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Product Identifiers

PublisherHarperCollins

ISBN-100062914707

ISBN-139780062914705

eBay Product ID (ePID)28038278640

Product Key Features

Book TitleSittin' in : Jazz Clubs of the 1940s and 1950s

Number of Pages260 Pages

LanguageEnglish

Publication Year2020

TopicPopular Culture, Ethnic Studies / African American Studies, Genres & Styles / Jazz

IllustratorYes

GenreMusic, Social Science

AuthorJeff Gold

FormatHardcover

Dimensions

Item Height1.2 in

Item Weight41.3 Oz

Item Length8.1 in

Item Width9.6 in

Additional Product Features

Intended AudienceTrade

LCCN2018-965720

ReviewsJeff Gold's Sittin' In is a terrific new book documenting the jazz clubs of the 1940s & 1950s...the photographs are a treasure, and the text is fascinating. Even if you aren't an aficionado of the jazz of this era, or of jazz in general, the stories of the time and of this culture (let alone the lasting impact on music) make this one well worth owning., Serious jazz fans should have this book...A sharp, clear explanation of a long-gone era of musical and social exploration., This handsome book looks back not only to the distant years of clubs long gone, but to a seemingly equally distant time...when we could gather freely with one another, relax, and enjoy the best live music in the land., Sending big-time props to my brother, Jeff Gold, on the release of his new book, Sittin' In--the first book exclusively dedicated to the story of America's jazz clubs...This book covers the incredibly important role jazz played in integration, as jazz clubs were among some of the first places that allowed integration during the Jim Crow era, on stages & in the audiences. It was never about the color of your skin...jazz was & is simply about, "Can you play, sucka!" & that's exactly what this book is about!, This is a terrific book about the history of jazz clubs and the great artists who played them. Highly recommend!, This marvelous book is a must tor anyone interested not only in the history of jazz and American city culture but also tor it's wondrous design...Take the trip! It just might blow your mind..., ...a swinging book, with amazing interviews and pictures about jazz clubs. You really might want to check it out., The images testify not just to jazz's popular peak but to a now-distant optimistic moment of promise in American life...These images bequeath a rarely published view of Black American middle-class life at mid-century: relaxed, elegant, and urbane...You also come away struck by how singular this postwar moment was. Finally, though, you come away refreshed by the spirit of what once was, a spirit that rebukes and shames where we seem to be today., ...offers an unprecedented look inside the jazz clubs from this era across the United States. Drawing on an incredible trove of never-before-seen photos and memorabilia, [Gold] gives us a glimpse at a world that was rich in culture, music, dining, fashion, and more.

Dewey Edition23

Dewey Decimal781.6509

SynopsisA rare collection of more than 200 full-color and black-and-white souvenir photographs and memorabilia that bring to life the renowned jazz nightclubs of the 1940s and 1950s, compiled by Grammy Award-winning record executive and music historian Jeff Gold and featuring exclusive interviews with Quincy Jones, Sonny Rollins, Robin Givhan, Jason Moran, and Dan Morgenstern.In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin' In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre--Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others--were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening's entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club's name and logo. Sittin' In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you'll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern. Gold surveys America's jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom., A rare collection of more than 200 full-color and black-and-white souvenir photographs and memorabilia that bring to life the renowned jazz nightclubs of the 1940s and 1950s, compiled by Grammy Award-winning record executive and music historian Jeff Gold and featuring exclusive interviews with Quincy Jones, Sonny Rollins, Robin Givhan, Jason Moran, and Dan Morgenstern. In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin' In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre--Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others--were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening's entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club's name and logo. Sittin' In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you'll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern. Gold surveys America's jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom., A rare collection of more than 200 full-color and black-and-white souvenir photographs and memorabilia that bring to life the renowned jazz nightclubs of the 1940s and 1950s, compiled by Grammy Award-winning record executive and music historian Jeff Gold and featuring exclusive interviews with Quincy Jones, Sonny Rollins, Robin Givhan, Jason Moran, and Dan Morgenstern. In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin' In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre-Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others-were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening's entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club's name and logo. Sittin' In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you'll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern. Gold surveys America's jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.

LC Classification NumberML3508.G6 2020