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Film as Philosophy, , Very Good Book

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“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE ”... Maggiori informazioniinformazioni sulla condizione
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Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore. Vedi tutte le definizioni delle condizioniviene aperta una nuova finestra o scheda
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“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...
ISBN
9781517900519

Informazioni su questo prodotto

Product Identifiers

Publisher
University of Minnesota Press
ISBN-10
1517900514
ISBN-13
9781517900519
eBay Product ID (ePID)
234585413

Product Key Features

Number of Pages
384 Pages
Publication Name
Film As Philosophy
Language
English
Subject
Film / General, Film / History & Criticism, Essays
Publication Year
2017
Type
Textbook
Author
Bernd Herzogenrath
Subject Area
Philosophy, Performing Arts
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
15.8 Oz
Item Length
8 in
Item Width
6.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2016-015354
Reviews
"The essays in this superb collection show how contradictory and even imaginary the field is. Highly recommended."-- CHOICE " Film as Philosophy offers the reader a productive set of ideas for navigating today's post-everything landscape."-- Leonardo " Film as Philosophy is a big book, in more ways than one, and a strong contribution to the debate about whether film can actually do the work of philosophy."-- Film International "This is a dense but very instructive volume for both novice and knowledgeable readers interested in the relation of film and philosophy. These essays offer a comprehensive range of theoretical accounts and genealogies that explore the film-philosophy encounter as one that elicits fruitful and open possibilities of thought."-- European Journal of American Studies " Film as Philosophy represents a remarkable achievement, providing a unique overview of its subject that at once serves as an illuminating introduction for those unfamiliar with the field, and advances our understanding of film as a cognitive rather than a purely representational phenomenon-of film as philosophy."-- Film-Philosophy, "The essays in this superb collection show how contradictory and even imaginary the field is. Highly recommended."-- CHOICE " Film As Philosophy offers the reader a productive set of ideas for navigating today's post-everything landscape."-- Leonardo "This is a dense but very instructive volume for both novice and knowledgeable readers interested in the relation of film and philosophy. These essays offer a comprehensive range of theoretical accounts and genealogies that explore the film-philosophy encounter as one that elicits fruitful and open possibilities of thought." -- European Journal of American Studies, "The essays in this superb collection show how contradictory and even imaginary the field is. Highly recommended."-- CHOICE " Film As Philosophy offers the reader a productive set of ideas for navigating today's post-everything landscape."-- Leonardo
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.4301
Table Of Content
Contents Introduction. Film and/as Philosophy: An Elective Affinity? Bernd Herzogenrath 1. Striking Poses: Gesture, Image, and Remake in the Cinematic Bergson John Ó Maoilearca 2. Hugo Münsterberg, Film, and Philosophy Robert Sinnerbrink 3. Different, Even Wholly Irrational Arguments: The Film-Philosophy of Béla Balázs Adrian Martin 4. This is Your Brain on Cinema: Antonin Artaud Gregory Flaxman 5. From Lyrosophy to "Anti-Philosophy": The Thought of Cinema in Jean Epstein Christophe Wall-Romana 6. Montage Eisenstein: Mind the Gap Julia Vassilieva 7. André Bazin's Film Theory and the History of Ideas Angela Dalle Vacche 8. Strange Topologics: Deleuze Takes a Ride Down David Lynch's Lost Highway Bernd Herzogenrath 9. Hurray for Hollywood: Philosophy and Cinema According to Stanley Cavell Elisabeth Bronfen 10. Thinking Cinema with Alain Badiou Alex Ling 11. Thinking as Feast: Raymonde Carasco Nicole Brenez 12. Rancière's Film Theory as Deviation Tom Conley 13. Movie-Made Philosophy Noël Carroll 14. "Not Time's Fool": Marriage as an Ethical Relationship in Michael Haneke's Amour Thomas E. Wartenberg 15. Experience and Explanation in the Cinema Murray Smith Acknowledgments Contributors Index
Synopsis
Assembling leadingscholars from across the globe, Film as Philosophy presents research thatleads film studies and philosophy into a productive dialogue. A major steptoward establishing a media philosophy that puts the status, role, and functionof film into a new perspective, this book removes representational techniquesfrom the center of inquiry, replacing these with the medium's ability to"think.", Film and philosophy have much in common, and books have been written on film and philosophy. But can films be, or do, philosophy? Can they "think"? Film as Philosophy is the first book to explore this fascinating question historically, thematically, and methodically. Bringing together leading scholars from universities across the globe, Film as Philosophy presents major new research that leads film studies and philosophy into a productive dialogue. It provides a uniquely sweeping, historical overview of the confluence of film and philosophy for more than a century, considering films from Jean Renoir, Lars von Trier, J rgen Leth, David Lynch, Michael Haneke, and others; the written works of filmmakers who also theorized on the medium, including Sergei Eisenstein and Jean Epstein; and others who have written on cinema, including Hugo M nsterberg, B la Bal zs, Andr Bazin, Henri Bergson, Gilles Deleuze, Stanley Cavell, Alain Badiou, Jacques Ranci re, and many more. Representing a major step toward establishing a media philosophy that puts the status, role, and function of film into a new perspective, Film as Philosophy removes representational techniques from the center of inquiry, replacing these with the medium's ability to "think." Hence it accords film with "agency," and the dialogue between it and philosophy (and even neuroscience) is negotiated anew. Contributors: Nicole Brenez, U of Paris 3-Sorbonne; Elisabeth Bronfen, U of Zurich; No l Carroll, CUNY; Tom Conley, Harvard U; Angela Dalle Vacche, Georgia Institute of Technology; Gregory Flaxman, U of North Carolina, Chapel Hill; Alex Ling, Western Sydney U; Adrian Martin, Monash U; John Maoilearca, Kingston U, London; Robert Sinnerbrink, Macquarie U, Sydney; Murray Smith, U of Kent, Canterbury; Julia Vassilieva, Monash U, Melbourne; Christophe Wall-Romana, U of Minnesota; and Thomas E. Wartenberg, Mount Holyoke College., Film and philosophy have much in common, and books have been written on film and philosophy. But can films be, or do, philosophy? Can they "think"? Film as Philosophy is the first book to explore this fascinating question historically, thematically, and methodically. Bringing together leading scholars from universities across the globe, Film as Philosophy presents major new research that leads film studies and philosophy into a productive dialogue. It provides a uniquely sweeping, historical overview of the confluence of film and philosophy for more than a century, considering films from Jean Renoir, Lars von Trier, Jørgen Leth, David Lynch, Michael Haneke, and others; the written works of filmmakers who also theorized on the medium, including Sergei Eisenstein and Jean Epstein; and others who have written on cinema, including Hugo Münsterberg, Béla Balázs, André Bazin, Henri Bergson, Gilles Deleuze, Stanley Cavell, Alain Badiou, Jacques Rancière, and many more. Representing a major step toward establishing a media philosophy that puts the status, role, and function of film into a new perspective, Film as Philosophy removes representational techniques from the center of inquiry, replacing these with the medium's ability to "think." Hence it accords film with "agency," and the dialogue between it and philosophy (and even neuroscience) is negotiated anew. Contributors: Nicole Brenez, U of Paris 3-Sorbon≠ Elisabeth Bronfen, U of Zurich; Noël Carroll, CUNY; Tom Conley, Harvard U; Angela Dalle Vacche, Georgia Institute of Technology; Gregory Flaxman, U of North Carolina, Chapel Hill; Alex Ling, Western Sydney U; Adrian Martin, Monash U; John Ó Maoilearca, Kingston U, London; Robert Sinnerbrink, Macquarie U, Sydney; Murray Smith, U of Kent, Canterbury; Julia Vassilieva, Monash U, Melbour≠ Christophe Wall-Romana, U of Minnesota; and Thomas E. Wartenberg, Mount Holyoke College.
LC Classification Number
PN1995.F457545 2016

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