
Collecting and Provenance: A Multidisciplinary Approach by Milosch
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Collecting and Provenance: A Multidisciplin ary Approach by Milosch
US $75,99
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Numero oggetto eBay:365638578718
Specifiche dell'oggetto
- Condizione
- Buone condizioni
- Note del venditore
- “Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
- Book Title
- Collecting and Provenance: A Multidisciplinary Approach
- Topic
- Arts & Photography
- Narrative Type
- Arts & Photography
- Genre
- N/A
- Intended Audience
- N/A
- ISBN
- 9781538127568
Informazioni su questo prodotto
Product Identifiers
Publisher
Rowman & Littlefield Publishers, Incorporated
ISBN-10
1538127563
ISBN-13
9781538127568
eBay Product ID (ePID)
14038670565
Product Key Features
Number of Pages
450 Pages
Publication Name
Collecting and Provenance : a Multidisciplinary Approach
Language
English
Publication Year
2019
Subject
Museums, Tours, Points of Interest, Museum Studies
Type
Textbook
Subject Area
Travel, Art
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
35 Oz
Item Length
9.9 in
Item Width
7.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2023-279022
Reviews
In so masterfully bringing together the essays of this volume, Jane Milosch and Nick Pearce address the relevance of provenance to collecting history and cultural history in the broadest possible way. They have marshalled a team of experts in fields that include art history, material culture, anthropology, economics, and law, who present case studies ranging across five continents and spanning millennia. Together the twenty-eight chapters of the book, some of which also focus on the value of the most up to date research methodologies, comprise a groundbreaking contribution to the field of provenance research, whose importance has been accorded ever greater recognition thanks to the scholars and editors of this superb book. This is a volume that will be valued for decades to come., Overall, Collecting and Provenance is an excellent purchase for anyone in the GLAM field hoping to learn more about approaches to provenance study--from archival curators to museum registrars, librarians to docents. It may be especially useful for teaching librarians, curators, archivists, et al. who are instructing others in their approach to primary sources, and who may find helpful the numerous examples of case studies in provenance research and investigation. I hope that as researchers and professionals advance the interdisciplinary field of provenance, this will prove a foundational work that suggests structure for an approach not yet wholeheartedly adopted by any of the individual fields in question. As implied early in the chapters, linked data and shared vocabularies hold great promise if well applied; but it will take much greater and more systematic collaboration on the part of the authors and the readers to make that happen., A persuasive claim is made here for provenance research as a defining activity of responsible curatorship. More than recording an object's history, it involves forensically researching every aspect of the multiple connections forged through the web of contexts in which objects participate, to establish a dense and inalienable biographical passport., Provenance research is increasingly critical to a broad range of disciplines with significant and cascading implications. This book provides a nuanced, cogent, and timely overview of present practices while exploring future challenges. It is an indispensable resource for those working in the arts, museums, libraries, archives, and law and policy., This impressively diverse collection of essays considers the far-reaching applications of provenance research in a truly global context. The title, Collecting and Provenance: A Multidisciplinary Approach, is an understatement: 28 essays written by 40 authors, including case studies on such sundry topics as African art, violins in Paris, and taxidermy dromedaries. Interspersed between these broad-ranging case studies are essays on the significant challenges confronting the field of provenance research in the coming years: technological complexities, the need for stronger international collaboration, and the difficulties inherent in ethically managing collections today that were assembled with the moral code of the past. The result is a comprehensive review of what has and is being done in the field of provenance research, and what remains to be done in the future. Editors Jane Milosch and Nick Pearce unite their experience working on provenance issues in both museums and universities to produce a volume that is particularly useful in a pedagogical context, but also includes many of the captivating stories behind the research., This impressively diverse collection of essays considers the far-reaching applications of provenance research in a truly global context. The title, Collecting and Provenance: A Multidisciplinary Approach, is an understatement: 28 essays written by 40 authors, including case studies on such sundry topics as African art, violins in Paris, and taxidermy dromedaries. Interspersed between these broad-ranging case studies are essays on the significant challenges confronting the field of provenance research in the coming years: technological complexities, the need for stronger international collaboration, and the difficulties inherent in ethically managing collections today that were assembled with the moral code of the past. The result is a comprehensive review of what has and is being done in the field of provenance research, and what remains to be done in the future. Editors Jane Milosch and Nick Pearce unite their experience working on provenance issues in both museums and universities to produce a volume that is particularly useful in a pedagogical context, but also includes many of the captivating stories behind the research.s particularly useful in a pedagogical context, but also includes many of the captivating stories behind the research.s particularly useful in a pedagogical context, but also includes many of the captivating stories behind the research.s particularly useful in a pedagogical context, but also includes many of the captivating stories behind the research.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
069/.4
Synopsis
The study of provenance-the history of the creation and ownership of an artefact, work of art, or specimen-provides insights into the history of taste and collecting, illuminating the social, economic, and historic trends in which an object was created and collected. It is as much a history of people as it is of objects, and its study often reveals intricate networks of relationships, patterns of activity and motivations. This book promotes the study of the history of collecting and collections in all their variety through the lens of provenance, and explores the subject as a cross-disciplinary activity. Perhaps for the first time in a publication, it draws on expertise ranging from art history and anthropology, to natural history and law, looking at periods from antiquity through the 18th century and the Holocaust era to the present, and materials from Europe and the Americas to China and the Pacific. The issues raised are wide-ranging, touching on aspects of authenticity, cultural meaning and material transformation and economic and commercial drivers, as well as collector and object biography. The book fills a gap in the study of collecting and provenance, taking the subject holistically and from multiple standpoints, better to reflect the widening interest in provenance from a range of disciplinary perspectives. This book will be a service to the field, from established scholars and museum professionals to students of collecting history, cultural heritage, and museum studies., The book fills a gap in the study of provenance, taking the subject holistically and from multiple standpoints, which better reflect the widening interest in provenance from a range of disciplinary perspectives., The study of provenance--the history of the creation and ownership of an artefact, work of art, or specimen--provides insights into the history of taste and collecting, illuminating the social, economic, and historic trends in which an object was created and collected. It is as much a history of people as it is of objects, and its study often reveals intricate networks of relationships, patterns of activity and motivations. This book promotes the study of the history of collecting and collections in all their variety through the lens of provenance, and explores the subject as a cross-disciplinary activity. Perhaps for the first time in a publication, it draws on expertise ranging from art history and anthropology, to natural history and law, looking at periods from antiquity through the 18th century and the Holocaust era to the present, and materials from Europe and the Americas to China and the Pacific. The issues raised are wide-ranging, touching on aspects of authenticity, cultural meaning and material transformation and economic and commercial drivers, as well as collector and object biography. The book fills a gap in the study of collecting and provenance, taking the subject holistically and from multiple standpoints, better to reflect the widening interest in provenance from a range of disciplinary perspectives. This book will be a service to the field, from established scholars and museum professionals to students of collecting history, cultural heritage, and museum studies.
LC Classification Number
AM133.C54 2019
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