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Renaissance Metapainting by Peter Bokody (English) Hardcover Book

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Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
ISBN-13
9781912554263
Book Title
Renaissance Metapainting
ISBN
9781912554263

Informazioni su questo prodotto

Product Identifiers

Publisher
Miller Publishers, Harvey
ISBN-10
1912554267
ISBN-13
9781912554263
eBay Product ID (ePID)
15038613181

Product Key Features

Number of Pages
352 Pages
Publication Name
Renaissance Meta-Painting
Language
English
Subject
Book, European, History / Renaissance
Publication Year
2020
Type
Textbook
Subject Area
Design, Art
Author
Alexander Nagel
Series
Studies in Medieval and Early Renaissance Art History Ser.
Format
Hardcover

Dimensions

Item Weight
127.3 Oz

Additional Product Features

Intended Audience
College Audience
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
759.03
Table Of Content
Peter Bokody and Alexander Nagel: Metapainting before Modernity Origin and Reception Klaus Kruger: Mimesis as Pictorality of Appearance - on the Fictiveness of Religious Imagery in the Trecento Robert Brennan: Complicity and Self-Awareness: the Frescoes of Giusto de' Menabuoi at the Santo Peter Bokody: Tradition and Innovation: Images-within-Images in Italian Painting after the Age of Giotto Transformations Erik Eising: Depicting Panel Painting in Fifteenth-Century Netherlandish Art: Questions of Transfer and Reception Wolfgang Kemp: Applied Image Description - On Images-within-Images in Van Eyck and Mantegna Nicholas Herman: Metapainting and the Painted Book Reflexive Devotion Anna Degler: The Self-Aware Attribute, or 'Where does a parergon begin and end?' Beate Fricke: At the Threshold of Painting: The Man of Sorrows by Albrecht Durer Alexander Nagel: Structures of Archaism in Leonardo, Fra Bartolommeo, and Raphael Shira Brisman: Jan Gossart's Immaculate Art Andre Chastel: Picture-within-Picture Bibliography
Synopsis
Meta-painting refers to the ways in which artworks playfully reveal or critically expose their own fictiveness, and is considered a constitutive aspect of Western art. Its rise was connected to changes in the consumption of religious imagery in the sixteenth century and to the advent of the portable framed canvas, the single most important medium of modernity. While the key initial contributions of some Renaissance painters from Jan van Eyck to Andrea Mantegna have always been acknowledged, in the principal narrative the Renaissance has largely remained the naive moment of realistic experimentation to be ultimately superseded by the complex reflexive developments in Early Modern art, following the Reformation. Aiming to challenge this view, this volume examines how painters interrogated the constructed nature of representation before 1500, and evaluates the possibilities of a critical pictorial vocabulary in the predominantly religious framework of Latin Christianity. The contributions delve into an analysis of illusionism, embedded images, subversive attributes, equivoque frames, transparent veils and the staging of the painter at work. The case studies trace these issues in mural and panel painting, as well as in book illumination on both sides of the Alps, and reconstruct their invention and reception during the Italian and Northern Renaissance. The collection also features the first-ever English translations of seminal articles by Andre Chastel (1964), Klaus Kruger (1993) and Wolfgang Kemp (1995)., Metapainting refers to the ways in which artworks playfully reveal or critically expose their own fictiveness, and is considered a constitutive aspect of Western art. Its rise was connected to changes in the consumption of religious imagery in the sixteenth century and to the advent of the portable framed canvas, the single most important medium of modernity. While the key initial contributions of some Renaissance painters from Jan van Eyck to Andrea Mantegna have always been acknowledged, in the principal narrative the Renaissance has largely remained the naive moment of realistic experimentation to be ultimately superseded by the complex reflexive developments in Early Modern art, following the Reformation. Aiming to challenge this view, this volume examines how painters interrogated the constructed nature of representation before 1500, and evaluates the possibilities of a critical pictorial vocabulary in the predominantly religious framework of Latin Christianity. The contributions delve into an analysis of illusionism, embedded images, subversive attributes, equivoque frames, transparent veils and the staging of the painter at work. The case studies trace these issues in mural and panel painting, as well as in book illumination on both sides of the Alps, and reconstruct their invention and reception during the Italian and Northern Renaissance. The collection also features the first-ever English translations of seminal articles by Andre Chastel (1964), Klaus Kruger (1993) and Wolfgang Kemp (1995)., The volume offers an overview of metapictorial tendencies in book illumination, mural and panel painting during the Italian and Northern Renaissance. It examines visual forms of self-awareness in the changing context of Latin Christianity and claims the central role of the Renaissance in the establishment of the modern condition of art.
LC Classification Number
ND170.R465 2020

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    Book arrived today, 2 days before deadline given by the seller. Well-packaged & in good condition. Price was very competitive, & the book was accurately listed. Great communication. I appreciate the seller getting back to me when I was having trouble tracking the book's delivery progress. Apparently there were 2 different tracking numbers - one in Canada & the other in the U.S., since it was initially shipped from Canada. Thank you very much for your quick response & helpful information.
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    Seller handles a massive inventory so I give them grace on the slow processing and shipping. They were very communicative and prompt with their response when I messaged in asking about it. Book was in good condition as described. Small ding on the page edges which wasn't mentioned, but that's fairly common even at your typical book store. Still a good value and I'd buy from them again.
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    The first item arrived with some damage to the inside back cover, but the seller responded immediately, assuring me they’d provide a replacement, and even told me I could keep the original. They were upfront about a short delay, and gave a clear estimated ship date, and followed up right on time once it shipped. The replacement arrived in perfect condition and exactly as described. I really appreciated their transparency and professionalism. Would definitely buy from them again!