Eric Rohmer (French Film Directors), Schilling, Derek, Very Good Book

Midtown Scholar Bookstore
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CircaEUR 6,52
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Condizione:
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Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE ... Maggiori informazioniinformazioni sulla condizione
Goditi i vantaggi. Restituzioni accettate.
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Gratis Economy Shipping.
Oggetto che si trova a: Harrisburg, Pennsylvania, Stati Uniti
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Consegna prevista tra il sab 11 ott e il gio 16 ott
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Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico dell'acquirente..
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Numero oggetto eBay:357660403762
Ultimo aggiornamento: 05 ott 2025 09:17:17 CESTVedi tutte le revisioniVedi tutte le revisioni

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Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore. Vedi tutte le definizioni delle condizioniviene aperta una nuova finestra o scheda
Note del venditore
“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...
ISBN
9780719072345

Informazioni su questo prodotto

Product Identifiers

Publisher
Manchester University Press
ISBN-10
0719072344
ISBN-13
9780719072345
eBay Product ID (ePID)
59081603

Product Key Features

Book Title
Eric Rohmer
Number of Pages
224 Pages
Language
English
Topic
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Publication Year
2007
Illustrator
Yes
Genre
Performing Arts
Author
Derek Schilling
Book Series
French Film Directors Mup Ser.
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
9.7 Oz
Item Length
5.2 in
Item Width
7.9 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
791.430233092
Table Of Content
Introduction 1. Career overview 2. Theory and criticism 3. Style and technique 4. Seriality and theme 5. Literature and history Conclusion
Synopsis
Few filmmakers have taken the principle of the 'talking picture' so far as Eric Rohmer, the internationally reknowned director of the Moral Tales, Comedies and Proverbs, and Tales of the Four Seasons cycles. Occasionally dismissed as precious or overly literary, Rohmer's features may leave the impression that there is more to listen to than to look at. Yet as the secretive director (b. Maurice Sch rer in 1920) points out, dialogue is no less engaging than the best gunfights, and if his characters prefer discussing love to making it, they are no less the 'heroes' of the stories they tell. Charges of political conservatism aside, the author of My Night at Maud's, Summer and such period films as Perceval and the all-digital The Lady and the Duke emerges - like Hitchcock before him - as a singular inventor of cinematic forms. This critical overview, which contains an extensive bibliography and a filmography, will appeal to students of Film Studies, French Studies, and enthusiasts., Few filmmakers have taken the principle of the 'talking picture' so far as Eric Rohmer, the internationally reknowned director of the Moral Tales, Comedies and Proverbs, and Tales of the Four Seasons cycles. Occasionally dismissed as precious or overly literary, Rohmer's features may leave the impression that there is more to listen to than to look at. Yet as the secretive director (b. Maurice Schérer in 1920) points out, dialogue is no less engaging than the best gunfights, and if his characters prefer discussing love to making it, they are no less the 'heroes' of the stories they tell. Charges of political conservatism aside, the author of My Night at Maud's, Summer and such period films as Perceval and the all-digital The Lady and the Duke emerges - like Hitchcock before him - as a singular inventor of cinematic forms. This critical overview, which contains an extensive bibliography and a filmography, will appeal to students of Film Studies, French Studies, and enthusiasts., Few filmmakers have taken the principle of the 'talking picture' so far as Eric Rohmer, the internationally reknowned director of the Moral Tales, Comedies and Proverbs, and Tales of the Four Seasons cycles. Occasionally dismissed as precious or overly literary, Rohmer's features may leave the impression that there is more to listen to than to look at. Yet as the secretive director (b. Maurice Schérer in 1920) points out, dialogue is no less engaging than the best gunfights, and if his characters prefer discussing love to making it, they are no less the 'heroes' of the stories they tell.Charges of political conservatism aside, the author of My Night at Maud's, Summer and such period films as Perceval and the all-digital The Lady and the Duke emerges - like Hitchcock before him - as a singular inventor of cinematic forms. This critical overview, which contains an extensive bibliography and a filmography, will appeal to students of Film Studies, French Studies, and enthusiasts.

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