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Global Horror : Hybridity and Alterity in Transnational Horror Film by Ziad El-Bayoumi Foty (2022, Trade Paperback)

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Global Horror: Hybridity and Alterity in Transnational Horror Film Samirah Alkassim (author) & Ziad El-Bayoumi Foty (author) [paperback] - Brand New condition - This item has extended handling time -

Informazioni su questo prodotto

Product Identifiers

PublisherCognella, Inc.

ISBN-101793512507

ISBN-139781793512505

eBay Product ID (ePID)9057282426

Product Key Features

Number of Pages344 Pages

Publication NameGlobal Horror : Hybridity and Alterity in Transnational Horror Film

LanguageEnglish

Publication Year2022

TypeTextbook

AuthorZiad El-Bayoumi Foty

FormatTrade Paperback

Dimensions

Item Height0.9 in

Item Weight25.8 Oz

Item Length10 in

Item Width8 in

Additional Product Features

Intended AudienceScholarly & Professional

Dewey Edition23

Dewey Decimal791.436164

SynopsisGlobal Horror: Hybridity and Alterity in Transnational Horror Film is an anthology textbook that challenges students to reconsider horror films through the lenses of transnational cinema, evolving technologies, and decolonial approaches to the genre. As such, the book aims to increase our awareness of horror film histories across vast geographies ......, Global Horror: Hybridity and Alterity in Transnational Horror Film is an anthology textbook that challenges students to reconsider horror films through the lenses of transnational cinema, evolving technologies, and decolonial approaches to the genre. As such, the book aims to increase our awareness of horror film histories across vast geographies while examining existential questions about difference, war, and the future of life on this planet. This textbook is divided into two parts, organized by theme and geographic range. Part One includes six reprinted essays speaking on established subjects-German Expressionism, vampires, zombies, science fiction, and more-from established modes of horror film scholarship, including feminist scholarship and critique of Blaxploitation horror. Part Two includes two reprinted essays on J-horror and Korean horror film and six chapters of original writing that explore understudied areas of the genre, including Middle Eastern horror film, Indian horror film, Latin American horror film, and Indigenous (North American) horror film. A timely and complex exploration of the genre through the lens of contemporary social issues, Global Horror is an ideal textbook for courses and programs in film and cinema studies.

LC Classification NumberPN1995.9.H6