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Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema: Used
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Numero oggetto eBay:364047224475
Specifiche dell'oggetto
- Condizione
- Publication Date
- 1996-10-15
- Pages
- 368
- ISBN
- 9780822318248
Informazioni su questo prodotto
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822318245
ISBN-13
9780822318248
eBay Product ID (ePID)
901115
Product Key Features
Book Title
Entertaining the Third Reich : Illusions of Wholeness in Nazi Cinema
Number of Pages
362 Pages
Language
English
Topic
Film / History & Criticism
Publication Year
1996
Illustrator
Yes
Genre
Performing Arts
Book Series
Post-Contemporary Interventions Ser.
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
24.1 Oz
Item Length
9.2 in
Item Width
6 in
Additional Product Features
LCCN
96-017882
Dewey Edition
20
Reviews
“ Entertaining the Third Reich offers a trenchant approach to Nazi cinema and, in reading the complexities of this specific cinema, it puts a number of important theoretical concepts to the test. Providing new and exciting insights, Schulte-Sasse goes beyond the known clich s about many of these films and offers new takes on the theory.â€�-Dana Polan, " Entertaining the Third Reich not only surpasses the well-known analyses of the Nazi cinema and its predecessors, but also sets new standards in the domain of the analysis of ideological mechanisms at work in cultural products."--Slavoj Zizek " Entertaining the Third Reich offers a trenchant approach to Nazi cinema and, in reading the complexities of this specific cinema, it puts a number of important theoretical concepts to the test. Providing new and exciting insights, Schulte-Sasse goes beyond the known clichés about many of these films and offers new takes on the theory."--Dana Polan, " Entertaining the Third Reich not only surpasses the well-known analyses of the Nazi cinema and its predecessors, but also sets new standards in the domain of the analysis of ideological mechanisms at work in cultural products."-Slavoj Zizek, “ Entertaining the Third Reich not only surpasses the well-known analyses of the Nazi cinema and its predecessors, but also sets new standards in the domain of the analysis of ideological mechanisms at work in cultural products.â€�-Slavoj Zizek, " Entertaining the Third Reich not only surpasses the well-known analyses of the Nazi cinema and its predecessors, but also sets new standards in the domain of the analysis of ideological mechanisms at work in cultural products."--Slavoj Zizek, " Entertaining the Third Reich offers a trenchant approach to Nazi cinema and, in reading the complexities of this specific cinema, it puts a number of important theoretical concepts to the test. Providing new and exciting insights, Schulte-Sasse goes beyond the known clichés about many of these films and offers new takes on the theory."--Dana Polan, " Entertaining the Third Reich offers a trenchant approach to Nazi cinema and, in reading the complexities of this specific cinema, it puts a number of important theoretical concepts to the test. Providing new and exciting insights, Schulte-Sasse goes beyond the known clichés about many of these films and offers new takes on the theory."-Dana Polan, " Entertaining the Third Reich not only surpasses the well-known analyses of the Nazi cinema and its predecessors, but also sets new standards in the domain of the analysis of ideological mechanisms at work in cultural products." - Slavoj Zizek" Entertaining the Third Reich offers a trenchant approach to Nazi cinema and, in reading the complexities of this specific cinema, it puts a number of important theoretical concepts to the test. Providing new and exciting insights, Schulte-Sasse goes beyond the known clichs about many of these films and offers new takes on the theory." - Dana Polan, "Entertaining the Third Reich not only surpasses the well-known analyses of the Nazi cinema and its predecessors, but also sets new standards in the domain of the analysis of ideological mechanisms at work in cultural products." - Slavoj Zizek"Entertaining the Third Reich offers a trenchant approach to Nazi cinema and, in reading the complexities of this specific cinema, it puts a number of important theoretical concepts to the test. Providing new and exciting insights, Schulte-Sasse goes beyond the known clichés about many of these films and offers new takes on the theory." - Dana Polan
Dewey Decimal
791.43/6358
Table Of Content
Contents List of Illustrations Preface Introduction Chapter 1. Mass Spectacle, History, Cinema: Embodiments of Social Fantasy Part I. Two Sides of a Coin: The "Jew" and the King as Social Fantasies Chapter 2. Courtier, Vampire, or Vermin? Jew Suss's Contradictory Effort to Render the "Jew" Other Chapter 3. Frederick, the Movie; or, The Return of the King's Body: Fridericus and The Great King Chapter 4. Building the Body Armor: Hans Steinhoff's The Old and the Young King Part II. Aestheticized Genius Chapter 5. Duel over the Son: Herbert Maisch's Friedrick Schiller - Triumph of a Genius Chapter 6. Anomaly or "Facist Delusion of Female Autonomy"? Pabst's Neuberin Film Komodianten Chapter 7. Tribulations of a Genius: Traugott Muller's Friedemann Bach Part III. Beyond the Eighteenth Century Chapter 8. Vicious Circulation: Money and Foreignness in Nazi Film Movies about Money: Hans Zerlett's Robert and Bertram and Karl Hartl's Gold Foreign Contamination: Hitler Youth Quex, Hans Westmar, S.A. Man Brand, For Human Rights, and Pour le Merite Chapter 9. Nazism and Machines Industry: Veit Harlan's The Ruler and Gerhard Lamprecht's Diesel Radio and the Homefront: Eduard von Borsody's Request Concert and Rolf Hansen's The Great Love Chapter 10. Of Lies and Life: Munchhausen's Narrative Arabesque Select Bibliography Filmography Index
Synopsis
In this persuasive reversal of previous scholarship, Linda Schulte-Sasse takes an unorthodox look at Nazi cinema, examining Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. Like other Nazi artistic productions, Nazi film has long been regarded as kitsch rather than art, and therefore unworthy of critical textual analysis. By reading these films as consumer entertainment, Schulte-Sasse reveals the similarities between Nazi commercial film and classical Hollywood cinema and, with this shift in emphasis, demonstrates how Hollywood-style movie formulas frequently compromised Nazi messages. Drawing on theoretical work, particularly that of Lacan and Zizek, Schulte-Sasse shows how films such as Jew Süsss and The Great King construct fantasies of social harmony, often through distorted versions of familiar stories from eighteenth-century German literature, history, and philosophy. Schulte-Sasse observes, for example, that Nazi films, with their valorization of bourgeois culture and use of familiar narrative models, display a curious affinity with the world of Enlightenment culture that the politics of National Socialism would seem to contradict. Schulte-Sasse argues that film served National Socialism less because of its ideological homogeneity than because of the appeal and familiarity of its underlying literary paradigms and because the medium itself guarantees a pleasurable illusion of wholeness. Entertaining the Third Reich will be of interest to a wide range of scholars, including those engaged in the study of cinema, popular culture, Nazism and Nazi art, the workings of fascist culture, and the history of modern ideology., In this persuasive reversal of previous scholarship, Linda Schulte-Sasse takes an unorthodox look at Nazi cinema, examining Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. Like other Nazi artistic productions, Nazi film has long been regarded as kitsch rather than art, and therefore unworthy of critical textual analysis. By reading these films as consumer entertainment, Schulte-Sasse reveals the similarities between Nazi commercial film and classical Hollywood cinema and, with this shift in emphasis, demonstrates how Hollywood-style movie formulas frequently compromised Nazi messages. Drawing on theoretical work, particularly that of Lacan and Zizek, Schulte-Sasse shows how films such as Jew S sss and The Great King construct fantasies of social harmony, often through distorted versions of familiar stories from eighteenth-century German literature, history, and philosophy. Schulte-Sasse observes, for example, that Nazi films, with their valorization of bourgeois culture and use of familiar narrative models, display a curious affinity with the world of Enlightenment culture that the politics of National Socialism would seem to contradict. Schulte-Sasse argues that film served National Socialism less because of its ideological homogeneity than because of the appeal and familiarity of its underlying literary paradigms and because the medium itself guarantees a pleasurable illusion of wholeness. Entertaining the Third Reich will be of interest to a wide range of scholars, including those engaged in the study of cinema, popular culture, Nazism and Nazi art, the workings of fascist culture, and the history of modern ideology.
LC Classification Number
PN1995
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- 0***g (380)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoExcellent purchase. Was able to get all three items from the one seller. Seller was able to bundle all three items together into one package. Items as described and arrived in perfect condition. Good communication around shipping and tracking as items delayed and not able to be delivered by original estimate. Thanks to shipping updates I was able to track the items arriving before the extended delivery time. Thank you for making these items available on EBay.
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