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HANDEL'S OPERAS 1726-1741 / Winton Dean / 1st Ed. / Baroque Classical Music NEW

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Numero oggetto eBay:356852648478
Ultimo aggiornamento: 07 mag 2025 05:58:28 CESTVedi tutte le revisioniVedi tutte le revisioni

Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
Pages
602
Book Condition
As new
Cover
Hardcover
Book Title
HANDEL'S OPERAS, 1726-1741
Educational Level
Adult & Further Education
Level
Proficiency, Advanced
Topic
Music
ISBN
9781843832683

Informazioni su questo prodotto

Product Identifiers

Publisher
Boydell & Brewer, The Limited
ISBN-10
1843832682
ISBN-13
9781843832683
eBay Product ID (ePID)
52636269

Product Key Features

Number of Pages
602 Pages
Language
English
Publication Name
Handel's Operas, 1726-1741
Publication Year
2006
Subject
History & Criticism, Genres & Styles / Opera
Type
Textbook
Author
Winton Dean
Subject Area
Music
Format
Hardcover

Dimensions

Item Height
1.8 in
Item Weight
52.6 Oz
Item Length
9.5 in
Item Width
7.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
22
Reviews
Together with the previous volume, Dean has provided an invaluable reference to what he no doubt sees as the essential point: keeping Handel's works alive on the stage for a long time to come. OPERA QUARTERLY We are fortunate to have Dean's erudite and enthusiastic advocacy of these splendid works. Handel's Operas provides essential reading for scholars, a warning for directors, information for opera-goers...and a source of great pleasure for anyone interested in 18th century culture. A delight. MUSICAL TIMES [Patricia Howard] Dean's book is clearly outstanding, and is essential reading for anyone who wants to discover almost everything there is to know about these fascinating works. SUNDAY TIMES [Hugh Canning] The writing is throughout an object lesson to those who with half (or less) of Dean's scholarly knowledge would blind us with obtuse and convoluted language. It is this above all that will surely ensure Handel's Operas a place on the shelves of the general enthusiast.GOLDBERG [Brian Robins] No music library or ardent Handelian should be without it. BBC MUSIC MAGAZINE [5 Stars] It is not fanciful to insist that without Winton Dean's invaluable devotion to Handel scholarship many of his subsequent colleagues would have remained fumbling in the dark for decades. GRAMOPHONE [David Vickers] An important book - a minor miracle. OPERA There are riches in this book...Again and again Dean's descriptions leap off the page with a vividness that compels attention. The reader is gripped not only by the elegance and wit of his style but also by the sense that this writer...is truly a man of the theatre. EARLY MUSIC TODAY Monumental, encyclopedic, indispensable, not-to-be-superseded...essential reading. EARLY MUSIC Dean's accomplishment is extraordinary , and his work is of monumental significance. NOTES Dean's comments...are illuminating and often powerfully evocative...This book and its predecessor are a remarkable achievement. MUSIC & LETTERS A critically important book, bursting with information that, as with Dean's earlier books, will likely remain important and relevant after many years. JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY, We are fortunate to have Dean's erudite and enthusiastic advocacy of these splendid works. Handel's Operas provides essential reading for scholars, a warning for directors, information for opera-goers...and a source of great pleasure for anyone interested in 18th century culture. A delight., The writing is throughout an object lesson to those who with half (or less) of Dean's scholarly knowledge would blind us with obtuse and convoluted language. It is this above all that will surely ensure Handel's Operas a place on the shelves of the general enthusiast.
Illustrated
Yes
Dewey Decimal
782.1092
Table Of Content
The Rival Queens 1726-1728 Alessandro Admeto Re di Tessaglia Riccardo Primo Re d'Inghilterra Siroe Re di Persia Tolomeo Re di Egitto The 'Second Academy' 1729-1734 Lotario Partenope Poro Re dell'Indie Ezio Sosarme Re di Media Orlando Arianna in Creta Covent Garden 1734-1737 Ariodante Alcina Atalanta Arminio Giustino Berenice Regina di Egitto The Last Operas 1738-1741 Faramondo Serse Imeneo Deidamia
Synopsis
Detailed overview of Handel's final 22 operas - including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo - by the world's leading authority., Detailed overview of Handel's final 22 operas - including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo - by the world's leading authority. Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 (when Handel was still living) and 1920 not one of his operas was performed anywhere. Their revival in the modern theatre has beenamong the most remarkable phenomena in the history of the art. But they are still too little understood, or studied, and until recently no reliable modern editions existed. This long-awaited book is the sequel to Handel'sOperas 1704-1726, published in 1987. It is the first study in depth of Handel's last twenty-two operas, including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo. Each chapter contains a full synopsis and study of the libretto, a detailed assessment of the opera's musical and (often misunderstood) dramatic qualities, a performance history, and comparison of the different versions. Much new material has been incorporated. In addition four general chapters throw a vivid light on the historical background. Two Epilogues touch on Handel's dramatic vision, the revival of his operas in the twentieth century, and their performance today. There are a number of valuable Appendices. Together with its predecessor, the book provides the first complete overview of these works. WINTON DEAN isthe most distinguished British authority on the life and work of Handel; he has also written extensively on opera in general., Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 (when Handel was still living) and 1920 not one of his operas was performed anywhere. Their revival in the modern theatre has been among the most remarkable phenomena in the history of the art. But they are still too little understood, or studied, and until recently no reliable modern editions existed. This long-awaited book is the sequel to Handel's Operas 1704-1726, published in 1987. It is the first study in depth of Handel's last twenty-two operas, including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo. Each chapter contains a full synopsis and study of the libretto, a detailed assessment of the opera's musical and (often misunderstood) dramatic qualities, a performance history, and comparison of the different versions. Much new material has been incorporated. In addition four general chapters throw a vivid light on the historical background. Two Epilogues touch on Handel's dramatic vision, the revival of his operas in the twentieth century, and their performance today. There are a number of valuable Appendices. Together with its predecessor, the book provides the first complete overview of these works. WINTON DEAN is the most distinguished British authority on the life and work of Handel; he has also written extensively on opera in general.
LC Classification Number
ML410.H

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