greatly expanded - by the predominance of domestic film viewing, along with new extra-terrestrial perspectives, and the promise of novel kinesthetic experiences with Virtual Reality and "immersion". The international authors in this collection address the history and aesthetics of screen media as spatial transposition, in a range of exemplary analyses that run from the landscapes of John Ford's westerns to Chantal Akerman's claustrophobic domestic spaces, from the conventions of the English country house film to Patrick Keiller's Robinson roaming a changed country, and from the experiences of Covid pandemic confinement to those of un-homed van-dwellers in Chloe Zhao's award-winning NOMADLAND.
LC Classification Number
PN1995.9.S668S6 2024
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