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La Jetée ~ Chris Marker ~ Janet Harbord ~ Afterall Books ~ One Work ~ Paperback
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“USED BOOK ~ Fair/Good Condition ~ No Writing or Highlighting ~ No Tears ~ Some Moisture Damage on ”... Scopri di piùinformazioni sulla condizione
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US $9,75 (circa EUR 8,42) USPS Ground Advantage®.
Oggetto che si trova a: Colorado Springs, Colorado, Stati Uniti
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Consegna prevista tra il ven 21 nov e il mar 25 nov a 94104
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Informazioni sull'oggetto
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:357796560891
Specifiche dell'oggetto
- Condizione
- Ottime condizioni
- Note del venditore
- ISBN
- 9781846380488
Informazioni su questo prodotto
Product Identifiers
Publisher
Afterall Publishing
ISBN-10
1846380480
ISBN-13
9781846380488
eBay Product ID (ePID)
71129833
Product Key Features
Book Title
Chris Marker : La Jetée
Number of Pages
112 Pages
Language
English
Topic
Individual Artists / General, Individual Photographers / General, Film / History & Criticism
Publication Year
2009
Features
New Edition
Illustrator
Yes
Genre
Art, Performing Arts, Photography
Book Series
Afterall Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
12.6 Oz
Item Length
8.3 in
Item Width
5.9 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Grade From
College Graduate Student
Dewey Decimal
791
Edition Description
New Edition
Synopsis
Chris Marker's legendary "ciné roman" ("film novel") La Jetée is considered one of the greatest and most influential experimental films of all time. This short film--a postapocalyptic story composed almost entirely of black-and-white still photographs -- has been praised by cultural theorists and Netflix subscribers alike. In this illustrated study of La Jetée , Janet Harbord focuses in part on the film's treatment of time -- its shifts from a pre-war past to a projected future a further future of the future (each with its own signature images and sound) -- arguing that in this way it addresses the nature of consciousness and the simultaneity of time-frames that we inhabit. Harbord moves easily from a close reading of the film to discussions of broader cultural issues, lucidly piecing together the enigma that is La Jetée ., Chris Marker's legendary "cine roman" ("film novel") "La Jetee" is considered one of the greatest and most influential experimental films of all time. This short film--a postapocalyptic story composed almost entirely of black-and-white still photographs -- has been praised by cultural theorists and Netflix subscribers alike. In this illustrated study of "La Jetee," Janet Harbord focuses in part on the film's treatment of time -- its shifts from a pre-war past to a projected future a further future of the future (each with its own signature images and sound) -- arguing that in this way it addresses the nature of consciousness and the simultaneity of time-frames that we inhabit. Harbord moves easily from a close reading of the film to discussions of broader cultural issues, lucidly piecing together the enigma that is "La Jetee."", The resurgence of ethnic consciousness over the past decade has had a profound effect on many Jewish artists, writers, performers, and the Jewish community at large. Surprisingly, however, Jewish identity remains one of the least explored terrains in contemporary discussions of multiculturalism and identity-based art. Too Jewish? takes a fresh, often confrontational and sometimes humorous, approach to newly considered representations of Jewish identity. This book, accompanied by a major exhibition at The Jewish Museum, New York, places the Jewish identity subjects in the recent art of such artists as Deborah Kass, Rona Pondick, Archie Rand, Elaine Reichek, Art Spiegelman, Hannah Wilke, and others within a larger continuum of influences ranging from nineteenth-century art history to twentieth-century media and pop culture. Essays by major writers explore the historic and scientific roots of the construction of the Jew's "otherness," assimilation strategies, and stereotypes inherent in past and present definitions of Jewish masculinity and femininity. The contributors include cultural critic Maurice Berger, sociologist Sander L. Gilman, playwright Tony Kushner , art theorist Rhonda Lieberman, art historian Margaret Olin , and anthropologist Riv-Ellen Prell . Renowned art historian Linda Nochlin provides a clever and highly personal foreword that captures her complicated reaction to the Hasidic-inspired clothing from Jean Paul Gaultier's Fall 1993 collection. The exhibition curator and editor of this work, Norman L. Kleeblatt, offers an insightful introduction on the complex history of post war Jewish identity and its impact on visual artists. This is a lively and provocative book that offers a unique critical perspective on Jewish identity, multiculturalism, or contemporary art.
LC Classification Number
PN1997.J444H37 2009
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