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Citizen Suárez by Verdecchia, Guillermo
by Verdecchia, Guillermo | PB | VeryGood
US $14,07
CircaEUR 12,02
Condizione:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Maggiori informazioniinformazioni sulla condizione
Ottime condizioni
Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Spedizione:
Gratis Economy Shipping.
Oggetto che si trova a: Aurora, Illinois, Stati Uniti
Consegna:
Consegna prevista tra il lun 18 ago e il ven 22 ago a 94104
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico del venditore.
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Numero oggetto eBay:375915436698
Specifiche dell'oggetto
- Condizione
- Ottime condizioni
- Note del venditore
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780889223912
Informazioni su questo prodotto
Product Identifiers
Publisher
Talonbooks, The Limited
ISBN-10
0889223912
ISBN-13
9780889223912
eBay Product ID (ePID)
2161317
Product Key Features
Book Title
Citizen Suarez
Number of Pages
160 Pages
Language
English
Publication Year
1998
Topic
Short Stories (Single Author), Literary
Genre
Fiction
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
7.6 Oz
Item Length
8.4 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Trade
Synopsis
Guillermo Verdecchia is primarily known for his award-winning plays; Citizen Suárez is his first book of short stories, and it is a remarkable debut. These stories take on the quintessential issues forced upon a generation betrayed by their citizenship--a betrayal the more profound because it subsists primarily in the global death of the nation-state. These are stories about people travelling, wandering or lost between countries and languages--people caught between the impulse to flee and the desire to belong. Sex, geography and politics grip the protagonists of these pieces, demanding promises, compromises and resolutions. These are stories about power--personal, civic, sexual, filial, political--and how, lubricious, it slips between the fingers. Quiet, careful, witty, they document and celebrate survival--consolations, complicities and accommodations in the face of indifference, cruelty and fear. The characters of these stories are known to the reader, intimately known, because they are revealed to us in the way that only we know ourselves--in those darkest recesses of the desires and fears we imagine, we hide from others, and thus, also from those we love. Most astonishing of all for a writer venturing into a new genre for the first time is the elegant surety of his style--Verdecchia speaks in these stories with the fatalistic lyricism of Lorca, the philosophical ambiguity of Paz, and the emotional scalpel of Márquez., Guillermo Verdecchia is primarily known for his award-winning plays; Citizen Suarez is his first book of short stories, and it is a remarkable debut. These stories take on the quintessential issues forced upon a generation betrayed by their citizenship--a betrayal the more profound because it subsists primarily in the global death of the nation-state. These are stories about people traveling, wandering or lost between countries and languages--people caught between the impulse to flee and the desire to belong. Sex, geography and politics grip the protagonists of these pieces, demanding promises, compromises and resolutions. These are stories about power--personal, civic, sexual, filial, political--and how, lubricious, it slips between the fingers. Quiet, careful, witty, they document and celebrate survival--consolations, complicities and accommodations in the face of indifference, cruelty and fear. The characters of these stories are known to the reader, intimately known, because they are revealed to us in the way that only we know ourselves--in those darkest recesses of the desires and fears we imagine, we hide from others, and thus, also from those we love. Most astonishing of all for a writer venturing into a new genre for the first time is the elegant surety of his style--Verdecchia speaks in these stories with the fatalistic lyricism of Lorca, the philosophical ambiguity of Paz, and the emotional scalpel of Marquez., Short stories about people lost between countries and languages--caught between the impulse to flee and the desire to belong., Guillermo Verdecchia is primarily known for his award-winning plays; Citizen Suárez is his first book of short stories, and it is a remarkable debut. These stories take on the quintessential issues forced upon a generation betrayed by their citizenship--a betrayal the more profound because it subsists primarily in the global death of the nation-state. These are stories about people traveling, wandering or lost between countries and languages--people caught between the impulse to flee and the desire to belong. Sex, geography and politics grip the protagonists of these pieces, demanding promises, compromises and resolutions. These are stories about power--personal, civic, sexual, filial, political--and how, lubricious, it slips between the fingers. Quiet, careful, witty, they document and celebrate survival--consolations, complicities and accommodations in the face of indifference, cruelty and fear. The characters of these stories are known to the reader, intimately known, because they are revealed to us in the way that only we know ourselves--in those darkest recesses of the desires and fears we imagine, we hide from others, and thus, also from those we love. Most astonishing of all for a writer venturing into a new genre for the first time is the elegant surety of his style--Verdecchia speaks in these stories with the fatalistic lyricism of Lorca, the philosophical ambiguity of Paz, and the emotional scalpel of Márquez.
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